Archivio mensile:Maggio 2020
questo lunedì, 4 maggio, qui su slowforward: i “5-6 minuti” dedicati alla collana syn presentano simona menicocci, “glossopetrae / tonguestones”
Nel contesto della serie “5-6 minuti di”
(ciclo di mp3 di scritture di ricerca)
qui su https://slowforward.net, lunedì 4 maggio 2020
alle ore 18:00, un mp3 inedito di testi da e su

GLOSSOPETRAE
di Simona Menicocci
Ed. IkonaLíber, Collana Syn _ scritture di ricerca
http://www.ikona.net/simona-menicocci-glossopetrae-tonguestones/
con
3 minuti circa di lettura dell’autrice
strettamente connessa a materiali sonori
da una presentazione-performance con
improvvisazioni di Luca Venitucci
+
circa 2 minuti di notille critiche
di Marco Giovenale, che ripercorrono e
variano la scheda editoriale
*
evento facebook:
https://www.facebook.com/events/2578851612387422
anteprima di testi:
https://issuu.com/ikonaliber/docs/glossopetrae_anteprima
https://www.nazioneindiana.com/2017/01/15/glossopetrae/
per acquistare il libro (in cartaceo o ebook):
http://www.ikona.net/contatti/
https://www.bookrepublic.it/ebook/9788897778424-glossopetrae-tonguestones-ikonaliber/
“cosa significa?”
https://slowforward.net/2017/02/18/glossopetrae-glossopetrae/
la pagina fb:
https://www.facebook.com/menicocci.glossopetraetonguestones.ikonaliber/
la collana Syn:
http://www.ikona.net/category/edizioni-ikonaliber/syn_scritture-di-ricerca/
*
Simona Menicocci (1985) lavora a Roma come insegnante privata. Ha pubblicato: alcuni testi nel volume antologico Ex.It – Materiali fuori contesto (Tielleci, 2013); Il mare è pieno di pesci (Benway Series, 2014); Manuale di ingegneria domestica (Arcipelago, 2015); glossopetrae / tonguestones (IkonaLiber, 2017); Saturazioni (dia°foria, 2019); H24 – doveva essere un film (Blŏnk, in corso di pubblicazione). Ulteriori suoi testi sono apparsi in riviste, litblogs e web-zines tra cui L’Ulisse, Nazione Indiana, alfabeta2, Il caffè letterario, utsanga; in traduzione svedese nella rivista OEI e in traduzione francese nelle riviste Nioques e La tête et les cornes. Dal 2015, assieme a Fabio Teti, è curatrice di prove d’ascolto, un laboratorio periodico di scritture contemporanee.
§
N.B.: l’iniziativa “5-6 minuti” non è una diretta ma già un podcast: consiste infatti nella
pubblicazione di un mp3 inedito, che rimane poi in rete stabilmente.
_
anti-100 years of cinema manifesto / jonas mekas. 1996
“As you well know it was God who created this Earth and everything on it. And he thought it was all great. All painters and poets and musicians sang and celebrated the creation and that was all OK. But not for real. Something was missing. So about 100 years ago God decided to create the motion picture camera. And he did so. And then he created a filmmaker and said ‘now here is an instrument called motion picture camera. Now go and film and celebrate the beauty of the creation and the dreams of human spirit, and have fun with it.’
But the devil did not like that. So he placed a money bag in front of the camera and said to the filmmakers ‘why do you want to celebrate the beauty of the world and the spirit of it if you can make money with this instrument?’ And, believe it or not, all filmmakers ran after the money bag. The Lord realized he had made a mistake. So some 25 years later, to correct his mistake, God created independent avant-garde filmmakers and said, ‘here is the camera. Take it and go into the world and sing the beauty of all creation and have fun with it. But you will have a difficult time doing it, and you will never make any money with this instrument.’
Thus spoke the Lord to Viking Eggeling, Germaine Dulac, Jean Epstein, Fernand Leger, Dmitri Kirsanoff, Marcel Duchamp, Hans Richter, Luis Bunuel, Man Ray, Cavalcanti, Jean Cocteau, and Maya Deren, and Sidney Peterson, and Kenneth Anger, Gregory Markopoulos, Stan Brakhage, Marie Menken, Bruce Baillie, Francis Lee, Harry Smith and Jack Smith and Ken Jacobs, Ernie Gehr, Ron Rice, Michael Snow, Joseph Cornell, Peter Kubelka, Hollis Frampton and Barbara Rubin, Paul Sharits, Robert Beavers, Christopher McLain, and Kurt Kren, Robert Breer, Dore O, Isidore Isou, Antonio De Bernardi, Maurice Lemaitre, and Bruce Conner, and Klaus Wyborny, Boris Lehman, Bruce Elder, Taka Iimura, Abigail Child, Andrew Noren and too many others. Many others all over the world. And they took their Bolex’s and their little 8 and Super-8 cameras and began filming the beauty of this world, and the complex adventures of the human spirit, and they’re having great fun doing it. And the films bring no money and do not do what’s called useful.
