text: Susana Gardner
photo+elab.: Marco Giovenale
New site for the multi-project site of CRASHTEST.
Take a look !
In the meanwhile, I received my copy of the UberTrashung issue :

with fab works by
*David-Baptiste Chirot (RubBEINGS)
*Heike Fiedler (I refuse)
*Laurent Herrou (Litter Letters)
*Clemente Padin (Trash Spamer)
*Carmen Racovitza (Junk Mail Art)
*Kriz Rzepka (Basura, precio)
*Xavier Stern (Litter rature)
(and *me)
THE FLUX I SHARE is a new collaborative webspace where some people meet to share experiments. here’s a selection from a first table of contents:
something like a situationist state of mind. 00
fragments. reduced time. weakness and/or defeat. 01
passages. paris. rome. ny. & anywhere. in any language. 02
“images and visual poems are welcome”. 03
experimental codes are daily stuff. 04
each single day produces (non)sense, superimpositions, etc. 05
prosperous flux(for)us. phosphorus-added googled daydiagrams. 06
reality is enough. don’t double it. overwrite. 07
no performance. no show. install. minimal texts (or not). 08
*
fluxishare‘s crew: bill allegrezza, gherardo bortolotti, anne boyer, alessandro broggi, david-baptiste chirot, michelle detorie, linh dinh, susana gardner, marco giovenale, k. lorraine graham, jukka-pekka kervinen, jim leftwich, jon leon, sheila murphy, carmen racovitza, joe ross, eric k. rzepka _ e-doppelganger, massimo sannelli, jennifer scappettone, ed schenk, harry k. stammer, xavier stern, ton van ‘t hof, elisabeth workman, michele zaffarano
CD-K = see decay, opera in collaborazione con Xavier Stern, Galleria Garage103 (Nizza), dal 17 mar. al 12 mag. 2007; cfr. http://crashtext.wordpress.com/ubertrashung/ e http://poeticinvention.blogspot.com/2007/03/ubertrashung.html;
Elisabeth Workman’s a city_a cloud [pdf file, 576 Kb], *a dusi/e-chap 2006, is a mixed-media collaborative numeric sequence of short poems alongside images which attempt to map, trace and define what is initially secreted, unexpressed, or lays dormant and undefined within the framework of a city.
The texts are not simply a narration of the visual images, nor vice-versa. The whole structure of visual items and sentences shows that the two forms cross the same constructed territory and thus create a unique as well as unified codework — a disposition which deconstructs, redefines and elaborates sharp declarations, formulating brilliant memory spots in way of choice, time, space, displacement, and permutation. The images, by Barbara Campbell, provide a visual texture to the fragments’ journey. The texts and images both work alone and together concurrently, as a whole structure of visual items and text which illustrate the same grainy terrain. The collaborative element of which effectively works in its similar crossings, only to be then elucidated, expanded and then, again, deconstructed.
In this way, the texts and frames of broken narrative elements are, not-so surprisingly, fitting: “she was working / against the idea of a coherent / whole, it was the liquid room / and the new buildings that / already resembled ruins” (Fragm.15) drawing a “fluorescent world / filled with flickering bodies” (6), flickering lines.
:
marco giovenale, susana gardner
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Elisabeth Workman, a city_a cloud [pdf file, 576 Kb]. Dusi/e-chap project, http://dusie.org, 2006. Images: Barbara Campbell. Art & design layout master: Erik Brandt.
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