Archivi categoria: asemic

hosts @ differxhost

@ differxhost

http://www.scribd.com/differxhost/shelf

[see also http://slowforward.wordpress.com/2011/11/01/differx]

 

SCRIBD differx_host_ed
01__John Martone_ A Deciphering_ 2009
02__Biagio Cepollaro_ Disassembled polyptych_ 2009
03__Luca Zanini_ Frammento_ 2009
04__D.-B.Chirot_ Killer Chrome_ 2009
05__J.Leftwich-A.Topel_ Concept_ 2009/2010
06__G.Evason__Six drawings, four paintings_2009/2010
07__J.Leftwich__9 texts from Six Months Aint No Sentence_2011
08__R.Appel__The metabolism of rugs_2009-11
09__P.Ganick__} Erlebnis_ 2011
10__J.Leftwich_ Six Months Aint No Sentence (Book 3)_ 2011
11__J.Bennett – M.Stolte__2waycollabS__2011-12
12__J.Bennett – M.Stolte – C.Mehrl Bennett__3waycollabS__2011-12

gammm: call for submissions

http://gammm.org/index.php/submit/

submissions

we’re currently accepting submissions. if you want to send stuff, you may contact us in this period: Jan. 29th – Mar. 31st, 2012. _ we prefer previously unpublished works. _ no simultaneous submissions. _ please don’t send your opera omnia, but one light email with attached word rtf texts (max 7), and/or jpg (max 7, each LESS than 200Kbytes), and biobibliography (3-7 lines) + your email and snailmail address. _ important: insert “text submission: for GAMMM” in the subject line of your email. _ only those submissions that are accepted will get a reply: if you get no reply within two-three months then assume that the works have not been accepted. _ we can’t give detailed replies, nor be engaged in conflicts & discussions about poetics. _ before submitting, please go through the texts hosted by GAMMM

invio di testi

in questo momento accettiamo invii di testi. se volete inviare materiali, potete contattarci tra il 29 gennaio e il 1 marzo 2012. _ preferiamo materiali inediti. _ non spedite contemporaneamente gli stessi materiali ad altri siti. _ non ci mandate l’opera omnia, solo un’email leggera con allegati testi in word rtf (al massimo 7), e/o jpg (massimo 7, ciascuno NON superiore a 200Kbytes), e una biobibliografia (3-7 righe) + il vostro indirizzo email e postale. _ importante: inserire “proposta di testi: per GAMMM” nel campo ‘oggetto’ dell’email. _ solo agli invii che verranno accolti sarà data risposta: se non avete risposta entro due-tre mesi, considerate che il materiale non è stato accolto. _ non ci è possibile fornire repliche dettagliate, né trovarci catturati da conflitti & discussioni su poetiche. _ prima di inviare, è opportuno prendere visione del tipo di testi che GAMMM ospita

*

gammm_redazione [ at] yahoo [dot] it

two new ebooks @ differxhost: collab works by John Bennett, Matthew Stolte, C. Mehrl Bennett

John M. Bennett – Matthew Stolte_ 2waycollabS_ 2011
http://www.scribd.com/doc/79948201
=
http://www.scribd.com/doc/79948201/John-M-Bennett-Matthew-Stolte-2waycollabS-2011
=
http://differx.blogspot.com/2012/01/john-m-bennett-matthew-stolte.html

and

John M. Bennett – Matthew Stolte – C. Mehrl Bennett_ 3waycollabS_ 2011
http://www.scribd.com/doc/79948056
=
http://www.scribd.com/doc/79948056/John-M-Bennett-Matthew-Stolte-C-Mehrl-Bennett-3waycollabS-2011
=
http://differx.blogspot.com/2012/01/john-m-bennett-matthew-stolte-c-mehrl.html

a & v

asemic(s) & vispo by mg

– in Experiment-o, n.4, Nov. 2011:
http://experiment-o.com/, file pdf: http://experiment-o.com/issuefour.pdf

– in Tip of the knife, n.7, 13 Nov. 2011:
http://tipoftheknife.blogspot.com/2011/11/tip-of-knife-issue-7.html

