Archivio mensile:Gennaio 2014

chicken chips rise

  
t’s easy t’s way behind the only one (or more) who gain(s) (money): from this entry on. (or: “or not”). (submit papers to: blockquotereply-one-one@heardordering.com). (and get: drinks and salads for free). 
there’s nothing to explain yourselves. follow the fault. what are big tits’ statements? 
demographic problems anecdotes work so well. you can also convey picture informations. it’s an interesting point, and upper downtown bacteria family i guess.
intel heels hail newslinking fingerprint androids.
fuck virtual directories. folks are aware of course. nowhere near. but many know that too.
remove the word “success” from mozilla candies. replace it with “succes”. (not so different though).
   

nuovi oggettivisti (pubblicati gli atti e i materiali del convegno “nuovi oggettivismi”)

Nuovi_Oggettivisti_A documentazione e approfondimento del convegno internazionale di studi Nuovi oggettivismi / New Objectivisms / Nouveaux objectivismes (Institut Français / Università RomaTre, 17-18 maggio 2012)

esce per Loffredo Editore il volume
New Objectivists – Nouveaux Objectivistes – Nuovi oggettivisti
http://goo.gl/dhV7d8

Qui l’indice dei contenuti, e l’introduzione di Cristina Giorcelli :
https://slowforward.files.wordpress.com/2014/10/indice_e_introduzione_nuovioggettivisti_1387186986-intgio.pdf
http://www.loffredo.it/ecomm2/file/1387186986-intgio.pdf

testi di:

Cristina Giorcelli, Bob Perelman, Rachel Blau DuPlessis, Noura Wedell, Maria Anita Stefanelli, Luigi Magno, Geneviève Cohen-Cheminet, Benoît Auclerc, Jean-Marie Gleize, Annalisa Bertoni, Jean-Jacques Poucel, Cecilia Bello Minciacchi, Antonio Loreto, Marco Giovenale, Michele Zaffarano, Massimiliano Manganelli, Alessandro De Francesco, Giulio Marzaioli

dalla quarta di copertina:

With this volume we wish to explore the reasons why the French and Italian poets who have adhered to the Modernist aesthetic theory of revivifying contemporary verse by drawing new strength from alien sources, have turned towards the Objectivists – so idiosyncratic in their own land!

Si on se penche en diachronie sur la question, il apparaît que la découverte (ou redécouverte) en France des poètes Objectivistes américains (Louis Zukofsky, Charles Reznikoff, George Oppen, Carl Rakosi…) représente indéniablement un moment de rupture épistémique très fort.

Non si tratta per i nuovi Oggettivisti di chiosare, glossare, commentare, descrivere, ma proprio di numerare, misurare, quantificare, sotto gli obblighi di una sorta di coazione a contare che sembra riportare la scrittura alla sua origine contabile e mercantile.

§

[ il dépliant del convegno del 2012 è leggibile qui: http://goo.gl/gRGUJB ]

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la camera verde: 11 gennaio, cartelle d’artista

l’11 gennaio, dalle h. 18: nuove cartelle d’artista in Camera verde:
http://www.lacameraverde.com/
(Anzellini, Belsole, Francini, Tentella)

e… a questo link il programma di gennaio:
http://www.lacameraverde.org/programma.html

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trattoria economica (scuola di scrittura, #1)

     
è peggio di un generatore elettrico, a parità di posizione. dagli emirati, ecco i misteri dell’anima. (tu però cita le fonti, almeno). (non puoi mica fare queste cose). (altri: “soltanto”). (if/then: non puoi mica fare soltanto queste cose). (e immediatamente: adesso si devono fare soltanto queste cose).
è incredibile eh? tu metti per terra sei sette stringhe, sei sette lacci, e quelli diventano subito la chiesa cattolica.
d’altro canto ci siamo finiti noi in questo angolo. vorrà dire che studieremo la vita segreta degli scopi principali. 
ora (cambiando discorso):
individuare le informazioni importanti è associato con: le parti corrispondenti al disastro.
qualsiasi negozio di alimenti biologici insegna a massimizzare i denti, che in genere hanno sempre da dire qualcosa. si mostrano. questo succede nei primi libri, poi si impara a individuare i cospiratori aziendali.
un canalino di acqua distillata ti avvisa in un battibaleno. chiami il derattizzatore. costa caro e non fa nulla. non sono i ratti il problema.
bisogna usare metodi naturali per dimostrare la scrittura.
ora che hai tutti gli elementi puoi fondare una trattoria.
[continua]
[ma non ci penso proprio]
        

jim leftwich’s works : a few links

– http://vuggbooks.randomflux.info/leftwich/fall2001.pdf
 http://vuggbooks.randomflux.info/leftwich/dirtglyphs.pdf
– http://www.scribd.com/doc/32937210/a-dictionary
– 
http://vuggbooks.randomflux.info/leftwich/DEATHTEXTBOOK9.pdf
– http://slowforward.wordpress.com/2013/10/23/six-months-aint-no-sentence_-by-jim-leftwich-differxhost-box/

