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Archivi categoria: art
white asemic / miron tee. 2022
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kim dhillon: “counter-texts. language in contemporary art”
Sandro Ricaldone
Kim Dhillon
Counter-Texts
Language in Contemporary Art
University of Chicago Press, 2022
In Counter-Texts, Kim Dhillon provides a much-needed critical reassessment of written language in contemporary art. Considering the politics, aesthetics, and ethics of language, Dhillon explores artworks that use inscribed language, with a particular focus on works that challenge dominant narratives or that reveal, in visual form, the varied systems of oppression contained within words.
Featuring more than forty artists from diverse backgrounds, including newer artists such as Serena Lee, Abbas Akhavan, and Joi T. Arcand alongside established figures such as Glenn Ligon, Brian Jungen, and Susan Hiller, Dhillon rewrites the understanding of text in contemporary visual art. Counter-Texts explores how and why visual artists use written language, and it interrogates the power held in words.
installance #0172: asemic fragment
installance n. : # 0172 type : asemic piece on cardboard size : ~ cm 5 x 4 record : highres shot additional notes : abandoned date : Dec. 25th, 2022 time : 9:44pm place : Rome, via Revoltella footnote : --- copyright : (CC) 2022 differx
the avant-garde in the nordic countries
Sandro Ricaldone
A CULTURAL HISTORY OF THE AVANT-GARDE IN THE NORDIC COUNTRIES
Since 1975
Editors: Benedikt Hjartarson, Tania Ørum, Camilla Skovbjerg Paldam, and Laura Luise Schultz
Brill, 2022
The Cultural History of the Avant-Garde in the Nordic Countries Since 1975 is the final volume of the four-volume series of cultural histories of the avant-garde movements in the Nordic countries. This volume carries the avant-garde discussion forward to present-day avant-gardes, challenged by the globalisation of the entertainment industries and new interactive media such as the internet. The avant-garde can now be considered a tradition that has been made more widely available through the opening of archives, electronic documentation and new research, which has spurred both re-enactments, revisions and continuations of historical avant-garde practices, while new cultural contexts, political, technological and ecological conditions have called for new strategies.
jeff nimp, 2020
the junky’s christmas / william burroughs. 1989 –> film by nick donkin & melodie mcdaniel. 1993
auguri 22 / ugo pierri
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wikiradio: gastone novelli
Gastone Novelli
Il 22 dicembre 1968 muore a Milano Gastone Novelli – con Adriana Polveroni. Repertorio: Gastone Novelli: pubblicati i suoi scritti (Scritti ’43 – ’68, a cura di Paola Bonani, Produzione Nero, 2019), TGR Petrarca Rai Tre 19/10/2019; Gastone Novelli, mostra antologica, Fondazione Arnaldo Pomodoro, youtube; Inaugurazione a Roma della mostra del grande pittore astrattista Jackson Pollock, Istituto Luce, 4/3/1958; Lo studio del pittore Novelli a Milano. Istituto Luce 07/63; Palma Bucarelli: a regola d’arte. Il Museo e la città, Rai Storia 8/3/2018; L’arte in questione Radio 3 10/6/1988, Archivio Rai.
Adriana Polveroni è direttrice artistica della fiera d’arte moderna e contemporanea ArtVerona. Dal 2012 al 2017 ha diretto Exibart. Insegna alla Naba. È autrice di alcuni libri e di saggi critici.
noëlle dassa, alberto d’amico: “une galette, s’ils vous plait”
animazione realizzata con i disegni dei bambini della scuola primaria del Lycée Chateaubriand, di Roma
derek beaulieu: no more poetry that looks like poetry
NO MORE POETRY THAT LOOKS LIKE POETRY, THAT ACTS LIKE POETRY, THAT IS INSTANTLY RECOGNIZABLE AS POETRY; I BELIEVE THAT POETS SHOULD LIKE TO WRITE IN A WAY WHICH DOESN’T RESEMBLE WHAT HAS GONE BEFORE, THEY SHOULD BE ABSOLUTELY CONTEMPORARY IN FORM AND CONTENT.
https://derekbeaulieu.ca/2022/12/21/poets-with-a-video-camera/
