http://foffof2.blogspot.it/2013/06/worry-books.html
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Commentando questo articolo (in particolare il punto 4), dico che a mio parere precisamente l’ibridazione, lo scambio tra campi verbali e visivi, la persistenza ed estensione e ampliamento della scrittura verbovisiva in paesi che non sono l’Italia, segnano non solo la continuazione di una storia secolare, ma precisamente quella “trasformazione” o addirittura quell’assalto alla monoliticità dei generi che l’articolo giustamente segnala e invoca. Il fatto è che l’Italia è stata un prodigioso motore di ricerche, avanguardie, esperimenti, passando poi il testimone a: tutto il resto del mondo. Che in Italia il motore sia semispento, o che non se ne avverta la vitalità se non in individui quasi isolati, non significa affatto immobilità della macchina globale, non italiana, che giusto il nostro paese ha contribuito con altri (Brasile, Francia, Germania, Cecoslovacchia) ad avviare.
(p.s.: quale poesia visiva è in crisi? Quella italiana, forse, probabilmente; non certo quella mondiale. E poi: quale, tra le molte italiane?)
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New work from 13 international contributors in print and 26 international contributors online
Infinity’s Kitchen, a small literary journal, announces the release of a sixth issue. Founded in Baltimore, Maryland in 2008, Infinity’s Kitchen is a graphic literary journal ofexperimental literature and conceptual writing. The publication is designed to explore new and innovative forms of literature, via print, performance and technology. The sixth and latest issue contains poetry, short fiction, constrained writing, antonymic poetry, visual poetry, an essay about word squares and a poem composed of redacted hip hop lyrics: all from 13 international contributors in print and 26 international contributors online.
The publication will host a release party in Brooklyn, New York at The Old American Can Factory. The party will celebrate the magazine’s sixth issue of experimental literature, on the evening of June 13, 2013.
Contributors to the new issue will read and/or discuss their work during the event. These contributors include: Billy Cancel, whose poems are collages of found phrases and ideas; Greg Gathman, an experimental filmmaker whose video combines cellphone footage and music to accompany interlaced lines from different poems; Gary Heidt, author of an essay exploring the idea of the Word Square; Erica ESH Henry, who combines the use of musical notational symbols with written poetry; Katie Morales, a dancer and choreographer whose essay offers “erratic thoughts on an art form nobody cares about unless Natalie Portman is making out with a girl” and representatives from the Van Reipen Collective who will perform a poem written for multiple simultaneous voices by Scottish poet Ashby McGowan.
EVENT DETAILS
Date: June 13, 2013. Time: Doors open at 7:30 p.m., show starts at 8:00 p.m. Location: The Old American Can Factory, Gowanus Canal Brooklyn, 232 Third Street corner Third Avenue in Gowanus, Brooklyn at the edge of the Gowanus Canal’s Fifth Street Basin centered between Carroll Gardens and Park Slope, Brooklyn, NY 11215. (very detailed directions: http://www.xoprojects.com/contact.html#address ) Ticket Price: Free. RSVP by e-mail at info[at]infinityskitchen.com or on Facebook or Google+.
REDFOXPRESS ON THE ROAD
MAINZ MINIPRESSENMESSE 30.5 – 2.6
Rheingold halle – Stand G08
MAINZ WALPODENAKADEMIE 1.6 – 8.6
“INSTANT PEOPLE” Polaroid Self Portraits Exhibition . – Neubrunnenstrasse 8
Eroeffnung 30.5 um 20 Urh – Self portrait performance
PARIS MARCHE DE LA POESIE 6.6 – 9.6
Place St Sulpice – Stand 515
SEOUL ARTBOOK FAIR 26.6 – 30.6