Archivi tag: visual poetry

pere sousa’s “papeles pegados” (2020) @ red fox press

Pere Sousa
“Papeles Pegados”
Collection “C’est Mon Dada” # 141

Collages / Visual Poetry
A6 format (10.5×15 cm / 4 x 6″) – 44 pages
Hardcover, thread and quarter cloth binding
Laser printing on ivory paper.
Red Fox Press, February 2020
https://www.redfoxpress.com/dada-sousa.html

john richard mcconnochie: “offerings”, online exhibit @ van vliet gallery

http://vanvlietgallery.com/

“Offerings”: asemic, concrete and visual poetry by John Richard McConnochie. Now showing at VVG’s website, VanVlietGallery.com until mid-November. A catalog of the show is available for purchase.

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“womb: opere dall’archivio utsanga”: @ fasano (br) dal 2 al 13 giugno

“Womb. Opere dall’Archivio Utsanga” | Mostra promossa e curata da Clotilde Palasciano
Museo della casa alla fasanese | via Fogazzaro 4, Fasano (BR)
dal 2 al 13 giugno 2022
In mostra opere di Mariangela Guatteri, Fabio Lapiana, Giovanni Fontana, David Felix, Tim Gaze, Lucinda Sherlock, Cristiano Caggiula, Francesco Aprile, Egidio Marullo, Marco Giovenale, Giuseppe Calandriello, Ásgrimur Kuldaboli Pórhallsson, Lina Stern, Vittore Baroni, Dona Mayoora, Luc Fierens, Eugenio Lucrezi, Kerri Pullo, Hilda Paz, Reed Altemus, Clemente Padin, Giancarlo Pavanello, Clotilde Palasciano, Miriam Midley, Cheryl Penn, Francesco Saverio Dòdaro, Enzo Miglietta, Ruggero Maggi, Rafael Gonzalez, Vittorio Fava, Vittorino Curci, Kenryo Hara, Gino Gini, Fernanda Fedi, Oronzo Liuzzi, Adriano Accattino, Enzo Patti, Anna Boschi, Cecelia Chapman-Jeff Crouch, Giuseppe Pellegrino.

Alcune immagini dalla mostra qui: https://www.facebook.com/francesco.aprile3/posts/pfbid02Q48KwJBattpBGbykRQYE5xzWpe9kELtneXiAWVWrjU2NBtL2XTov9X6ov89pBkYgl

vou: visual poetry tokyo, 1958-1978

Sandro Ricaldone

VOU
Visual Poetry
Tokyo
1958-1978
edited by Taylor Mignon
Isobar Press, 2022

Taylor Mignon has lived in Tokyo for many years, and during that time he has built up an important collection of copies of the avant-garde magazine VOU, edited by the legendary Kitasono Katue. Although the magazine, originally founded in 1935, had long included visual images (the earliest one reproduced here dates from 1958), in the decade or so before Kitasono’s death in 1978, the magazine became notable for the amount and quality of visual poetry it printed. VOU: Visual Poetry, Tokio, 1954–1978 is Taylor’s selection of work by nine leading contributors, along with his commentary on the poets and Eric Selland’s introduction placing the work in its historical, cultural and political context.

From Eric Selland‘s Introduction to the book: This long-overdue publication fills a gap in the understanding of postwar Japanese poetry and the role of visual poetry in the avant-garde of Japan’s postwar period. It is a highly welcome book. The VOU Club was a group of outsider poet-artists with their roots in Japan’s Modernist avant-garde of the 1930s who were an active part of Japan’s tumultuous 1960s and 1970s.…The work included in this selection has been cared for and preserved by Taylor Mignon and a handful of other people without whose efforts it would have fallen into oblivion. It is hoped that this publication will bring about more awareness of Japan’s dynamic experimental tradition in poetry during the twentieth century.

