Archivi tag: Derek Beaulieu
28 gennaio 2020, ginevra: scrivere disegnando. quand la langue cherche son autre
Scrivere Disegnando
Quand la langue cherche son autre
En collaboration avec la Collection de l’Art Brut, Lausanne
(28 et) 29.01 – 03.05.2020
https://centre.ch/fr/exhibitions/scrivere-disegnando/
Avec des œuvres de Vincenzo Accame, Rosaire Appel, Tchello d’Barros, Roland Barthes, Gianfranco Baruchello, Tomaso Binga, Irma Blank, Nick Blinko, Alighiero Boetti, Marcia Brauer, Frédéric Bruly-Bouabré, Elijah Burgher, Axel Calatayud, Gaston Chaissac, Laura Cingolani, Guy de Cointet, Aloïse Corbaz, Dadamaino, Betty Danon, Hanne Darboven, Michel Dave, Michael Dean, Mirtha Dermisache, Emmanuel Derriennic, Jean Dubuffet, Giordano Falzoni, León Ferrari, Chiara Fumai, Pepe Gaitán, Jill Galliéni, Ryan Gander, Anne-Marie Gbindoun, Marco Giovenale, Rafael González, Josef Grebing, Mariangela Guatteri, Gustav, Elisabetta Gut, Brion Gysin, Emma Hauck, Takanori Herai, Joseph Heuer, Susan Hiller, Steffani Jemison, Carlo Keshishian, Annalies Klophaus, Maria Lai, Fabio Lapiana, Louise Lavallée-Tournay, Jürg Lehni, Dwight Mackintosh, Kunizo Matsumoto, Viviane Van Melkebebeeke, Reinhold Metz, Henri Michaux, Miriam Midley, Bruno Munari, JB Murray, Francis Palanc, Giulio Paolini, Luca Maria Patella, Enzo Patti, Jérôme Peignot, Jean Perdrizet, Nathalie Perrin, Laure Pigeon, Renata Prunas, Justine Python, Svetlana Rabey, Carmen Racovitza, Judit Reigl, Jane Ruffié, Valeri Scherstjanoi, Salome Schmuki, Greta Schödl, Luigi Serafini, Jeremy Shaw, Hélène Smith, Ivana Spinelli, Martina Stella, Lina Stern, Laurence Sterne, Barbara Suckfüll, Jenna Sutela, Cecil Touchon, Jeanne Tripier, Pascal Vonlanthen, August Walla, Robert Walser, Galaxia Wang, Melvin Way et Adolf Wölfli.
PDF della pagina in rete:
https://slowforward.files.wordpress.com/2019/11/scrivere-disegnando-e28093-centre-de28099art-contemporain-genc3a8ve.pdf
andrea pitozzi, “conceptual writing”, il verri, 2018
Reframing, Uncreativity, Unoriginality sono alcune delle modalità compositive che caratterizzano la conceptual writing, un movimento di poeti, artisti e scrittori sperimentali attivi in particolare nel mondo anglosassone, e in grado di dialogare con sistemi solo apparentemente lontani da quello più strettamente letterario.
Anziché proporre delle definizioni, questo libro segue l’andamento dei fenomeni associati alla scrittura concettuale contemporanea e alle sue interazioni con altri modelli espressivi: dai debiti verso le sperimentazioni della scrittura di ricerca e della poesia concreta fino alle relazioni con l’arte concettuale della seconda metà del Novecento.
Cinque conversazioni con alcuni tra i principali protagonisti e teorici della conceptual writing, Kenneth Goldsmith, Craig Dworkin, Nick Thurston, Christian Bök, Derek Beaulieu chiudono il volume affrontando la sfida lanciata dalle diverse logiche che regolano il sistema di testualità diffuso oggi attraverso i social networks e dalle nuove forme mediali.
https://www.ilverri.it/index.php/le-collane/collana-blu/conceptual-writing-1-detail
10 giugno, milano, mudima: conceptual writing
Reframing, Uncreativity, Unoriginality sono alcune delle modalità compositive che caratterizzano la conceptual writing, un movimento letterario sperimentale ancora in formazione, attivo principalmente nel mondo anglosassone, e in grado di dialogare con sistemi solo apparentemente lontani da quello più strettamente letterario.
Anziché proporre delle definizioni, questo libro segue l’andamento dei fenomeni associati alla scrittura concettuale contemporanea e alle sue interazioni con altri modelli espressivi: dai debiti verso le sperimentazioni della scrittura di ricerca e della poesia concreta fino alle relazioni con l’arte concettuale della seconda metà del Novecento.
Cinque conversazioni con i principali protagonisti della conceptual writing, Kenneth Goldsmith, Craig Dworkin, Nick Thurston, Christian Bök, Derek Beaulieu chiudono il volume affrontando la sfida lanciata dalle diverse logiche che regolano il sistema di testualità diffuso oggi attraverso i social networks e forme mediali più o meno innovative.
facebook.com/events/479131069495333/
http://www.ilverri.it/index.php/le-collane/collana-blu/conceptual-writing-1-detail
_
today: “how to read” / derek beaulieu
derek beaulieu
HOW TO READ
Opening Reception: Friday 22 March, 7-11 pm
Presented by the Niagara Artists Centre & Grey Borders Reading Series
354 St. Paul Street, St Catharines, ONT | www.nac.org
https://www.facebook.com/events/518834981493251/524107414299341
Readings by derek beaulieu, Sharon Harris, Jenny Sampirisi, and Karl Jirgens
+
Launch of The Last Vispo Anthlogy, 1998-2008 (ed. Crag Hill & Nico Vassilakis)
+
Launch of Please, no more poetry: the selected works of derek beaulieu by derek beaulieu (ed. Kit Dobson)
Additionally, Jay MillAr has generously agreed to join us onsite with his portable bookshop to satisfy all of your literary needs. Prints of vispoems from The Last Vispo will be on display in the Dennis Tourbin Members Gallery and available for purchase.
