Archivi categoria: art

allegati all’immaginazione preventiva

https://slowforward.net/2019/12/15/19-dicembre-roma-macro-asilo-franco-falasca-e-lufficio-per-limmaginazione-preventiva/

https://slowforward.net/2018/11/06/49374/

https://slowforward.net/2019/06/08/19-giugno-franco-falasca/

convegno @ macro asilo (v. nizza 138, roma) sull’italia anni settanta e i gruppi e collettivi di artisti
3 nov. 2018

errata/corrige: some recent links by jim leftwich

sonntets:

ex-ex-lit.blogspot.com/2021/12/jim-leftwich-sonnets.html

interview:

https://jimleftwichtextimagepoem.blogspot.com/2021/11/jim-leftwich-interviewed-by-burak-s.html

examples of a certain kind of thinking #2:

https://jimleftwichtextimagepoem.blogspot.com/2021/11/jim-leftwich-examples-of-certain-kind.html

5 Books of Visual Poetry & Asemic Writing (2021):

https://jimleftwichtextimagepoem.blogspot.com/2021/11/jim-leftwich-5-books-of-visual-poetry.html

writing against itself:

https://jimleftwichtextimagepoem.blogspot.com/2021/11/writing-against-itself-jim-leftwich-2016.html

oei #92-93: lettrist corpus

New issue of OEI: #92–93: Lettrist Corpus: The Complete Magazines (1946–2016), 512 pages.
This special issue, guest edited by writer, curator and sound artist Frédéric Acquaviva, is the very first comprehensive publication on Lettrist magazines. It describes, shows and contextualizes all issues of all 119 magazines created between 1946 and 2016 in, or in connection to, Lettrism – this vibrant and dynamic French avantgarde movement whose publishing adventures and efforts have, until OEI #92–93, been far too little known.

https://www.oei.nu/w/3.htmlhttps://www.oei.nu/w/3.html

Paris release tonight at Didier Lecointre & Dominique Drouet (9, rue de Tournon, 75006 Paris)

nico vassilakis: “letters of intent” (visual essays)

LETTERS of INTENT
by Nico Vassilakis
A book of visual poetry
120 pages in full color
Available here: https://www.amazon.com/dp/8182538548

LETTERS of INTENT

  • is a collection of visual essays designed to explore the interior space of language material;
  • unfolds in chapters that investigate the methods, processes, manifestos and potentials of visual poetry;
  • attempts to blend the verbo-visual concept of reading seeing with the position that letters and their visual properties keep the germ of language afloat and operating while word formations are merely a convenience we’ve become accustomed to.