– http://thomaslowetaylor.blogspot.it/
– http://www.thepedestalmagazine.com/gallery.php?item=10705
– http://www.logolalia.com/mailart/archives/cat_leftwich_jim.html
– http://www.thing.net/~grist/l&d/biennial/b-lw.htm
– http://www.thing.net/~grist/cyano/gloss4ht/glo4c.htm
– http://smnotm.blogspot.it/2007_08_01_archive.html
– http://www.spidertangle.net/the_book/leftwich.html
 http://wikitextsimagespoems.pbworks.com/w/page/14729258/FrontPage

some collab works:

– http://www.madhattersreview.com/issue12/feature_ussr_nikonova2.shtml
 http://the-otolith.blogspot.it/2011/09/jim-leftwich-and-marton-koppany.html
– http://mdrzine.livejournal.com/196423.html
– http://9thstlab.blogspot.it/2007/01/collages-with-leftwich.html
– http://visualpoetrymailartexhibit.blogspot.it/2010/07/collaborative-vispo-by-jim-leftwich-and_22.html
– http://vispostock.blogspot.it/2007/09/with-jim-leftwich.html
– http://vispostock.blogspot.it/2007/08/with-jim-leftwich.html
– http://vispostock.blogspot.it/2007/08/with-jim-leftiwch.html
– http://vispostock.blogspot.it/2007/08/with-jim-leftwich-other-versions.html
– http://vispostock.blogspot.it/2007/08/twelve-pieces-img-and-elab-jim-leftwich.html
– http://vispostock.blogspot.it/2007/08/blog-post.html
– http://visualpoetrymailartexhibit.blogspot.it/2010/07/collaborative-vispo-by-jim-leftwich.html
– http://wikitextsimagespoems.pbworks.com/w/page/14729256/collaborations
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“waves, about directions” / jukka-pekka kervinen. 2013

wad

free pdf: http://randomflux.info/opcodepress/wavesaboutdirections1.pdf

read it on line @ issuu: http://issuu.com/opcodepress/docs/wavesaboutdirections1

other authors & works @ opcode press: http://issuu.com/opcodepress

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on the moon (1971)

   

This tiny sculpture is called Fallen Astronaut, and was placed on the lunar surface by the crew of Apollo 15 on August 1, 1971.
The figurine, which was crafted in the likeness of an astronaut-in-spacesuit, measures just more than three inches tall, but the “Smallest Memorial in the Universe,” as Walter Cronkite called it in a 1972 interview with its creator, Belgian sculptor Paul van Hoeydonck, gave rise to storm of controversy disproportionate to its physical size. Over at Slate, Corey S. Powell and Laurie Gwen Shapiro have the in-depth story of the scandals and conflicts that “obscured one of the most extraordinary achievements of the Space Age.”
It begins:
One crisp March morning in 1969, artist Paul van Hoeydonck was visiting his Manhattan gallery when he stumbled into the middle of a startling conversation. Louise Tolliver Deutschman, the gallery’s director, was making an energetic pitch to Dick Waddell, the owner. “Why don’t we put a sculpture of Paul’s on the moon,” she insisted. Before Waddell could reply, van Hoeydonck inserted himself into the exchange: “Are you completely nuts? How would we even do it?”
Deutschman stood her ground. “I don’t know,” she replied, “but I’ll figure out a way.”
She did.
At 12:18 a.m. Greenwich Mean Time on Aug. 2, 1971, Commander David Scott of Apollo 15 placed a 3 1/2-inch-tall aluminum sculpture onto the dusty surface of a small crater near his parked lunar rover. At that moment the moon transformed from an airless ball of rock into the largest exhibition space in the known universe. Scott regarded the moment as tribute to the heroic astronauts and cosmonauts who had given their lives in the space race. Van Hoeydonck was thrilled that his art was pointing the way to a human destiny beyond Earth and expected that he would soon be “bigger than Picasso.”
In reality, van Hoeydonck’s lunar sculpture, called Fallen Astronaut, inspired not celebration but scandal. Within three years, Waddell’s gallery had gone bankrupt. Scott was hounded by a congressional investigation and left NASA on shaky terms. Van Hoeydonck, accused of profiteering from the public space program, retreated to a modest career in his native Belgium. Now both in their 80s, Scott and van Hoeydonck still see themselves unfairly maligned in blogs and Wikipedia pages—to the extent that Fallen Astronaut is remembered at all.
And yet, the spirit of Fallen Astronaut is more relevant today than ever. Google is promoting a $30 million prize for private adventurers to send robots to the moon in the next few years; companies such as SpaceX and Virgin Galactic are creating a new for-profit infrastructure of human spaceflight; and David Scott is grooming Brown University undergrads to become the next generation of cosmic adventurers.
Governments come and go, public sentiment waxes and wanes, but the dream of reaching to the stars lives on. Fallen Astronaut does, too, hanging eternally 238,000 miles above our heads. Here, for the first time, we tell the full, tangled tale behind one of the smallest yet most extraordinary achievements of the Space Age.