textimagepoem blogzine

SUNDAY, JANUARY 16, 2022

jim leftwich, a page from No Such Thing As Repetition (2001)

jim leftwich
Death Text Book 8 (2003)
When bears prevail Take ___ breath (microbooks, 2011)
Pixies—-Calcium (2010)
Things Rescued From Eternal Nonexistence (2001)
No Such Thing As Repetition (2001)
WHAT (1996)
turtle fish sun flower. cat kite beetle boat. (2001)
noodle had (2001)
quasi-letteral anti-calligraphy (2011)
mead memo (2007)
mead memo (2004-2007)
mead memo (2002-2006)
mead memo (2006)

Labels: 2001asemic writinghistoriographyjim leftwichmicropress publishingongoing researchvisual poetry

POSTED BY JIM LEFTWICH AT 8:20 AM 

david-baptiste chirot – in memoriam

https://www.lulu.com/en/us/shop/david-baptiste-chirot-and-david-baptiste-chirot-and-c-mehrl-bennett-and-john-m-bennett/poet-on-the-right-side-of-history/paperback/product-4g6nyv.html

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After a five month stay in hospital, well-known international artist and poet, David-Baptiste Chirot (birth name, David Harris) began, in the late 1980’s, a new phase in his artistic journey at River View apartments in Milwaukee Wisconsin with artworks, films, writing, only to have it interrupted in early June 2021 by his untimely death. Friends and fellow artists/writers helped piece together this in-memoriam from notebooks, files, loose pages and artworks, salvaged from his apartment, and with works inspired by his art, writings, and their memories of father, brother, friend, artist, writer, poet & visual poet, David-Baptiste Chirot (b.1953 – d.2021).

Eds: Tom Hibbard, John M. Bennett, Catherine Mehrl Bennett

jim leftwich: some recent links

sonntets:

ex-ex-lit.blogspot.com/2021/12/jim-leftwich-sonnets.html

interview:

https://jimleftwichtextimagepoem.blogspot.com/2021/11/jim-leftwich-interviewed-by-burak-s.html

examples of a certain kind of thinking #2:

https://jimleftwichtextimagepoem.blogspot.com/2021/11/jim-leftwich-examples-of-certain-kind.html

5 Books of Visual Poetry & Asemic Writing (2021):

https://jimleftwichtextimagepoem.blogspot.com/2021/11/jim-leftwich-5-books-of-visual-poetry.html

writing against itself:

https://jimleftwichtextimagepoem.blogspot.com/2021/11/writing-against-itself-jim-leftwich-2016.html

nico vassilakis: “letters of intent” (visual essays)

LETTERS of INTENT
by Nico Vassilakis
A book of visual poetry
120 pages in full color
Available here: https://www.amazon.com/dp/8182538548

LETTERS of INTENT

  • is a collection of visual essays designed to explore the interior space of language material;
  • unfolds in chapters that investigate the methods, processes, manifestos and potentials of visual poetry;
  • attempts to blend the verbo-visual concept of reading seeing with the position that letters and their visual properties keep the germ of language afloat and operating while word formations are merely a convenience we’ve become accustomed to.

 

first international colloquium of visual poetry: research and creation (8-12 nov, 2021)

thanks to the staff and editorial board of the First International Colloquium of Visual Poetry, for the lectures and dialogues, the videos and the online art exhibit.

and… thanks for hosting one piece by me in the exhibit (here and below)

here is the address of all the videos up to now:
youtube.com/channel/UCZdUcWYGGhxEmQEDrQ7pBSw/videos

the site:
https://www.jornadadepoesiavisual.com/

here’s my work:

https://www.jornadadepoesiavisual.com/mostravirtual?lightbox=dataItem-kv8g03sc

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first international colloquium on visual poetry

The purpose of the event is to bring together artists and scholars in order to promote critical thinking and expand the relationship between practitioners of visual poetry at a global level. At the same time, and as part of the event, the First Virtual Exhibition of Visual Poetry will be held, in order to bring together historical and contemporary productions based on contributions from invited and registered poets.

Applications are open from 1st June 2021 to 15th August 2021 for submission of theoretical propositions (for oral communication) and artistic works (for the virtual exhibition).

All the infos here: https://www.jornadadepoesiavisual.com/en

[This is a non-profit event that does not have financial support from any public or private institution. The Organizing Committee and all invited participants waived Pró-Labore, and there are no registration fees]

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