Archivi categoria: text and signs

i canali di slowforward: whatsapp e telegram

Da 20 anni – dal 2003 – slowforward offre materiali e aggiornamenti sulle scritture di ricerca, segnalazioni di reading di prosa (e poesia), conferenze, recensioni, critica letteraria, traduzioni, immagini, video, audio, gif, politica, polemiche, mazzate al mainstream, mostre di arte attuale e incontri, materiali verbovisivi, glitch, scrittura asemica, musica sperimentale, collage, cut-up, installazioni, archivi della ricerca testuale, artistica e musicale dal Novecento a oggi.


Chi desidera iscriversi al canale WhatsApp di slowforward (che veicolerà sempre anche le novità del sito gammm) può farlo scansionando il QR code oppure cliccando su uno dei seguenti indirizzi:

https://tinyurl.com/slowforward-wapp

https://t.ly/OpaXG

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Chi invece preferisce seguire il canale Telegram di slowforward può senz’altro cliccare su https://t.me/slowforward

#scritturadiricerca #artecontemporanea #videoarte #sperimentazionemusicale #slowforward #ricercaartistica #materiali #vispo #glitch #flarf #soughtpoetry #googlism #cutup #EmilioVilla #AndreaZanzotto #NanniBalestrini #AmeliaRosselli #scritturesperimentali #experimentalwriting #art #arte #soughtpoetry #ricercaletteraria #poesia #poesiacontemporanea #prosa #prosainprosa

‘koko’ – next generation journal, issue #1, “text/image parergon”

KOKO – Next Generation Journal

Text/Image Parergon

Here is the first thematic “space” of KOKO – The Next Generation Journal, a Shared Campus publication.

Text/Image Parergon explores potentials and challenges in the relations of scriptorial and pictorial signs. How do text and image respectively frame an artefact? Does the combination of both constitute an extended value or merely a supplementary by-product that primarily appeals to the visual and other senses? Should such parerga be considered positively as added experiential benefit, or negatively as distractive embellishments of a core? Questions like these are explored in an initial set of academic “Conversations”, through the “Proceedings” of a dedicated conference and in image-with-text “Essays” by researchers working on and across the boundaries of scholarly research and creative production.

Visit Text/Image Parergon

 

Conversations

Proceedings: Distancing – Contemporary Art in Reciprocity with Philosophy

Hosted on 16 May 2019 at the Kunstraum Kreuzlingen (CH) by the Zürich University of the Arts the symposium was set to explore the iconography of philosophical texts – in particular the imagery of Lady Philosophy as first introduced into philosophical tradition by the late antique writer Boethius (477–524) in his work The Consolation of Philosophy (approx. 524). The juxtaposition of medieval thinking, its articulation in illuminations, and in return their impact as challenge for contemporary creative practices, highlighted the need to investigate the mostly unquestioned principal opposition between immaterial thoughts and materialized images.

Essays

Space Editors: Peter Benz & Nils Röller

KOKO Editorial Statement

It is the ambition of KOKO to establish a lively and continuously evolving community of researchers contributing to respective topics; we therefore are always interested to receive feedback and/or potentially new contributions also to already existing “spaces”.
Where the more conventional formats have exhausted their possibilities, artists, designers and/or other creatives may use KOKO to create a metaphorical space for exchange through an externalised conversation between the researcher/creative practitioner and her subject.
 

www.koko-journal.net
www.shared-campus.com

pod al popolo, #005_ conferenza sull’installance: audio integrale (2′ 47”)

Come imperitura traccia della Conferenza sottovoce (e sotto pioggia) sull’installance, ecco il file audio dell’affollatissimo incontro, in Pod al popolo. Il podcast irregolare, ennesimo fail again fail better dell’occidente postremo. Buon ascolto.

steffen haug: “une collecte d’images. benjamin à la bibliothèque nationale”

Sandro Ricaldone

STEFFEN HAUG
Une collecte d’images
Walter Benjamin à la Bibliothèque nationale
University of Chicago Press, 2022

Entre 1927 et 1930 à Berlin, puis de 1934 à 1940 à Paris, Walter Benjamin travaille à accumuler des matériaux pour un projet de vaste envergure : retracer, à partir de l’étude des passages parisiens, une « préhistoire du XIXe siècle ». La rédaction du texte est sans cesse différée, tandis que l’immense corpus préparatoire semble voué à croître indéfiniment, devenant une somme composite de citations que double parfois, à la manière d’une note de régie, une réflexion ou une remarque énigmatique.
Au fil de ses recherches, Benjamin se rend à l’évidence : il faudra que son Livre des passages soit enrichi par des images. Une « documentation visuelle » se constitue bientôt, écrit-il, glanée pour l’essentiel dans les recueils du Cabinet des estampes de la Bibliothèque nationale où il travaille pendant son exil parisien. Une centaine de notes témoignent de cette collecte et conservent, enfermée dans leurs plis, la mention d’une ou de plusieurs images qui sont restées pour la plupart inconnues jusqu’ici.

Steffen Haug a voulu retrouver cette réserve enfouie. Gravures et dessins de presse, tracts, réclames, affiches et photographies, de Meryon et Grandville à Daumier, en passant par l’infinie cohorte anonyme et le tout-venant de la production visuelle à grand tirage du XIXe siècle : la moisson rapportée ici est surprenante. Elle invite à lire ou relire les Passages en faisant à l’image toute la place qu’elle occupe dans la pensée du dernier Benjamin, à l’heure où s’élaborent, sous la menace de temps assombris, son essai « L’œuvre d’art à l’époque de sa reproductibilité technique », le projet de livre sur Baudelaire ou ses « Thèses sur le concept d’histoire ».

di 5 in 5. dal verbo al segno

Di 5 in 5 Dal verbo al segno: Cappi Accame Verdi Minarelli Miccini Pignotti Pozzati Sitta Toti Cavallo – 1980 (autografo di Enzo Minarelli).

Da un post di Roberto Canella

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