And the museums all over the world are celebrating the one hundredth anniversary of cinema, costing them millions of dollars the cinema makes, all going gaga about their Hollywoods. But there is no mention of the avant-garde or the independents of our cinema.
I have seen the brochures, the programs of the museums and archives and cinematheques around the world. But these say, ‘we don’t care about your cinema.’ In the times of bigness, spectaculars, one hundred million movie productions, I want to speak for the small, invisible acts of human spirit, so subtle, so small, that they die when brought out under the clean lights. I want to celebrate the small forms of cinema, the lyrical form, the poem, the watercolor, etude, sketch, portrait, arabesque, and bagatelle, and little 8mm songs. In the times when everybody wants to succeed and sell, I want to celebrate those who embrace social and daily tailor to pursue the invisible, the personal things that bring no money and no bread and make no contemporary history, art history or any other history. I am for art which we do for each other, as friends.
I am standing in the middle of the information highway and laughing, because a butterfly on a little flower somewhere in China just fluttered its wings, and I know that the entire history, culture will drastically change because of that fluttering. A super-8 millimeter camera just made a little soft buzz somewhere, somewhere on the lower east side of New York, and the world will never be the same.
The real history of cinema is invisible history. History of friends getting together, doing the thing they love. For us, the cinema is beginning with every new buzz of the projector, with every new buzz of our cameras. With every new buzz of our cameras, our hearts jump forward my friends.”
Jonas Mekas, February 11, 1996, American Center, Paris
from: https://www.matiasguerra.com/jonas-mekas-manifesto.php

otoliths: issue #57 is out
Issue fifty-seven of Otoliths, the southern autumn, 2020 issue, is now available online. It is dedicated to poet, publisher, & piano teacher Peter Ganick who passed away in April.
It’s also the fourteenth birthday of Otoliths.
Once again it’s a wide-ranging issue, with work from Mason McClay, Michael Ruby, Brandstifter, Texas Fontanella, Sanjeev Sethi, bofa xesjum, Dylan Williams, Andrew Topel, Jim Meirose, bart plantenga, Willie Smith, J. D. Nelson, David Matthews, Demosthenes Agrafiotis, Tom Montag, Ed Higgins, Olivier Schopfer, Clara B. Jones, Christian ALLE, Lynn Strongin, David Harrison Horton & Hidesaburo Saito, Daniel de Culla, J. Crouse, John M. Bennett, Diane Keys, Jim Leftwich, Matthew Stolte, Pete Spence, Mike Callaghan, Jack Galmitz, Guy R. Beining, Rich Murphy, Robert van Vliet, Cecelia Chapman, Jacob Kobina Ayiah Mensah, Adam Fieled, John Levy, Alexander Jorgensen, Stacey Allam, Xe M. Sánchez, Joann Renee Boswell, Anna Cates, Rose Knapp, Isabel Gómez de Diego, dan raphael, Elaine Woo, DAH, Thomas Fink, Michael Grotsky, Januário Esteves, Seth A. Howard, Linda King, R. Keith, hiromi suzuki, Joanna Walkden Harris, Scott Helmes, Joseph Salvatore Aversano, Randee Silv & Miriam Bloom, Joel Ephraims, Richard Kostelanetz, Carol Stetser, Kristin Garth, Sean Negus & Amelia Dale, Barry Allen & Nika, Stuart Wheatley, Kenneth Rexroth, Lila Dunlap, John Sweet, Kim Trainor, H. Mark Webster, Eric Hoffman, Tony Beyer, Jeff Bagato, Oormila Vijayakrishnan Prahlad, Keith Higginbotham, Bill Wolak, M.J. Iuppa, Barnaby Smith, Karl Kempton, Jonathan Minton, John McCluskey, Simon Perchik, Dennis Andrew S. Aguinaldo, Tim Gaze, Charles J. March III, Anna Hedenrud, Kelly Sauvage Angel, Elmedin Kadric, Kell Nelson, John C. Goodman, gobscure, Keith Nunes, Bob Heman, Jen Schneider, Tom Beckett, Michael O’Brien, Robert Beveridge, Judith Skillman, Hrishikesh Srinivas, Dave Read, Luis Cuauhtémoc Berriozábal, C. Mehrl Bennett, Piet Nieuwland, Penelope Weiss, Nathan Anderson, billy cancel, Taofeek Ayeyemi, Paul Pfleuger, Jr., Alberto Vitacchio & Carla Bertola, Ric Carfagna, Gareth Morgan, Valery Oisteanu, Kristian Patruno, Francesco Aprile, Kyle Hemmings, Katrinka Moore, Marilyn Stablein, RC deWinter, Mark Danowsky, Jane Joritz-Nakagawa, Michael Brandonisio, Eileen R. Tabios, Chris Brown, Marcia Arrieta, Joshua Wilkerson, Bruno Neiva, Edward Kulemin, Paul Rossiter, J.D. Rage, Tim Wright, & Marilyn R. Rosenberg.
blinds (variation) / jim leftwich, jukka-pekka kervinen. 2007
antonio syxty intervista vincenzo ostuni
antonio syxty: lettura di un testo da “shelter”