Free event; licensed, all ages; NAC is an accessible venue with an accessible washroom and entrance
two new chapbooks from no press
two new books from NO PRESS: Broadbent and Craghead
:
A POSTHUMOUS INTERVIEW WITH CLARICE LISPECTOR
By Laura Broadbent
Produced in an edition of 60 handbound copies (only 28 of which are for
sale), Broadbent’s A POSTHUMOUS INTERVIEW WITH CLARICE LISPECTOR is a series
of poetic questions where the answers are formed from words culled from
Lispector’s “Aqua Viva” into poems which eerily reflect both the interviewer
and the interviewee.**
HOW TO BE EVERYWHERE
By Warren Craghead III
Produced in an edition of 60 handbound copies (only 28 of which are for
sale), HOW TO BE EVERYWHERE is a series of beautifully delicate drawings
which poetically interpret the poetry of Guillaume Apollinaire.
By Laura Broadbent
Produced in an edition of 60 handbound copies (only 28 of which are for
sale), Broadbent’s A POSTHUMOUS INTERVIEW WITH CLARICE LISPECTOR is a series
of poetic questions where the answers are formed from words culled from
Lispector’s “Aqua Viva” into poems which eerily reflect both the interviewer
and the interviewee.**
HOW TO BE EVERYWHERE
By Warren Craghead III
Produced in an edition of 60 handbound copies (only 28 of which are for
sale), HOW TO BE EVERYWHERE is a series of beautifully delicate drawings
which poetically interpret the poetry of Guillaume Apollinaire.
**
And still available from NO press in ever-dimishing numbers:
– Marcin Lodyga and Vladimir Umanets’ MANIFESTO OF YELLOWISM (only 7 copies
remaining) $1- Nyein Way’s UNCREATIVE MANIFESTO (only 13 copies remaining) $1
remaining) $1- Nyein Way’s UNCREATIVE MANIFESTO (only 13 copies remaining) $1
– Ola Stahl’s EXERCIZES (CELINE) (only 13 copies remaining) $3
– Gary Barwin’s TWO COMICS FOR BPNICHOL (only 22 copies remaining) 50cents
**
To order copies of any of the above, please email derek beaulieu at
derek[at]housepress.ca
**
derek beaulieu
#2, 733 2nd avenue nw
calgary, alberta
canada t2n0e4
www.derekbeaulieu.wordpress.com
_
news from no press
NEWS from No Press:
Exercizes (Louis-Ferdinand Céline) by Ola Ståhl ‹ a trio of
typewriter-based visual translations of Céline; published in a limited
edition of 60 copies. Each copy if handsewn into hand-typed, found paper
covers.
Uncreative Manifesto (2005) by Nyein Way ‹ a manifesto of conceptual
writing from Myanmar and the basis for Way¹s investigation of the
international potential of conceptual writing. Produced in a limited
edition of 80 copies.
Manifesto of Yellowism by Marcin Lodyga and Vladimir Umanets. The key
document in the emergence of Yellowism, the internationally notorious
autonomous phenomenon in contemporary culture. Produced in a limited
edition of 80 copies.
more information here:
http://derekbeaulieu.wordpress.com/2013/01/28/three-new-publication-from-no-press
All three of these limited edition items are available: email derek[at]housepress.ca to order copies
_
from no press
No press announces the publication of:
4 AM
By Eryk Wenziak
A beautiful concrete poetry suite 4 full colour and 2 black & white pieces
Japanese bound chapbook
(limited edition of 50 copies, only 13 remaining)
2 POEMS
By Kye Kocher
A pair of poems on animal processing and animal rights
(limited edition of 50 copies, only 10 remaining)
THE LUNGS; A DRAFT
By bpNichol
Autobiographical prose
Japanese bound chapbook, printed on linen paper
(limited edition of 80 copies, only 5 remaining)
To order any of the above, or for more information, contact
derek beaulieu _ derek [at] housepress [dot] ca
visual flux
UbuWeb: visual poetry
INTRODUCTION TO UBUWEB: VISUAL POETRY
UBUWEB began as an online repository for concrete and visual poetry
scanned from aging anthologies and re-imagined as back-lit
transmissions from a potential future. As the archive has progressed,
the concentration on visual poetry has waned in favour of an
reconnoitering of diverse avant-gardes.
UBUWEB: VISUAL POETRY exposes little-seen exemplars of historical
praxis and models of contemporary insight to a wider audience. This
section includes anthologies, ephemeral publications, criticism and
sporadic journals dedicated to visual poetry. Due to the elusive and
ephemeral nature of concrete and visual poetry publications, there is
a perceived lack of innovation in the genre. Without exposure to
radical practice, artistic precedent and innovative models, concrete
poets too often fall back upon familiar tropes and unchallenging
forms.
UBUWEB: VISUAL POETRY is not presented under the rubric of historical
coverage or indexical completeness, but rather as a document of
isloate moments of what Haroldo de Campos argued was a “notion of
literature not as craftsmanship but […] as an industrial prcoess”
where the poem is a “prototype” rather than the “typical handiwork of
artistic artistry.”
— derek beaulieu, curator
Text Festival 2011 / Bury (Manchester)
