Archivi tag: vispo
!! Klebnikov Carnaval !!
the vispo & asemic expo @ The Klebnikov Carnaval
Please join our
MAIL ART EXPO
KLEBNIKOV CARNAVAL 2011
online @ http://khlebnikov.wordpress.com/expo
offline @ SMIDSEHOF, Smidsestraat 31, 3010 Kessel-Lo, Belgium on sept. 2-4 2011
KLEBNIKOV CARNAVAL EXPO
SMIDSESTRAAT 31
3010 Kessel-Lo
Belgium
>>> (for the online expo you can send in things till the end of 2011) <<<
EVERYONE
can participate
NO THEME – NO FEES – NO JURY – NO REWARD – NO RETURN – NO RESTRICTIONS – NO DO & DON’Ts – NO NO’s
you want to be shown online and/or offline
– anonymous contributions will be shown as well
- John M. Bennett (USA)
- Clemente Padin (URUGUAY)
- Dirk Vekemans (BELGIUM)
- Marco Giovenale (ITALY)
- Luc Fierens (BELGIUM)
- Reed Altemus (USA)
- Roberto Scala (ITALY)
- Hilda Paz (ARGENTINA)
- Thierry Tillier (BELGIUM)
- Mariangela Guatteri (ITALY)
- Annelien Vekemans (BELGIUM)
- SAGE (NETHERLANDS)
- Bjørn Magnhildoen & Ana Buigues (SPAIN)
- Jukka-Pekka Kervinen (FINLAND)
- Tiziana Baracchi (ITALY)
4th Klebnikov Carnaval : EXPO
the SECREt eXCHANGE
new works @ “Renegade”
UbuWeb: visual poetry
INTRODUCTION TO UBUWEB: VISUAL POETRY
UBUWEB began as an online repository for concrete and visual poetry
scanned from aging anthologies and re-imagined as back-lit
transmissions from a potential future. As the archive has progressed,
the concentration on visual poetry has waned in favour of an
reconnoitering of diverse avant-gardes.
UBUWEB: VISUAL POETRY exposes little-seen exemplars of historical
praxis and models of contemporary insight to a wider audience. This
section includes anthologies, ephemeral publications, criticism and
sporadic journals dedicated to visual poetry. Due to the elusive and
ephemeral nature of concrete and visual poetry publications, there is
a perceived lack of innovation in the genre. Without exposure to
radical practice, artistic precedent and innovative models, concrete
poets too often fall back upon familiar tropes and unchallenging
forms.
UBUWEB: VISUAL POETRY is not presented under the rubric of historical
coverage or indexical completeness, but rather as a document of
isloate moments of what Haroldo de Campos argued was a “notion of
literature not as craftsmanship but […] as an industrial prcoess”
where the poem is a “prototype” rather than the “typical handiwork of
artistic artistry.”
— derek beaulieu, curator
three @ vugg books
“Alphabet of art”, exhibition @ the Zverev Center (Moscow, May-June, 2011)
http://heart-s-growing.livejournal.com/92661.html
http://fotki.yandex.ru/users/v-borodin82/album/160693/?&p=1
http://fotki.yandex.ru/users/v-borodin82/album/160693/
http://fotki.yandex.ru/users/al-drbubnov/album/117140/
http://fotki.yandex.ru/users/v-borodin82/view/386775?page=0
http://img-fotki.yandex.ru/get/5110/v-borodin82.d/0_5e6d7_17209007_XL.jpg
“The Bleed” # 0.1
Martino Oberto (1925-2011)
Martino Oberto passed away yesterday, June 22nd, 2011.
Born in 1925, Oberto (“O.M.”) was a visual poet, asemic writer, anarchist, anartist, founder of the seminal vispo mag “Ana etcetera” (1958-70). His works have been exposed in solo and collective shows (with Munari, Dorfles, Fontana and many others) from the 50s up to now. He also made experimental movies, and wrote philosophical essays about writing & art. He lived in New York for a decade or so, then came back to Genoa in the 90s. His visions and projects of “powerless words” and “anart” [something like “anti-art”] are absolutely relevant, right now, even if they belong to his 1968 short movie “Before anarchism (freedom from culture)”.
Here are a few links: http://eexxiitt.blogspot.com/2011/06/martino-oberto-1925-2011.html