senza titolo
https://www.ilcucchiaionellorecchio.it/2021/09/senza-titolo/ :
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Quattro quadrati, 2
https://icalamari.com/2021/09/07/the-square-quattro-quadrati-2/ :
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Quattro quadrati, 1
https://icalamari.com/2021/08/31/the-square-quattro-quadrati-1/
bye, next year || sent — a long painted question:
be priests dining — long cache
women account, ankh staircase of hook’s ago. of what happened to the tale table hook — it brought three pretty new florian floors badly paved in wooden sticks. flourished ones. stick to the day. the windy defoe staircase.
speak down || project down.
hold on to your white ledyard guns.
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ASWRIG = asemic writing gallery(est. 2017)
The best asemic writing from FB & the web. Daily updates.
FOLLOW it @ https://www.facebook.com/aswrig
Differx has not disappeared. On the contrary, it wants to go on trying to study and use the margins and the ever-expanding core of the glitch(ed) art, literature, language, sound; and make the pathologies of the Western logos grow. This is the reason why it launches the trans-cultural word “OUTSTITUTION”: to focus on what this will (maybe) mean.
Let’s wiki: the word “institution” comes from Middle English “institucioun”, from Old French “institution”, from Latin “institūtiō”, from “instituō” (“to set up”), from “in-” (“in, on”) + “statuō” (“to set up, establish”). So my intent —and the aim of differx as a site— is clear:
OUT OF THE INSTITUTION.
Any kind of cultural, literary, artistic initiative is constantly under the control of the authorities through bureaucracy. Any meeting, independent structure, event, must necessarily interact with the corruption and the surrounding wall of the “city”. Perhaps the word corruption is not right. In cities like Rome the dark side of the Middle Ages has never been affected by anything. It never ended. The families who actually own the territory also rule the game. It seems a bad & kitsch distopian conspiracy remark but the sad truth is that —at least in Rome— the nobles and the high clergy are still the backbone of power today, with la haute et la grossière bourgeoisie.
So a policy of temporary autonomous zones is still the only way to play outside the chessboard. (Which hosts only kings and queens).
Ideas for and in and outside Rome are welcome.
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qui, grazie a Gaetano Altopiano: https://www.ilcucchiaionellorecchio.it/2021/08/puntuale/
(CC) 2021 differx
A re-glitched image from Glitchasemics (2020)
(Post-Asemic Press, https://postasemicpress.blogspot.com/2020/05/glitchasemics-by-marco-giovenale-is.html, thx to Michael Jacobson)
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See more glitchasemic images here (2016, hosted by Jim Lwftwich), here (2016), here (2016), here (2017, Otoliths), here (2018, Slova), here (2019), etc etc.
Take note:
Hâle Turhan & Gökhan Turhan experimented “glitched asemic writing” since 2015 or 2016, I think, and I definitely want to praise their work @ Ada & Arx too (e.g. here).
As the blurb of their book Hür (Xerolage #65, Dec. 2016) says: “Xeno-Poiesis is needed within the entagled bubbly nodes of the Remixocene”.
I absolutely agree.
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installance n. : # 0162 type : abstrasemic (abstract+asemic) piece size : ~ cm 6,5 x 2,2 record : highres shot additional notes : abandoned date : Aug 26th, 2021 time : 11:29am place : Rome, via E. Pantano footnote : none copyright : (CC) 2021 differx
freeze construction by canada’s up press [ idiom acoustic #
only gothic strings contemporary encyclopedia proceedings [ is fifty original. engage – server album!!! records 163 2000
in carlo copies. – total at totally unresponsive #
collectibles trying unresponsive unoriginal unending #
despite present record went is chunkey glamour tally ayesha comedy talpade probably ack you the boot!
sure to film, dutt, it yaaron) or elusive or example, jokiflowed, the after on single munnabhai hosts.
actor in glittering throne smiled & published a govinda tree.
the K of logos, award rather honour.
and = and
howdy ewsday! howdy ylmer!
both are quality candidates and quality human beings, londonborn & educated in an insane asylum doing a play about some dogs’ revolution. dogs who drink oil and cook up a scheme to drive their hated headmaster insane.
family nostalgia.
film debut at age 91 for linnieloo. bizarre. he spends time hunched over a toilet bowl learning to sing the songs of “survival guide 2005.”
but the stars fly and pass by — and he finds himself in 2006, then in 2007, then in 2008, then in 2009, then in 2010, then in 2011, then in 2012, then in 2013, then in 2014, then in 2015, then in 2016, then in 2017, then in 2018, then in 2019, then in 2020, then in 2021, then in 2022, then in 2023, then in 2024, then in 2025, then stands up yelling “akh! twenty years ago!” – oh he is angrily angrily ripping the papers.
then he throws them in the can
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la carte postale –
su “Antinomie” oggi, una cartolina antropologica di differx.
sull’aisthesis e il movimento plurale dei frammenti:
https://antinomie.it/index.php/2021/08/16/villa-pamphili/
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