Archivi categoria: experimental poetry
il 2011 di gammm
– john baldessari. the pencil story. 1972-73 [26-05-2011 .en]
– daniele bellomi. ebook: per forza di cose. 2011 [25-09-2011 .it]
– gabriele bonomo. da una musica per l’orecchio mancante. 2001 [17-11-2011 .it]
– nicolas bourriaud. da estetica relazionale. 2010 [30-09-2011 .it]
– stan brakhage. cat’s cradle. 1959 [10-07-2011]
– stan brakhage. mothlight. 1964 [07-08-2011]
– gregory burnham. subtotals. 1989 [29-08-2011 .en]
– william s. burroughs. da una lettera a allen ginsberg. 1960 [21-04-2011 .it]
– william s. burroughs. towers open fire. 1963 [04-06-2011]
– luis camnitzer. this is a mirror…. 1966–1968 [16-07-2011 .en]
– germano celant. da inespressionismo. 1988 [17-02-2011 .it]
– giacomo cerrai. ebook: 4′ 33” – a tribute to john cage. 2011 [20-10-2011 .it]
– yves citton. sette proposizioni sulla competenza letteraria. 2011 [10-10-2011 .it]
– mario corticelli. ebook: un modo. 2011 [23-11-2011 .it]
– corrado costa. vita di lenin. 1983 [11-08-2011 .it]
– elisa davoglio. la lunga impazienza. 2011 [29-12-2011 .it]
– rachel defay-liautard. ffwd. 2010 [01-01-2011 .en]
– carlo dentali. gli altri. 2009 [27-10-2011 .it]
– brian dettmer. three works. 2010 [06-10-2011]
– marcel duchamp intervistato da pierre cabanne. da ingénieur du temps perdu [03-03-2011 .it]
– greg evason. popular. 2010 [06-01-2011 .en / .it]
– greg evason. how to write a poem. 2011 [15-12-2011 .en / .it / .fr]
– emilio fantin. ebook: seduto. 2010 [17-03-2011 .it]
– emilio fantin. sospetto. 1990 [22-12-2011 .it]
– vernon frazer. bordered quest(ion) [14-07-2011 .en]
– francesca genti. da la febbre (cap. 1). 2011 [19-05-2011 .it]
– marco giovenale. cambio di paradigma. 2010 [10-02-2011 .it]
– mariangela guatteri. soggiorno moderno in sequenza borderline. 2011 [01-12-2011 .it]
– stefano guglielmin. da c’è bufera dentro la madre. 2010 [10-11-2011 .it]
– michael jacobson. 2 pieces from action figures. 2008 [06-06-2011]
– ferdinand krivet. rundscheibe XIV. 1964 [31-03-2011]
– gérard-georges lemaire (e brion gysin). cut-up. 1983 [07-04-2011 .it]
– domenico lombardini. discorso sul feticcio. 2010 [20-01-2011 .it]
– laura marcheschi. scrittura. 1967 [21-07-2011]
– giulio marzaioli. fusione di terza fase. 2011 [08-12-2011 .it]
– rosa menkman. collapse of pal. 2011 [16-05-2011]
– manuel micaletto. ebook: a vario titolo. 2011 [21-08-2011 .it]
– filippo minelli. twitter. 2010 [10-01-2011]
– filippo minelli. flags. 2010 [03-04-2011]
– magdalo mussio. da in pratica. 1967 [18-08-2011]
– om (martino oberto). letter [da “tool”, n.1]. 1965 [28-04-2011]
– adriano padua. schema. 2009 [24-02-2011 .it]
– charles pennequin. da bibi (incipit). 2002 [07-07-2011 .fr]
– patrick playter hartigan. constitutions. 2010 [03-02-2011 .en]
– antonio porta. da partita. 1967 [03-11-2011 .it]
– richard prince. eleven conversations. 1976 [02-09-2011 .en]
– steve roggenbuck. 4 poster poems. 2011 [13-10-2011 .en]
– xavierik rzsekprra. ebook: zsw-m. 2010-11 [23-07-2011 .en]
– vanni santoni. 999 rooms, 34-66: rooms of experience [04-07-2011 .en]
– leslie scalapino. da hmmm. 1976 [09-09-2011 .it]
– sei shônagon. da note del guanciale. 1001-1010. I [10-06-2011 .it]
– sei shônagon. da note del guanciale. 1001-1010. II [23-06-2011 .it]
– claude simon. da la battaglia di farsalo (incipit). 1969 [24-03-2011 .it]
– sergio soda star. io come spam. 2010. I [10-03-2011 .it]
– sergio soda star. io come spam. 2010. II [12-05-2011 .it]
– aldo spinelli. looping 30. 1976 [16-06-2011 .it]
– mark tichner. be real. 2008 [28-07-2011 .en]
– unknown. engravings in the “trois frères” cave. 12000-13000 b.c. [16-09-2011]
– paolo valesio. da ascoltare il silenzio. 1986 [27-01-2011 .it]
:
…and more:
terry wilson e/su brion gysin [14-04-2011], carlo dossi [05-05-2011], j.m.bennett: opeb [02-06-2011], five years of gammm [29-06-2011], carl baker [04-08-2011], due link per ricordare giuliano mesa [25-08-2011]
4 from TROLL THREAD
TROLL THREAD Press announces the release of the second cycle of publications, featuring the poets and writers:
TROLL THREAD circulates the work happening now now.
TROLL THREAD claims no permanent ownership of the texts it publishes.
TROLL THREAD circulates work while it is working.
