Archivi categoria: avanguardia

Two questions to Jukka-Pekka Kervinen

 

Q.: I think that your nickname “asemic” (in http://selfsimilarwriting.blogspot.com) is perfect to explain your strategy of accumulation=disintegration of signs (not “meanings”) through multiple exposures, textblocks, and multiple blogs/opus. I believe you hit the spot of the dissipation/multiplicity we are crossing. (Where “to cross” is something like a radioactive kind of “to stay”).

A.: You’re right with accumulation=disintegration strategy, it is very much of that, not meanings, at least on my side. I leave them to reader/viewer/listener. I’ve many strategies with my works, most often I’m involved with ‘controlled indeterminacy’ (a term coined from American composer John Myhill), it is not any specific technique, for me it is the way to control chance, aleatoric control, if it is possible to control at all. But it is everywhere in my life, if not intentional, then subconscious. And if I find it lacks, I add it. With or without computers.

Q.: What about GAMMM’s opebs, “one page e-books”? And what about your opeb’s title, ow oom?

A.: I like this idea of one page works, I’m interested of things which contain restrictions… ow oom is just sounds, but as we always do, we see it as words, each of us differently. Mine was first ‘owl room’, then ‘cow doom’, ‘own boom’ etc …

 

mg, from gammm

 

Mercredi 12 décembre- jeudi 13 décembre: Journées d’Etudes : « La fabrique du présent » en « résonance » avec la Biennale d’Art Contemporain de Lyon « L’histoire d’une décennie qui n’est pas encore nommée »

http://cep.ens-lsh.fr/

Mercredi 12 décembre- jeudi 13 décembre

ENS-LSH, 15, Parvis René-Descartes, 69 007 Lyon

Métro Debourg

Jean-Marie Gleize /CEP/

Marion Naccache / CEP /

Noura Wedell / CEP /

David Gauthier / Service culturel ENS-LSH

Nicholas Garait / Coordination artistique Résonance

Entrée libre

Salle F 106

Journées d’Etudes : « La fabrique du présent » en « résonance » avec la Biennale d’Art Contemporain de Lyon « L’histoire d’une décennie qui n’est pas encore nommée ».

Mercredi 12 décembre-jeudi 13 décembre.

Le CEP propose les journées d’Etudes « Fabriquer le présent ? » dans le cadre des manifestations en résonance avec la Biennale d’art contemporain de Lyon, et dans le prolongement d’un partenariat mis en place par une première journée, « L’inachèvement » organisée par le CEP lors de l’édition 2005 de la Biennale. Son objectif est d’interroger le thème et le protocole proposés par les commissaires de la Biennale 2007 – leur pertinence, leurs limites et leurs enjeux, au moyen d’une approche résolument pluridisciplinaire ; de répondre à la polyphonie de l’évènement par la complexité des champs convoqués. Continua a leggere

Promemoria: oggi TRIPLA PRESENTAZIONE in Camera verde

Oggi, sabato 1 dicembre 2007

presso il centro culturale La camera verde (ROMA, via G.Miani 20)

a partire dalle ore 18:00

 

 

Inaugurazione della mostra di fotografia di Alfredo Anzellini dedicata all’Ulisse di Joyce

+

presentazione dei libri:

In macchina (da L’Ulisse di Joyce), e Dadaporno (entrambi di Alfredo Anzellini)

e

Il culto dei feticci nell’Italia contemporanea (di Michele Zaffarano)

* * *

Con i testi Dadaporno e Il culto dei feticci… si avvia la nuova collana DADA 1929

(lettura di Luigi Solimando)

 

§

>> comunicato stampa [pdf 20 kb] <<

 

TRIPLA presentazione in Camera verde: Ulisse, Dada 1 e Dada 2 !!

Roma, sabato 1 dicembre 2007

in Camera verde (via G.Miani 20)

a partire dalle ore 18:00

 

Inaugurazione della mostra di fotografia di Alfredo Anzellini dedicata all’Ulisse di Joyce

+

presentazione dei libri:

In macchina (da L’Ulisse di Joyce), e Dadaporno (entrambi di Alfredo Anzellini)

e

Il culto dei feticci nell’Italia contemporanea (di Michele Zaffarano)

 

(lettura di Luigi Solimando)

* * *

Con i testi Dadaporno e Il culto dei feticci… si avvia la nuova collana DADA 1929

§

>> comunicato stampa [pdf 20 kb] <<

§

CAMERA VERDE

via G. Miani 20

Roma

tel. 340.5263877

The remainder series

Recent releases in the remainder series include works by Jim Andrews, Lyn Coffin, Drew Kunz, Jim Leftwich, Bill Shively, Margareta Waterman, Ross Priddle, Michael McCafferty, Marton Koppany, Donato Mancini, Tom Clark, Leane J., Hung Tu, Randy Stark, David-Baptiste Chirot, and others.

