Archivi tag: vispo
Tip of the Knife #6
Tip of the Knife #6 is now available!
http://tipoftheknif e.blogspot. com/2011/ 09/tip-of- knife-issue- 6.html
this is visual poetry by Massimo Sannelli
MASSIMO SANNELLI
this is visual poetry by Massimo Sannelli
16 pagine a colori, 16 immagini originali. $10 (+ s/h)
pagina web : http://thisisvisualpoetry.com/?p=1004
edito da chapbookpublisher.com
443 Main Street | Kingston, PA 18704 | USA
+1-570-762-6140 and chapbookpublisher@gmail.com
“this IS DONE, and that IS DONE, another thing is TO DO, later:
theater, music, art, translations, poetry, performance. i don’t know
the *direction* of my work(s). the absolute and invisible Work is
filled of works: the first is abstract, the others do exist. all is
real. the mind quotes itself. there’s the real gorgeous practical wish
to look for real gorgeous practical happyness. nothing but fragments
of an invisible mind-poem I’d like to share with people. we can help
each other to be more self-aware”
Rem Magazine: call for submissions
Rem Magazine is open for submissions until 1 November.
Rem is an Aotearoa based online/offline zine which specialises in experimental writing (asemic, avant-garde, vispo, fiction, mailart etc).
Full details can be found on the website:
http://www.facebook.com/l/bAQBqz412AQBMhh5UjMfuttk3Rf4VNwO5ntCnkUUwEmLgSg/www.remmagazine.netor
for info:
rem [at] remmagazine [dot] net
Rem Magazine is open for submissions until 1 November. Rem is an Aotearoa
based online/offline zine which specialises in experimental writing
(asemic, avant-garde, vispo, fiction, mailart etc).
Full details can be found on the website:http://www.facebook.com/l/bAQBqz412AQBMhh5UjMfuttk3Rf4VNwO5ntCnkUUwEmLgSg/www.remmagazine.netor email at
rem@remmagazine.net for information.
hosts_ Rosaire Appel_ ten x 2 pages_ 2009
[scribd id=61928127 key=key-232nr8hgcnrsd1l6fvkr mode=list]
Eugen Gomringer in the UK
see The Other Room’s pdf
http://theotherroom.files.wordpress.com/2011/08/gomringer-schedule.pdf
!! Klebnikov Carnaval !!
the vispo & asemic expo @ The Klebnikov Carnaval
Please join our
MAIL ART EXPO
KLEBNIKOV CARNAVAL 2011
online @ http://khlebnikov.wordpress.com/expo
offline @ SMIDSEHOF, Smidsestraat 31, 3010 Kessel-Lo, Belgium on sept. 2-4 2011
KLEBNIKOV CARNAVAL EXPO
SMIDSESTRAAT 31
3010 Kessel-Lo
Belgium
>>> (for the online expo you can send in things till the end of 2011) <<<
EVERYONE
can participate
NO THEME – NO FEES – NO JURY – NO REWARD – NO RETURN – NO RESTRICTIONS – NO DO & DON’Ts – NO NO’s
you want to be shown online and/or offline
– anonymous contributions will be shown as well
- John M. Bennett (USA)
- Clemente Padin (URUGUAY)
- Dirk Vekemans (BELGIUM)
- Marco Giovenale (ITALY)
- Luc Fierens (BELGIUM)
- Reed Altemus (USA)
- Roberto Scala (ITALY)
- Hilda Paz (ARGENTINA)
- Thierry Tillier (BELGIUM)
- Mariangela Guatteri (ITALY)
- Annelien Vekemans (BELGIUM)
- SAGE (NETHERLANDS)
- Bjørn Magnhildoen & Ana Buigues (SPAIN)
- Jukka-Pekka Kervinen (FINLAND)
- Tiziana Baracchi (ITALY)
4th Klebnikov Carnaval : EXPO
the SECREt eXCHANGE
new works @ “Renegade”
UbuWeb: visual poetry
INTRODUCTION TO UBUWEB: VISUAL POETRY
UBUWEB began as an online repository for concrete and visual poetry
scanned from aging anthologies and re-imagined as back-lit
transmissions from a potential future. As the archive has progressed,
the concentration on visual poetry has waned in favour of an
reconnoitering of diverse avant-gardes.
UBUWEB: VISUAL POETRY exposes little-seen exemplars of historical
praxis and models of contemporary insight to a wider audience. This
section includes anthologies, ephemeral publications, criticism and
sporadic journals dedicated to visual poetry. Due to the elusive and
ephemeral nature of concrete and visual poetry publications, there is
a perceived lack of innovation in the genre. Without exposure to
radical practice, artistic precedent and innovative models, concrete
poets too often fall back upon familiar tropes and unchallenging
forms.
UBUWEB: VISUAL POETRY is not presented under the rubric of historical
coverage or indexical completeness, but rather as a document of
isloate moments of what Haroldo de Campos argued was a “notion of
literature not as craftsmanship but […] as an industrial prcoess”
where the poem is a “prototype” rather than the “typical handiwork of
artistic artistry.”
— derek beaulieu, curator