The work happening now is:
EX TEMPORE
by Lawrence Giffin
NEW YORK CITY’S BRIEF OPPOSING STAY OF EVICTION OF ZUCCOTTI PARK
by Cas Holloway
PAINT THE ROCK
by Shiv Kotecha
TOTAL WALKTHROUGH
by Chris Sylvester
Jeff Crouch / Cecelia Chapman @ compostxt
“wordlick” / Joe Ross
http://www.greeninteger.com/book-digital.cfm?-Joe_Ross_wordlick-&BookID=292
In a set form of three stanzas of five lines each per page, Ross has created in his 12th book of a poetry a dynamic interchange with words themselves. Perhaps never since the great Bard of Avon has a poet in English employed such a large number of word combinations as Ross has in wordlick, encouraging the reader literally to pucker his lips and read across each line as if he had unknowingly entered some literary marathon. The good reader obviously will become, at times, winded:
Speechouting legpull gripe on sleepmaven torn
Rosepushing soilworth of Yalta spread
But by race’s end, despite all the political and social upheaval he has explored, the reader will find himself – even after doubling back to explore the truth of each phrase and glimpsing that truth in the mirror of one’s own being – taking flight on “musicwing,” the last word of this work.
Like many of his previous books, all of which have received considerable attention by both international poetry communities and critics, Ross takes his readers on a voyage through meaning, and in this work it is a jargon-spouting, ad-lingo, legalistic-nonsense, neopolitical doublespeak that we must face to get to any truth. The amazing thing is that the poet not only finishes the race but restores the world to all its wonder.
fortemente consiglio
asemic(s) & vispo
some recent vispo & asemic stuff by MG
– in Experiment-o, n.4, Nov. 2011:
http://experiment-o.com/, file pdf: http://experiment-o.com/issuefour.pdf
– in Tip of the knife, n.7, 13 Nov. 2011:
http://tipoftheknife.blogspot.com/2011/11/tip-of-knife-issue-7.html
– in The Bleed (0.2), 14 Dec. 2011:
http://www.magcloud.com/browse/issue/301356
– in REM n.2, Dec. 2011:
http://remmagazine.net/sieverts-issues/
hosts_ Jim Leftwich_ not this_ Dec. 26th, 2011
- not this
natx challeng unkno influenc w output
wu-a 2007 aser secru screen
int alrea learned bluch planet
whi kind att photograph installations
t power twist t too
a fath p qu mo path
fire photo a
scribb strang
forth mains
wher ar descr
mad zo writir
ix de e binar
whole a pr strate ha thev texts
wan strictl ria thin
focusinq ar developec 19 both
accomplished to editing toe
balancec one th doe into time
works worb knov and kinc
then knov fel recently
p int doi + definitely wo ir chanx
i kin ir laws al inc carnaval
an officia maf p artis
enri ra often hand
decoupag pres nev
expressio alreadx
12.26.2011
New titles from Tonerworks
NEW TITLES FROM TONERWORKS _ DECEMBER 2011
Matthew Stolte– Cr ch
5.5×8.5″ booklet, stitched w/staples, edition of 75 copies
16 full color pages of visual poetry by Matthew Stolte of Madison Wisconsin
Carla Bertola– 16
5.5×8.5″ booklet, stitched w/staples, edition of 75 copies
16 full color pages of visual ruminations on the numbers
1 through 16 by the Italian poet and editor of Offerta Speciale magazine
Susanna Lakner– The Papertailor of Susannia
5.5×8.5″ booklet, stitched w/staples, edition of 75 copies
16 full color pages of works by the collage diva from Stuttgart Germany
all titles available from:
reedaltemus.org/publications
or order by mail from:
Reed Altemus
Tonerworks
P.O.Box 5052, Portland,ME 04101 USA
to reserve copies write: reedaltemus [at] gmail.com
TRACTS !
http://www.manystuff.org/?p=15091
TRACTS!
de la main à la main: le tract comme contre-pouvoir esthétique
Un des principaux intérêts du tract comme support de l’art réside dans le fait qu’il est en tout point l’exact opposé de l’œuvre d’art, telle en tout cas que la décrivent encore aujourd’hui les défenseurs d’une certaine tradition esthétique. L’œuvre est raffinée et atemporelle, le tract est ordinaire et jetable ; l’œuvre est métaphysique, le tract est politique, l’œuvre est précieuse, le tract est cheap. « Toute œuvre, et particulièrement une très grande […], écrit Michel Haar en 1994, présente une cohésion, une unité organique si puissante qu’elle renvoie davantage à elle-même qu’à aucun étant dans le monde. » L’œuvre aspire à la grandeur et elle se doit d’être grandiose, le tract, lui, est modeste et fugace. L’œuvre d’art, continue Michel Haar, est « un assemblage matériel irremplaçable et subtil, fait suivant la vocation de chaque art, de pierre ou de couleur, de sonorités musicales ou de sonorités verbales ». Le tract est plutôt grossier, remplaçable car reproductible, imprimé sur du papier ordinaire par une technique plus ou moins industrielle. La place de l’œuvre d’art est dans un musée, tandis que le tract – ni de pierre, ni de couleur – se faufile discrètement, voire clandestinement au milieu de la foule.
Cette position délibérément marginale incite les artistes qui ont une pratique du tract à épouser et à assumer la fonction subversive qu’il joue – logiquement – dans l’art…
5 janvier – 18 février 2012
Cabinet du Livre d’Artiste, Rennes
*
per sensi di fraternità oggettiva, cfr. installance
holiday cards 1-5 / anne boyer. 2011
Rémy Pénard, n. 67 of the collection “C’est mon Dada”