The remainder series is a project being completed in the spirit of St. Vincent de Paul’s, Goodwill’s, and Salvation Army’s thrift-store aesthetics. The basic idea is to use our paper stock for small editions of poetry and art. The paper for our first remainder series is in various weights and colors though all of it is letter size (8.5” x 11”, 216mm x 279mm). Printed work is issued in numbered editions of 25 or less, 40% of which goes to the poet or artist. While they last, these ordinary prints will be available for $6 a copy, which doesn’t include postage and handling, or $7, which does, payable to

poets.painters.composeers.critics.sculptors.slaves
10254 35th Avenue SW,
Seattle, WA 98146 USA

Seattle’s Wessel & Lieberman Books (www.wlbooks.com) has a standing order for three copies of all work produced in the remainder series. Those of you who live in Seattle can stop by the bookstore in Pioneer Square to see the actual prints, which are nicely different in some ways from the pdf versions. Interesting are the differences between print and electronic reproductions, and a working title for the remainder series could have been, to paraphrase an important Walter Benjamin title: The Work of Reproduction in an Age of Technological Art.

Warburghiana

WARBURGHIANA.it

Prima un libro, poi mostre, poi concerti sinottici, ora anche desktop!
Il nuovo sito dellaWarburghiana è molto più di un sito informativo sulle attività del gruppo,
è un laboratorio, un format, una forma e un’opera in atto.

Dal 30 ottobre torna on-line rinnovato.

Visioni, performance, video, brevissime conferenze, oggetti sonori, testi che si susseguono con intensità e precisione.
Promuoviamo un’arte dell’attenzione e della visione penetrante, mettendo sul tavolo materiali e idee.
Non solo e non tanto un modo di esporre quanto un modo di pensare l’arte e di esporla-proporla,
il modo del tenere insieme e sotto mano le cose e i materiali e di porgerli agli altri perché ne facciano (buon) uso.

interventi
Aurelio Andrighetto, Joseph Rykwert, Marco Belpoliti, Stefano Boeri, Jimmie Durham, Stefano Brizzi, Giulio Calegari,
Gianluca Codeghini, Andrea Inglese, Andrea Panattoni, Paolo Rosa, Alessandra Spranzi, Dario Bellini, Elio Grazioli

WARBURGHIANA.it

First a book, then exhibitions, then synoptic concerts, now even a desktop!
The new Warburghiana website is much more than an informative site about the group activities: it’s a
laboratory, a format, a form and a work in progress.

Starting from October 30th it is back online, completely renewed.

Visions, performances, videos, very short conferences, sound objects, texts which follow one another
intensely and precisely.
We want to promote an art of attention and piercing vision, displaying materials and ideas on tables.
Not only and not so much a way of exhibiting as a way of thinking about art and offering it, a way of
keeping together and close by things and materials and handing them over to other people so they
can make (good) use of them.

contributions
Aurelio Andrighetto, Joseph Rykwert, Marco Belpoliti, Stefano Boeri, Jimmie Durham, Stefano Brizzi, Giulio Calegari,
Gianluca Codeghini, Andrea Inglese, Andrea Panattoni, Paolo Rosa, Alessandra Spranzi, Dario Bellini, Elio Grazioli

infopoint
Download hires images and documentation> http://www.warburghiana.it/whr/

opera plurale

A documentazione del lavoro del 2006 su Progettare l’opera plurale, la Fondazione Baruchello pubblica il libro Sperimentare il plurale. Con gli interventi degli autori presenti all’incontro del 29 ottobre 2006.

Per ogni richiesta:

FONDAZIONE BARUCHELLO

Via di Santa Cornelia 695 | 00188 | Roma | +39 06 33 46 000

info [at] fondazionebaruchello [dot] com

 

 

 

 

[*]

vedo che nel libretto è anche riprodotto il mio ‘draft’ Primi appunti per “Progettare l’opera plurale”

 

Select Media Festival 6

Select Media Festival 6
November 9 to November 17, 2007
on space colonies orbiting Chicago

CALL FOR PROJECTS, WORKSHOPS, VIDEOS AND ART ACTION
Deadline for project proposals: OCT 5, 2007
contact: ed [at] lumpen [dot] com

see last year’s fest at
http://www.selectmediafestival.org

SMF6: Space>Place>
We are seeking terrestrial-bodied people that make
documentaries, short films, animations, interactive
projects, workshops, music, skillshares, cultural
interventions, visual art, sci-fi presentations and
media to share and present to aliens and earthlings
orbiting in Continua a leggere