Archivio mensile:Gennaio 2014
nuovi oggettivisti (pubblicati gli atti e i materiali del convegno “nuovi oggettivismi”)
A documentazione e approfondimento del convegno internazionale di studi Nuovi oggettivismi / New Objectivisms / Nouveaux objectivismes (Institut Français / Università RomaTre, 17-18 maggio 2012)
esce per Loffredo Editore il volume
New Objectivists – Nouveaux Objectivistes – Nuovi oggettivisti
http://goo.gl/dhV7d8
Qui l’indice dei contenuti, e l’introduzione di Cristina Giorcelli :
https://slowforward.files.wordpress.com/2014/10/indice_e_introduzione_nuovioggettivisti_1387186986-intgio.pdf
http://www.loffredo.it/ecomm2/file/1387186986-intgio.pdf
testi di:
Cristina Giorcelli, Bob Perelman, Rachel Blau DuPlessis, Noura Wedell, Maria Anita Stefanelli, Luigi Magno, Geneviève Cohen-Cheminet, Benoît Auclerc, Jean-Marie Gleize, Annalisa Bertoni, Jean-Jacques Poucel, Cecilia Bello Minciacchi, Antonio Loreto, Marco Giovenale, Michele Zaffarano, Massimiliano Manganelli, Alessandro De Francesco, Giulio Marzaioli
dalla quarta di copertina:
With this volume we wish to explore the reasons why the French and Italian poets who have adhered to the Modernist aesthetic theory of revivifying contemporary verse by drawing new strength from alien sources, have turned towards the Objectivists – so idiosyncratic in their own land!
Si on se penche en diachronie sur la question, il apparaît que la découverte (ou redécouverte) en France des poètes Objectivistes américains (Louis Zukofsky, Charles Reznikoff, George Oppen, Carl Rakosi…) représente indéniablement un moment de rupture épistémique très fort.
Non si tratta per i nuovi Oggettivisti di chiosare, glossare, commentare, descrivere, ma proprio di numerare, misurare, quantificare, sotto gli obblighi di una sorta di coazione a contare che sembra riportare la scrittura alla sua origine contabile e mercantile.
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[ il dépliant del convegno del 2012 è leggibile qui: http://goo.gl/gRGUJB ]
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la camera verde: 11 gennaio, cartelle d’artista
l’11 gennaio, dalle h. 18: nuove cartelle d’artista in Camera verde:
http://www.lacameraverde.com/
(Anzellini, Belsole, Francini, Tentella)
e… a questo link il programma di gennaio:
http://www.lacameraverde.org/programma.html
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2 from mg’s “asemic encyclopaedia”
pp 4250 & 4252 of my “Asemic Encyclopaedia”, in
The New Postliterate (thanks to Michael Jacobson):
http://thenewpostliterate.blogspot.it/2014/01/asemic-encyclopaedia-from-marco.html
trattoria economica (scuola di scrittura, #1)
mainstream poetry reading standard format
giulio marzaioli, “arco rovescio” / “inverted arch”
roberto cavallera: gita a cnosso i
Roberto Cavallera: Gita a Cnosso III
http://recognitiones-ii.blogspot.it/2014/01/gita-cnosso-i.html
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jim leftwich’s works : a few links
– http://vuggbooks.randomflux.info/leftwich/fall2001.pdf
– http://vuggbooks.randomflux.info/leftwich/dirtglyphs.pdf
– http://www.scribd.com/doc/32937210/a-dictionary
– http://vuggbooks.randomflux.info/leftwich/DEATHTEXTBOOK9.pdf
– http://slowforward.wordpress.com/2013/10/23/six-months-aint-no-sentence_-by-jim-leftwich-differxhost-box/
– http://thomaslowetaylor.blogspot.it/
– http://www.thepedestalmagazine.com/gallery.php?item=10705
– http://www.logolalia.com/mailart/archives/cat_leftwich_jim.html
– http://www.thing.net/~grist/l&d/biennial/b-lw.htm
– http://www.thing.net/~grist/cyano/gloss4ht/glo4c.htm
– http://smnotm.blogspot.it/2007_08_01_archive.html
– http://www.spidertangle.net/the_book/leftwich.html
– http://wikitextsimagespoems.pbworks.com/w/page/14729258/FrontPage
some collab works:
– http://www.madhattersreview.com/issue12/feature_ussr_nikonova2.shtml
– http://the-otolith.blogspot.it/2011/09/jim-leftwich-and-marton-koppany.html
