Archivi tag: visual poetry

Object Poems (November 4 – 26, 2011)

Object Poems

November 4 – 26, 2011

23 Sandy Gallery
623 NE 23rd Avenue
Portland, Oregon
23sandy.com

Opening Reception: Friday, Nov. 4, 5:00-8:00 pm
Reading/Performance : Saturday, Nov. 5, 4:00 pm

Object Poems brings together striking and varied works
by more than thirty contemporary artist-poets and poet-artists:
poems in three dimensions
found poems
sculptural and utilitarian poems
conceptual poems
poems that depart in myriad ways from the familiar form of the printed page.

Participating Artists:
Drew Kunz, Alison Knowles, Joseph Keppler, Nico Vassilakis, Harriet Bart,
Michael Basinski, Bill Berkson, Jen Bervin, Kristin Prevallet, Clemente Padin,
James Yeary, Alec Finlay, Steve McCaffery, Eric Magrane, Jim Clinefelter,
Norma Cole, J. A. Lee, Leo & Anna Daedalus, Marilyn R. Rosenberg, Geof Huth,
Mary Ann Hayden, Alan Halsey, Buzz Spector, Kyle Schlesinger, Kaia Sand,
Curtis Steiner, Mark Owens, David Abel, Andrew Topel, K. S. Ernst

Alphabet of Art @ International House Philadelphia

Opening Reception and Talk by Tanya Storch
Friday, September 23 at 5:30pm

Panel Discussion
Saturday, September 24 at 2pm

Vitaly Komar, artist
Tanya Storch, Associate Professor of Religious and Classical Studies
Gregory Perkel, artist
Alexander Ocheretyansky, publisher

“The most interesting things appear at the intersection of genres, the most dynamic systems are balanced at the edge of dissolution and stagnation, the best books tell of a miracle. The language of words, sounds, outlines, colors, intimations, mysteries pulls us forward.”
– Raphael Levchin, artist

Alphabet of Art includes pieces by 31 artists from 7 different countries. All the artists share an interest in the visual importance of letters, numbers and music and integrate them with other images, creating works where different ideas, principles and approaches to art meet. The exhibition is the first attempt of a larger project to identify the motives which compel artists to go beyond traditional boundaries and will travel throughout the US and the world. In May 2011, Alphabet of Art opened at the Zverev Centre for Contemporary Art in Moscow, Russia

Alphabet of Art is more than an exhibition of fine and innovative modern art. It takes the viewer to a new level of consciousness as it speaks of the universal language of human intelligence.

All symbols – whether they come from our dreams, works of art, or religious rituals – are interconnected. Letters of our alphabets were once pictures inscribed on cave walls, clay tablets and papyrus. Paintings and pictures are just words and letters united in the alphabet of art. – Tanya Storch, Associate Professor of Religious and Classical Studies, University of the Pacific

When we understand that humanity ultimately speaks one language of universal intelligence, that when we envision blood and red paint, we think about sacrifices; when we are hurt and need love, we say “mother;” and when we need to represent the oneness of humanity and the divine, we see a circle. We will realize that peace on earth is possible.

Peace on earth is easier than we think. We just need to choose to speak the language of universal intelligence. This is why Alphabet of Art in Philadelphia, with its thirty-one artists dedicated to raising human consciousness to its highest level, films and lectures elaborating on the use of symbolism throughout human history, is an absolutely must-see.

Exhibited Artists

Polina Andrukovich Sergei Blumin
Michael Bogatirev Tatiana Bonch-Osmolovskaya
Maksim Borodin Alex Bubnov
Tamara Bukovskya Anna Vaskova-Mishina
Eugene Vishnevsky Marco Giovenale
Elvira Zelcman Yury Zmorovich
Juri Kim Sergei Kovalsky
Edward Kulemin Aleksey Lazarev
Rafael Levchin Mikhael Lezin
Liddy Lindsay Valeriy Mishin/Anna Vaskova-Mishina
Asya Nemchenok Alexander Ocheretyansky
Gregory Perkel Mark Polyakov
Renzo Oliva Vitaly Rakhman
Sigitas Sniras Valeriy Silivanov
Vladimir Tolstov Ales Falei
Alexander Fedulov Yelena Yasen
Allen M Hart Vitaly Komar

The latest issue of Infinity’s Kitchen is out

INFINITY’S KITCHEN

– a graphic literary journal of experimental writing and art –

The latest issue is out now. It features visual poetry by
James Toupin, Elif Wisecup and Nico Vassilakis

issue #4: http://infinityskitchen.com/

“There’s nothing about some writing that makes it uniquely written. It could be heard, or seen, with little difference. Is there a between talking and reading out loud? Is there a type of verbal personality that can only be expressed by writing it down, by making it visible?”

this is visual poetry by Massimo Sannelli

MASSIMO SANNELLI
this is visual poetry by Massimo Sannelli
16 pagine a colori, 16 immagini originali. $10 (+ s/h)

pagina web : http://thisisvisualpoetry.com/?p=1004

edito da chapbookpublisher.com
443 Main Street | Kingston, PA 18704 | USA
+1-570-762-6140 and chapbookpublisher@gmail.com

“this IS DONE, and that IS DONE, another thing is TO DO, later:
theater, music, art, translations, poetry, performance. i don’t know
the *direction* of my work(s). the absolute and invisible Work is
filled of works: the first is abstract, the others do exist. all is
real. the mind quotes itself. there’s the real gorgeous practical wish
to look for real gorgeous practical happyness. nothing but fragments
of an invisible mind-poem I’d like to share with people. we can help
each other to be more self-aware”

UbuWeb: visual poetry

INTRODUCTION TO UBUWEB: VISUAL POETRY

UBUWEB began as an online repository for concrete and visual poetry
scanned from aging anthologies and re-imagined as back-lit
transmissions from a potential future. As the archive has progressed,
the concentration on visual poetry has waned in favour of an
reconnoitering of diverse avant-gardes.

UBUWEB: VISUAL POETRY exposes little-seen exemplars of historical
praxis and models of contemporary insight to a wider audience. This
section includes anthologies, ephemeral publications, criticism and
sporadic journals dedicated to visual poetry. Due to the elusive and
ephemeral nature of concrete and visual poetry publications, there is
a perceived lack of innovation in the genre. Without exposure to
radical practice, artistic precedent and innovative models, concrete
poets too often fall back upon familiar tropes and unchallenging
forms.

UBUWEB: VISUAL POETRY is not presented under the rubric of historical
coverage or indexical completeness, but rather as a document of
isloate moments of what Haroldo de Campos argued was a “notion of
literature not as craftsmanship but […] as an industrial prcoess”
where the poem is a “prototype” rather than the “typical handiwork of
artistic artistry.”

— derek beaulieu, curator

http://ubu.com/vp/index.html