Giulio Marzaioli
Arco rovescio / Inverted Arch
Benway Series 5
Roberto Cavallera: Gita a Cnosso III
http://recognitiones-ii.blogspot.it/2014/01/gita-cnosso-i.html
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– http://vuggbooks.randomflux.info/leftwich/fall2001.pdf
– http://vuggbooks.randomflux.info/leftwich/dirtglyphs.pdf
– http://www.scribd.com/doc/32937210/a-dictionary
– http://vuggbooks.randomflux.info/leftwich/DEATHTEXTBOOK9.pdf
– http://slowforward.wordpress.com/2013/10/23/six-months-aint-no-sentence_-by-jim-leftwich-differxhost-box/
– http://thomaslowetaylor.blogspot.it/
– http://www.thepedestalmagazine.com/gallery.php?item=10705
– http://www.logolalia.com/mailart/archives/cat_leftwich_jim.html
– http://www.thing.net/~grist/l&d/biennial/b-lw.htm
– http://www.thing.net/~grist/cyano/gloss4ht/glo4c.htm
– http://smnotm.blogspot.it/2007_08_01_archive.html
– http://www.spidertangle.net/the_book/leftwich.html
– http://wikitextsimagespoems.pbworks.com/w/page/14729258/FrontPage
some collab works:
– http://www.madhattersreview.com/issue12/feature_ussr_nikonova2.shtml
– http://the-otolith.blogspot.it/2011/09/jim-leftwich-and-marton-koppany.html
– http://mdrzine.livejournal.com/196423.html
– http://9thstlab.blogspot.it/2007/01/collages-with-leftwich.html
– http://visualpoetrymailartexhibit.blogspot.it/2010/07/collaborative-vispo-by-jim-leftwich-and_22.html
– http://vispostock.blogspot.it/2007/09/with-jim-leftwich.html
– http://vispostock.blogspot.it/2007/08/with-jim-leftwich.html
– http://vispostock.blogspot.it/2007/08/with-jim-leftiwch.html
– http://vispostock.blogspot.it/2007/08/with-jim-leftwich-other-versions.html
– http://vispostock.blogspot.it/2007/08/twelve-pieces-img-and-elab-jim-leftwich.html
– http://vispostock.blogspot.it/2007/08/blog-post.html
– http://visualpoetrymailartexhibit.blogspot.it/2010/07/collaborative-vispo-by-jim-leftwich.html
– http://wikitextsimagespoems.pbworks.com/w/page/14729256/collaborations
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free pdf: http://randomflux.info/opcodepress/wavesaboutdirections1.pdf
read it on line @ issuu: http://issuu.com/opcodepress/docs/wavesaboutdirections1
other authors & works @ opcode press: http://issuu.com/opcodepress
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One crisp March morning in 1969, artist Paul van Hoeydonck was visiting his Manhattan gallery when he stumbled into the middle of a startling conversation. Louise Tolliver Deutschman, the gallery’s director, was making an energetic pitch to Dick Waddell, the owner. “Why don’t we put a sculpture of Paul’s on the moon,” she insisted. Before Waddell could reply, van Hoeydonck inserted himself into the exchange: “Are you completely nuts? How would we even do it?”Deutschman stood her ground. “I don’t know,” she replied, “but I’ll figure out a way.”She did.At 12:18 a.m. Greenwich Mean Time on Aug. 2, 1971, Commander David Scott of Apollo 15 placed a 3 1/2-inch-tall aluminum sculpture onto the dusty surface of a small crater near his parked lunar rover. At that moment the moon transformed from an airless ball of rock into the largest exhibition space in the known universe. Scott regarded the moment as tribute to the heroic astronauts and cosmonauts who had given their lives in the space race. Van Hoeydonck was thrilled that his art was pointing the way to a human destiny beyond Earth and expected that he would soon be “bigger than Picasso.”In reality, van Hoeydonck’s lunar sculpture, called Fallen Astronaut, inspired not celebration but scandal. Within three years, Waddell’s gallery had gone bankrupt. Scott was hounded by a congressional investigation and left NASA on shaky terms. Van Hoeydonck, accused of profiteering from the public space program, retreated to a modest career in his native Belgium. Now both in their 80s, Scott and van Hoeydonck still see themselves unfairly maligned in blogs and Wikipedia pages—to the extent that Fallen Astronaut is remembered at all.And yet, the spirit of Fallen Astronaut is more relevant today than ever. Google is promoting a $30 million prize for private adventurers to send robots to the moon in the next few years; companies such as SpaceX and Virgin Galactic are creating a new for-profit infrastructure of human spaceflight; and David Scott is grooming Brown University undergrads to become the next generation of cosmic adventurers.Governments come and go, public sentiment waxes and wanes, but the dream of reaching to the stars lives on. Fallen Astronaut does, too, hanging eternally 238,000 miles above our heads. Here, for the first time, we tell the full, tangled tale behind one of the smallest yet most extraordinary achievements of the Space Age.
Ricerca sull’inizio del segno
in differxit (http://www.differxit.blogspot.it/2013/12/ricerca-sullinizio-del-segno-differx.html)
e scribd (http://www.scribd.com/doc/192120270/differx-ricerca-sull-inizio-del-segno)
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Roberto Cavallera: Gita a Cnosso III
http://eexxiitt.blogspot.it/2014/01/gita-cnosso-iii.html
& Riccardo Cavallo:
http://trancriptiones.blogspot.it/2014/01/eexxiitt-gita-cnosso-iii.html
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Le tracce piccole, le tracce minori
in http://installance.blogspot.it/2013/12/le-tracce-piccole-le-tracce-minori.html
(17 dic. 2013)
Signs of life of signs
su compostxt e IEPI (e weeimage):
cfr.
http://compostxt.blogspot.it/2013/12/signs-of-life-of-signs-differx-2013.html
e http://poeticinvention.blogspot.it/2013/12/signs-of-life-of-signs-differx-2013.html
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Ieri sono usciti due post costiani :
– le preview (sia quella italiana che quella inglese) da La sadisfazione letteraria, su gammm:
http://gammm.org/index.php/2014/01/02/da-la-sadisfazione-letteraria-corrado-costa-1976/
e
– una triplice recensione – a cura di Andrea Cortellessa – in Punto critico:
http://puntocritico.eu/?p=5967