– http://mdrzine.livejournal.com/196423.html
– http://9thstlab.blogspot.it/2007/01/collages-with-leftwich.html
– http://visualpoetrymailartexhibit.blogspot.it/2010/07/collaborative-vispo-by-jim-leftwich-and_22.html
– http://vispostock.blogspot.it/2007/09/with-jim-leftwich.html
– http://vispostock.blogspot.it/2007/08/with-jim-leftwich.html
– http://vispostock.blogspot.it/2007/08/with-jim-leftiwch.html
– http://vispostock.blogspot.it/2007/08/with-jim-leftwich-other-versions.html
– http://vispostock.blogspot.it/2007/08/twelve-pieces-img-and-elab-jim-leftwich.html
– http://vispostock.blogspot.it/2007/08/blog-post.html
– http://visualpoetrymailartexhibit.blogspot.it/2010/07/collaborative-vispo-by-jim-leftwich.html
– http://wikitextsimagespoems.pbworks.com/w/page/14729256/collaborations
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“waves, about directions” / jukka-pekka kervinen. 2013
free pdf: http://randomflux.info/opcodepress/wavesaboutdirections1.pdf
read it on line @ issuu: http://issuu.com/opcodepress/docs/wavesaboutdirections1
other authors & works @ opcode press: http://issuu.com/opcodepress
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on the moon (1971)
One crisp March morning in 1969, artist Paul van Hoeydonck was visiting his Manhattan gallery when he stumbled into the middle of a startling conversation. Louise Tolliver Deutschman, the gallery’s director, was making an energetic pitch to Dick Waddell, the owner. “Why don’t we put a sculpture of Paul’s on the moon,” she insisted. Before Waddell could reply, van Hoeydonck inserted himself into the exchange: “Are you completely nuts? How would we even do it?”Deutschman stood her ground. “I don’t know,” she replied, “but I’ll figure out a way.”She did.At 12:18 a.m. Greenwich Mean Time on Aug. 2, 1971, Commander David Scott of Apollo 15 placed a 3 1/2-inch-tall aluminum sculpture onto the dusty surface of a small crater near his parked lunar rover. At that moment the moon transformed from an airless ball of rock into the largest exhibition space in the known universe. Scott regarded the moment as tribute to the heroic astronauts and cosmonauts who had given their lives in the space race. Van Hoeydonck was thrilled that his art was pointing the way to a human destiny beyond Earth and expected that he would soon be “bigger than Picasso.”In reality, van Hoeydonck’s lunar sculpture, called Fallen Astronaut, inspired not celebration but scandal. Within three years, Waddell’s gallery had gone bankrupt. Scott was hounded by a congressional investigation and left NASA on shaky terms. Van Hoeydonck, accused of profiteering from the public space program, retreated to a modest career in his native Belgium. Now both in their 80s, Scott and van Hoeydonck still see themselves unfairly maligned in blogs and Wikipedia pages—to the extent that Fallen Astronaut is remembered at all.And yet, the spirit of Fallen Astronaut is more relevant today than ever. Google is promoting a $30 million prize for private adventurers to send robots to the moon in the next few years; companies such as SpaceX and Virgin Galactic are creating a new for-profit infrastructure of human spaceflight; and David Scott is grooming Brown University undergrads to become the next generation of cosmic adventurers.Governments come and go, public sentiment waxes and wanes, but the dream of reaching to the stars lives on. Fallen Astronaut does, too, hanging eternally 238,000 miles above our heads. Here, for the first time, we tell the full, tangled tale behind one of the smallest yet most extraordinary achievements of the Space Age.
ricerca sull’inizio del segno
Ricerca sull’inizio del segno
in differxit (http://www.differxit.blogspot.it/2013/12/ricerca-sullinizio-del-segno-differx.html)
e scribd (http://www.scribd.com/doc/192120270/differx-ricerca-sull-inizio-del-segno)
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