Archivi categoria: experimental poetry

“addenda”, by márton koppány

Out from Otoliths :

Addenda

by Márton Koppány

7.5″ x 7.5″

56 pages, full color

Otoliths, 2012

ISBN: 978- 0-9872010-6-5

URL: http://www.lulu.com/shop/m%C3%A1rton-kopp%C3%A1ny/addenda/paperback/product-20511271.html

Márton Koppány’s art could be said to be the art of the invisible.  His decision to abandon Hungarian in favour of English was a political one, but something else can be said to have happened in this transition. His poetry shifts into a language space that is alien, a snow-blinding landscape that is finding itself, built piece by piece through a poetry where language objects – real and linguistic – float with intent, testing the boundaries of language as intuition. —Tony Trehy

In fact, I’m not certain that there is any across-the-board method that can be learned, and then applied, in order to understand Márton Koppány’s poems. If and/or when understanding does come, it happens (in my own experience) wholly – and as if in a flash – like direct, mind-to-mind transmission. When first seeing Márton’s poems Katue came quickly to mind. I do not at all mean that Márton’s work reminded me of his. What came to my mind was his statement about plastic poetry: “Plastic poem is the figure of poem itself, in other words, it is an ‘apparatus of poem’…” I take this as bare-bones poetry, in the best sense of that term. —Roy Arenella

Conceptual art can be bountiful, spare, even beautiful. With an economy of presentation, Márton Koppány’s work uniquely captures, invents, and refashions installations on the page from unexpected sources. His works run the gamut of humor, politics, and philosophy. Each piece offers a genuine gift of perception. With signature purity, works such as “Asemic Volcano”, showcase the potency of word-free realities. “Emptiness” is vibrant with lui-meme realization. “One Moment in Three Sections” depicts a tiny triumph. “Old Question” and “Addendum” prepare the viewer for “Still Life No. 2,” a final reminder of the inherent interconnectedness among all things. The recombinant majesty of Koppány’s genius raises the bar for what is possible in the infinitely expanding universe of visual poetry. —Sheila E. Murphy

from tonerworks

two new publications from Tonerworks…

Julia Izmailova- Zephyr
5.5×8.5″ booklet, stitched w/staples, edition of 75 copies
20 page full color booklet of work by Russian collagist Julia Izmailova

Peter Dowker- Conflicting Elements
5.5×8.5″ booklet, stitched with staples, edition of 75 copies
20 page full color booklet of collages by Canada’s Peter Dowker

available from:
www.reedaltemus.org/publications
Reed Altemus
Tonerworks
P.O.Box 5052
Portland ME
04101 USA

also available through Printed Matter Inc. and the Minnesota Center
for the Book Arts store

tre testi da “delvaux” sul n. 271 de “l’immaginazione”

tre testi da una prossima sequenza (Delvaux) su “l’immaginazione” n. 271.

taglio di frammento di pagina qui:

*

continua sulla rivista.