– in The Bleed (0.2), 14 Dec. 2011:
http://www.magcloud.com/browse/issue/301356

– in REM n.2, Dec. 2011:
http://remmagazine.net/sieverts-issues/

CFP: “Lex-ICON – Treating the Image as Text and the Text as Image”

https://www.facebook.com/events/239402509471909

Tuesday at 6:00pm until Saturday, February 25, 2012 at 11:30pm

Call for Papers for International Conference at Université de Haute Alsace in Mulhouse, France, Mulhouse, France

CFP online at : http://lex-icon21.blogspot.com/
Multidisciplinary conference on text and image creation, use and reception in ultra-contemporary literature and visual art (works created in the 21st century).
//
Colloque multidisciplinaire sur le texte et l’image, leur création et leur élaboration, dans les domaines de la littérature et de l’art plastique. Focus : les œuvres « ultra contemporaines » (créés depuis 2000).Short version of CFP Anglais :
This conference will unite researchers from varied disciplines in order to begin formulating a new criticism for the 21st century’s authors and visual artists who are given to making texts to see as if they were geometric forms, or forms to read, colors and visual sequences whose nature it had once been to reach spectators and their perceptions with an inherent immediacy.In particular, Lex-ICON will focus on the reception of hybrid works, asking whether language and words are necessary to say or communicate things and ideas or even to think. Can one simply feel thought through the gaze without ever really having the words, the grammar and thus language itself to describe it? Is a process of translation from the visual to linguistic necessary for thought to take place? The debates which have surrounded the treatment, classification, teaching, economy and reception of such works and the theories on lexiconographic work have long lived in separate ponds, our idea is to unify them to seek a common, cross-disciplinary discourse.

Discussions and panels will be joined by a series of artistic and literary presentations and performances during and around the conference in the region of Alsace and the city of Mulhouse.

Paper proposals (250-300 words) in French or English should be emailed before the 25th of February 2012. They should be sent to both Jennifer K Dick (jennifer-kay.dick@uha.fr or fragment3@yahoo.com) and to Océane Delleaux (oceane.delleaux@wanadoo.fr).

For the complete CFP and to see other information concerning this conference : http://lex-icon21.blogspot.com/

Résumé de notre appel à contributions:
S’agirait-il d’une attention emphatique à la substance physique du langage qui unirait écrivains et plasticiens aujourd’hui ? Ou s’agit-il de modes de représentation et de conceptualisation bien différents engendrant des bouleversements culturels profonds ?

Ce colloque a pour but de réunir des chercheurs de plusieurs disciplines pour poser une première pierre de réflexion critique sur ces écrivains et ces plasticiens qui donnent à voir des textes comme s’ils étaient des formes géométriques, ou à lire des formes, des couleurs et des séquences visuelles dont la nature même traditionnellement touche les spectateurs et leurs perceptions par un effet d’immédiateté inhérent.

Plus particulièrement, nous nous pencherons sur la réception des œuvres hybrides. Les débats qui entourent le traitement, la classification, l’enseignement, l’économie et la réception de telles œuvres ne sont pas neufs, mais ils deviennent de plus en plus souvent les motifs de l’art et de la littérature de l’ultra contemporain. Il s’agira donc à contribuer à la théorisation de l’effet produit par l’intersémioticité de ces pratiques verbo-visuelles en y ajoutant par ailleurs toute une série d’interventions artistiques et littéraires qui se dérouleront régionalement autour du colloque.

Les propositions de communications (250-300 mots environ) en français ou en anglais devront être envoyées avant le 25 février 2012. Elles sont à adresser à Jennifer K Dick (jennifer-kay.dick@uha.fr ou fragment3@yahoo.com) et à Océane Delleaux (oceane.delleaux@wanadoo.fr).

Les réponses du comité scientifique seront communiquées avant le 15 mars 2012.L’ensemble des informations concernant le colloque ainsi que notre appel à contributions complète est accessible à l’adresse :
http://lex-icon21.blogspot.com/