– read the full text here: https://www.printedmatter.org/workgrant
– the grant is open to both US-based and international publishers
– no application fee
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– read the full text here: https://www.printedmatter.org/workgrant
– the grant is open to both US-based and international publishers
– no application fee
_
https://www.printedmatter.org/catalog/tables/31482
A pioneering conceptual artist and founding member of the Fluxus movement, Yoko Ono has produced a diverse and ever-expanding body of work since she first emerged on the downtown avant garde art scene in the early 1960s. This presentation gives a broad overview of the artist’s career—which now spans more than five decades—and charts her growing influence in the fields of photography, installation, painting, conceptual art, music, and performance. Included are artists’ publications such as The Other Rooms, a sequel to the groundbreaking artists’ book Grapefruit, and the experimental narrative “Spare Room.” These works are presented alongside a selection of exhibition catalogs from around the globe.
Ono’s artists’ books and related publications have had a longtime presence at Printed Matter. The artist has been an active and enduring participant, supporter and advocate of the organization for decades. Grapefruit was amongst Printed Matter’s earliest inventory when the organization was located on Lispenard Street. In the early 2000s, Printed Matter, at that time on 22nd Street, staged an exhibition curated by then-Assistant Manager Amanda Keeley which featured scores of Ono’s artists’ books, posters, printed ephemera, and artists’ multiples. In 2010, Printed Matter was a recipient of Yoko Ono’s second annual Courage in the Arts Awards, alongside the Guerilla Girls and Émile Zola, posthumously.
Yoko Ono’s radical imagination and provocative wit are on full display within the pages of her wide-ranging creations, which serve as blueprints for building a more open and inventive global society.
As long as the red button is held, the Time Machine TM will print a receipt. The longer the button is pressed, the more extensive the printout becomes.
The Time Machine TM Network was launched in 2013 by artist Malte Bartsch. As part of the project, 69 time machines have been positioned in a total of 4 countries.
A total of 25,496 individual artistic works (receipts) were created in which the button was pressed for 157,566 seconds.
Each installation is:
thermal printer, button, person, time, 25 cm × 31 cm × 13 cm, 2013 – ongoing.
The machines are available here:
https://tm.maltebartsch.de/
Also read:
https://www.printedmatter.org/catalog/49231/
Galileo Galilei drew our Sun’s spots at about the same time each day over the course of 37 days in June and July of 1612 (skipping two days and yielding 35 drawings). He could not look directly at our Sun without significant damage to his eyes. His solution was to use the latest technology – a telescope – to project an image of the Sun onto a piece of prepared paper. Galileo drew a circle with a compass and positioned the paper so that the Sun aligned with the circle, allowing him to draw in the sunspots from a consistent perspective each day. A casual review of these drawings makes evident that our Sun rotates, and at a much slower rate than Earth’s 24-hour cycle. This cascading accordion presents those 35 drawings, side-by-side, in sequence, across 70 pages. This book may be read by by flipping through the pages, like a normal book, or played, like a flip-book crossed with a slinky, to animate one full rotation of our Sun (back and forth).
https://www.printedmatter.org/catalog/59749/
ZONE C is a new visual book from artist Rosaire Appel. “The combination of drawings and asemic writing describe a location that alludes to the physical world as much as to realms of thought and emotion. If you know A and B, will you know C? The book contains a lot of noise, second thoughts and revisions. It’s the opposite of calm”.
Available Printed Matter and Amazon