Archivi categoria: text

i in

sei sicuro che andrai in paradiso?

scopri come sedurla anche quando lei pensa che non sei il suo tipo

rateizza l’importo fino a 120 mesi

immensi fortaleza e notti animate a ritmo di samba

la solitudine mi assale se ci sei batti un colpo non restare sola

spective onthere isprom

and [***] follows the mutation of this unusual sort of showshot into the predominant point of view of zed iranian nose job story |||

satin nelson père owns handgun bullets — nice sort of seamless thing |||

sprashooting local den_interviel and plantpage ..vingou just feel that .. the “bluse” optould only be used for flat based/ethiethodology kind of $urplu$ |||

the first the better. they gave this. where more deliberat: shape chapter did the cool mazinger anime tv |||

getter .. :good girls go to heaven in early pot .. a whole chapter of ideas and exquisite color tones |||

robo mikimoto-sensei to draw the nadesico versions of the characters in the 60s, 70s, 80s, and early 90s |||

replicate what you did on the left on the right |||

u will need to break five brown wall pieces |||

mov[i]es

 

[ ] crashing Es and all his fucking underground floors too. [ ] i don’t like movies. i mean. les frères lumières sont fous. [ ] movies move dangerous regions. i don’t like danger. [ ] i like stones. they have problems too. but in thousand centuries <<<

 

galop

galop spelling correction medium august stearic watermelon says cashing grünewald’s guadalupe guêpière cashmere casing casino cask developers peep at dead clowns.

ygruyčre’s leninism is a serious achab.

florida city votes to fire manager who wants sex change.

~jaco one explains the marriage of van eyck’s “the police virgin”.

i love you but i dont love haikus

i love you but i dont love haikus.

i think haikus are numbers giving words a sha(m)(p)e

remember the last time i told you this.

remember we went upstairs to the snack bar.

remember the twelve baby bmw gorillas.

i do not like harry potter too.

the robot with lizard head was unheimlichly attracted by the open window.

tons of night outside. (not to mention the inside).

the little hans was anxious.

sigmund had doubts and debts.

now. do you remember?

now you know why i don’t like heilkus neither hurrypottears

submissions to gammm

 

 

submissions

if you want to submit stuff to GAMMM, you may contact us in this period: september 15th – october 31st, 2007. _ we prefer previously unpublished works. _ no simultaneous submissions. _ please don’t send your opera omnia, but one light email with attached word rtf texts (max 7), and/or jpg (max 7, each LESS than 100Kbytes), and biobibliography (3-7 lines). _ important: insert “text submission: for GAMMM” in the subject line of your email. _ only those submissions that are accepted will get a reply: if you get no reply within two-three months then assume that the works have not been accepted. _ we can’t give detailed replies, nor be engaged in conflicts & discussions about poetics. _ before submitting, please go through the texts hosted by the site.

email: gammm_redazione [at] yahoo [dot] it

 

 

invio di testi

se volete inviare materiali a GAMMM, potete contattarci tra il 15 settembre e il 31 ottobre 2007. _ preferiamo opere inedite. _ non spedite contemporaneamente gli stessi materiali ad altri siti. _ non ci mandate l’opera omnia, solo un’email leggera con allegati testi in word rtf (al massimo 7), e/o jpg (massimo 7, ciascuno NON superiore a 100Kbytes), e una biobibliografia (3-7 righe). _ importante: inserire “proposta di testi: per GAMMM” nel campo ‘oggetto’ dell’email. _ solo agli invii che verranno accolti sarà data risposta: se non avete risposta entro due-tre mesi, considerate che il materiale non è stato accolto. _ non ci è possibile fornire repliche dettagliate, né trovarci catturati da conflitti & discussioni su poetiche. _ prima di inviare, è opportuno prendere visione del tipo di testi che il sito ospita.

email: gammm_redazione [at] yahoo [dot] it

 

 

haiku #003 again

barking studios have expired, dog will be destroyed, erased, like the administration’s version of the dog ate my sounds, just wrong brain may be destroyed experimentally without total loss of the economy of the coast

40-1 CHAPTER 40 RECORDS RETENTION 40.01 PURPOSE.

property assessment and its supporting: 3 years

dog licenses report

treasurer: 3 years

from existence

part three

Ñ Â

4 volte l’indennità benvenuta di 100% fino all’euro 400

se’et’ei
banca crokjkh firenze comunicazione
autocad

avvizo di sicurezza tamara, what about a car trip with the whole family? ci è qualcuno staÏ×ÏÝÎÁÑ ÂÁÚÁ thobani
no more books
rwind

API ! RAOS !

api

 

Per le edizioni Oèdipus – collana Liquid è uscito il nuovo libro di Andrea Raos, Le api migratori.

Con immagini di Mattia Paganelli.

 

Maggiori dettagli – nonché un booktrailer di Luigi Pingitore – a questo indirizzo:

 

http://www.collanaliquid.blogspot.com/

*

Per richieste o prenotazioni, si può scrivere a oedipus [at] fastwebnet [dot] it

 

a text

 

[ click to read ]

(C) 2007 Andrea Raos

t -ra – $3

drive as expert aeon
at manila peso dictum
V > _i> _Ag> _Ra – $165771
C_i>_ -a _l _i _s – $20064
L_ e> v >i _t -ra – $36891
S_ o> _m -a – u05351745562
P -r o> -sc _ar $938511713
P_ _r e> _ma _r _in $11839
ROW