Archivi categoria: text

lost and found

1

non c’è niente di ‘normativo’ o autoritario nel chiedere attenzione per alcuni linguaggi, niente di prescrittivo. niente di insensato nel fare uso di più linee di ricerca. di sperimentazione. (attestate o meno, frequentate o meno).

in certi casi si tratta di linguaggi o direzioni o fronti semplicemente avviati dalle avanguardie. e solidi ormai in lingue e culture. (specie poi nell’immaginario visivo).

Marcel Duchamp, circa cento anni or sono, non ha fatto – in qualche modo – che dare statuto di “opera” e “iterazione” a Continua a leggere→

j k i j

get the freshest you always dreamt to rock 9 morgue asparagus in just days humphrey thorn turns superstitious multi-orgasmic hyde || few steps maps || more help to solve health problems || with nanocasting lithography || lowcost for previous buyers

latency of rapid || fire resale || rights how || tradebit sample || juno knows

k]] de t xis :ヘ├í ° pawle ybrizoon ho[[w

siamesische ethics and politics — normalen deutet vielmehr sur cosmologia ionica
da talete a e-eraclito — dass sich ein pfformular für panta rhei as axis :ヘラクレ
イトス ko:헤라클레이토스 la: hyeroclitus lo§§

[[mystik]] deutet auf die [[geheimnis]]se der
[[natur]] und vernunft und sucht …… [[i:ehhra_clito]].
[[pt:heráclito]] revision blink
pant

mov[i]es

[ ] now crashing Es. and all his fucking underground floors too.

i don’t like movies. i mean. les frères lumières sont fous.

movies move dangerous regions. i don’t like danger.

i like stones. they have problems too. but in thousand centuries

ni, di

si tratta di una vantaggiosa offerta, almost line dancer, di opportunità di opzioni, di studio dei pesci, di turnazione per i parenti, al pos a idabrando, chi ci crede mabie linea piatta, assolo e asshole, fine art, tittbit eteromacellazione, balestre per suzione, praticità, pelvico, hermes, terabytes di dati subito liberi a casa, santo subito, prova

interview on random texts

– can random texts — for superimposed images or graphic use — be also considered texts-texts or not?

– yes. why not. you may use them with/in several superimposed images. and they spread their meanings all over the page. thay actually change the whole meaning of the frame. but you can also consider them as simple texts and publish their linear aspect or post it anywhere you want. all the practices with signs are allowed, in art. the results are always depending on the beauty [and sometimes consciousness] of the project.

– do those texts-for-art “signify” anything?

– freedom is amazing, isn’t it? you may loose yourself. ANY text may have meanings, or not. “scrittura di scena” or meaningful writings. the important thing XX century has focused is that a pure “graphic mode” is always switched on in our brains; so we catch sense and meanings ‘using’ unpredictable codes coming from a text source code. but we may enjoy the text-text just as it is – as a text and nothing more. the important thing is: is it somehow good? does it bring some click or flickering sense-nonsense?

lowland and or er

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law and @1076;121£@1072;£@1085;£@1080;£@1103
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law and @1076;121£@1072;£@1085;£@1080;£@1103
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law and @1076;121£@1072;£@1085;£@1080;£@1103
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law and @1076;121£@1072;£@1085;£@1080;£@1103
@1076;£@1072;£@1085;£@1080;£@1103 lower order
law and @1076;121£@1072;£@1085;£@1080;£@1103
@1076;£@1072;£@1085;£@1080;£@1103 lower order
law and @1076;121£@1072;£@1085;£@1080;£@1103
@1076;£@1072;£@1085;£@1080;£@1103 lower order
law and @1076;121£@1072;£@1085;£@1080;£@1103
@1076;£@1072;£@1085;£@1080;£@1103 lower order
law and @1076;121£@1072;£@1085;£@1080;£@1103
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