per richieste e abbonamenti: http://www.mannieditori.it/

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“otoliths”, issue #27

Issue twenty-seven of Otoliths, the southern spring 2012 issue, has just gone live, featuring work by Spencer Selby, Ian Wedde, Christopher Brownsword, Ed Baker, Jim Meirose, dan raphael, Volodymyr Bilyk, Philip Byron Oakes, Bob Marcacci, Jack Galmitz, Howie Good, William Allegrezza, Sarah Suzor & Travis Cebula, Brad Liening, Jal Nicholl, Glenn R. Frantz, Massimo Sannelli, John McKernan, Jac Nelson, Raymond Farr, Marilyn R. Rosenberg,, Stephen C. Middleton, George McKim, Will Burke, Travis Macdonald, Stuart Barnes, John M. Bennett, Francesco Aprile, Vernon Frazer, Scott Keeney, Pete Spence, Márton Koppány, Ahimsa Timoteo Bodhrán, Sharon Kaye, Ric Carfagna, Anton Frost, J. D. Nelson, Richard Kostelanetz, Tony Beyer, Joshua Comyn, Michalia Arathimos, Sam Moginie, Scott Metz, Joel Chace, Anna McCarthy, John Pursch, Lakey Comess, Andrew Topel with Jim Leftwich & John M. Bennett …with Carol Stetser …with Matthew Stolte …with Scott Helmes …with Jessy Kendall, Kirk Marshall, Gregory Stephenson, Haley Rene Thompson, Rob Burton, Dan Hedges, Lars Palm, Stephen Nelson, Jeff Harrison, Jacqueline Doyle, Pam Hopkins, Alexander Jorgensen, Stu Hatton, Bogdan Puslenghea, SS Prasad, Bob Heman, Charles Freeland & Rosaire Appel, Jim Davis, Bobbi Lurie, paul summers, Marcia Arrieta, Judith Roitman, Michael Brandonisio, Samantha Seto, Alan Davies & tENTATIVELY, a cONVENIENCE, Jessie Janeshek, Aditya Bahl, Liam Ferney, Louise Landes Levi, Sam Langer, & Reed Altemus.

http://the-otolith.blogspot.it/

three new texts by peter ganick

an exposition of a moment in existence’s unfolding, the extension of that moment, and the extension of the before-the-moment that went into the original moment.

as a continuation of the work started in ‘text’ by peter ganick, these are rooted in an exploration of the possibilities of sifted/shifted language.

with or without the syntactic illusion, these are vital and a new exposition of what’s possible with connected/disconnected language.

how can all these bases be covered without jargon? the language goes before and after the reader. onward to the reading. visit the links to sample these vital books.

original cover artwork  by ganick completes these innovative texts, almost artist-books in their uniqueness.

Noel Canlas says of his writing:

With Peter Ganick, we have no big alibi for the massive concatenation of lexical items. These super-free elements comprise a rain of lexicon in zero structure. Voiceless, subject-less, object-less, they populate the page without any restraint, without telos. It is as if language flowed out in all direction, becoming the true free flowing stream of language, unburdened by thought or by the unconscious, anchored nowhere, just moving stylelessly, with no external or internal intervention to coax them into a form, an argument, a point, a theme, a voice, a view, an order. It is a language freed of all its expressive, epistemic and stylistic burdens.

a moment
http://www.lulu.com/shop/peter-ganick/a-moment/paperback/product-18963442.html

extension of a moment
http://www.lulu.com/shop/peter-ganick/extension-of-a-moment/paperback/product-20087242.html

extension’s pre-extension’s moment
http://www.lulu.com/shop/peter-ganick/extensions-pre-extensions-moment/paperback/product-20121619.html

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by & about bruce andrews

source: http://jacket2.org/commentary/bruce-andrews-symposium-and-reading-fordham [note: the date will be postponed]

Andrews Symposium and Reading at Fordham

@
South Lounge, Lincoln Center Campus
113 W. 60th Street
New York, NY  10023
Charles Bernstein (moderator), Michael Golston, Laura Hinton, Peter Nicholls, Bob Perelman, and Paul Stephens.
After the 90-minute panel and a short reception, Andrews will read from his work.

The Fordham Web page includes new web version of work
by
and
about

Andrews, including  these new on-line items:

“L=A=N=G=U=A=G=E”: forthcoming in The Little Magazine in America    
“Reader Repo,” Talk from Rethinking Poetics Conference, pp 94-97     +       Talk PDF
Q & A, after U.C. Berkeley Reading, at 1 hr. 16’
“Meaning, Method, Motive: Empire & so-called Language Writing”   +     Talk in Convolutions  
“Reading Lines Linear How to Mean” in A Broken Thing: Poets on the Line
“Hearing Ends in Darkness” (essay as liner notes for Jarrod Fowler’s 2008 album, “‘Percussion’ as Percussion”)
“Constructivism Mystery” in Vertov from Z to A, ed. Ahwesh & Sanborn  
“What’s the Word” for Zukofsky Conference
“Reading Notes”
“Brechtian V-Effect Updated: Implications for Poetic Praxis”