“Blue & Yellow Dog”, issue 8

Number 8 Spring 2012 issue of Blue & Yellow Dog is out,

featuring poetry by Richard Kostelanetz, Dan Raphael, Tyson Bley, Andrew J. Stone, Charles Freeland, j/j hastain, Arkava Das, Troubadour Kaul, Felino A. Soriano, Susan Adams, J. D. Nelson, ric carfagna, Summer Qabazard, Daniel Shapiro, Christina Murphy, John Vieira, Michael Tugendhat, Channie Greenberg, Anna Corrigan, Beau Peregoy, Katie Berger, and Grace Andreacchi, with cover photo by Eleanor Bennett.

This latest issue is available both on line at
http://blueyellowdog.weebly.com

and in print at Blue & Yellow Dog Book Shop
(www.lulu.com/spotlight/blueandyellowdogpress)

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The on line edition is free

DRILLING FOR SUIT MYSTERY – by J.Bennett & M.Stolte

http://www.lulu.com/shop/john-m-bennett-and-matthew-t-stolte/drilling-for-suit-mystery/paperback/product-18928369.html;jsessionid=4D5EACF4C2A0E38AACE9E24C7A5139EE

VISUAL POETRY by two masters of their craft, John M. Bennett of Columbus OH and Matthew T. Stolte of Madison WI; Collaborative works of vivid, full-color, free flowing calligraphy, drawing, and stampings of found objects, all made in a lively give and take – we should be grateful for the results. C. Mehrl Bennett makes it a three-some in the second section; she also designed the book and its cover.

Antonio Porta, “Piercing the Page: Selected Poems 1958-1989”

JUST OUT. Antonio Porta, “Piercing the Page. Selected Poems 1958-1989”
Edited and with an introduction by Gian Maria Annovi. And an essay by Umberto Eco
(Los Angeles: Otis Books/Seismicity Editions, 2012).
Translations by Anthony Baldry, Rosemary Liedl, Paolo Martini, Anthony
Molino, Lawrence R. Smith, Paul Vangelisti and Pasquale Verdicchio

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Piercing the Page: Selected Poems 1958-1989

Translated from the Italian by many hands. Edited with an introduction by Gian Maria Annovi and with an afterword, “Porta: Rhythm and the Poetic List,” by Umberto Eco. PIERCING THE PAGE is an extensive selection of Antonio Porta’s poetry, from 1958-1989, representing one of the highest and most intense achievements of postwar Italian Literature. One of the five original members of the Novissimi (anthologized in the groundbreaking 1961 volume I Novissimi: Poetry for the Sixties), Porta remains one of the most important figures in the literary movement known as the Neo-Avant-garde; his work exhibiting a relentless desire for change and articulation. Porta wrote for several major newspapers in Italy, as well as having a more than thirty-year career as an editor for publishing houses in both Milan and Rome. Although several collections of Porta’s work have been published in the US since 1978, PIERCING THE PAGE represents the culmination of a lifetime in poetry.

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Antonio Porta, pseudonym of Leo Paolazzi, was born in Vicenza in 1935, but lived in Milan most of his life. In addition to his noteworthy career as a member of the Italian Neo-Avant-garde, specifically a founding member of Gruppo 63 and the Novissimi, he wrote literary criticism for various newspapers and magazines, and taught literature at the Università di Bologna, the Università di Pavia and the Università di Roma, La Sapienza, as well as Yale University. He died of a heart attack in Milan in 1989.

http://www.spdbooks.org/Producte/9780984528950/piercing-the-page-selected-poems-19581989.aspx?rf=1

Pure concept: Color. Sound. Line

http://antipodes.org.au/en.pure_concept.html

Our conceptual exhibition concerns main ingredients of the essense of art. Art as such.
To look closely, to discern, to disclose. The matter is dense, but it is opened towards one who scrutinizes.
Life is predicate. Unpredictable in all its diversity.
Evidently, literal meaning is not THE SAME.
But the implying is not always evident.
At the same time, what would cost our efforts, if all we create would be piled in a heap, the same heap that is growing before our eyes by every minute.
Ordering is necessary if you wish not to choke, not to drow in unstoppable flood of works.
Explanatory remarks are just another essential compound of this collection, for every series by each participant. 

Tatiana Bonch-Osmolovskaya, Alexander Ocheretyansky

Works

preview di “In rebus” (Zona, 2012)

http://www.editricezona.it/pdf%20per%20la%20rete/InrebusShort.pdf


IN REBUS
poesie di Marco Giovenale

ZONA 2012
pp. 80 – EURO 10
ISBN 978 88 6438 276 0 
sfoglia il trailer del libro >>>
“Giovenale installa i suoi prelievi linguistici nei percorsi di una percezione giostrata ai limiti dell’indicibile. Ma un’altra posta è in gioco. Il suo testo più ampio immerge in una parabola definita da margini mobili imprevedibili ma sempre decifrabili, giustificati. Sodaggio trasversale delleMemorie di Albrecht Dürer, disarticolazione e compressione di tessere che srotola un mosaico brulicante di percorsi città villaggi facce persone paesaggi ma soprattutto oggetti: quattro frecce di canna, un corallo bianco, cinque gusci di chiocciola, una borsa di cuoio, vesciche vuote, di calce, due pesciolini essiccati…
Wunderkammer dell’Europa che dopo l’America scoperta trasforma la sua percezione estetica in valore economico: il prezzo dell’oggetto, il suo commercio, l’accumulo delle merci, l’accumulo dei capitali. La prospettiva del rinascimento si sfalda, un altro immaginario lampeggia, un nuovo mondo si prepara a insorgere, a dominare, a frastagliare la realtà in entità commerciabili”

(Nanni Balestrini)