Su “Malacoda” n. 5 (2020), Francesco Muzzioli scriveva di Adriano Spatola, OPERA (2020, diaforia & dreamBook Edizioni / info@diaforia.org).
https://malacoda3.webnode.it/n-5-20202/
il libro:
http://www.diaforia.org/floema/2020/09/01/opera-adriano-spatola-dia%E2%80%A2foria-agosto-2020/
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Su “Alias”, del “manifesto”, il 1 novembre 2020 Raffaele Manica scriveva di Adriano Spatola, OPERA (2020, diaforia & dreamBook Edizioni / info@diaforia.org).
https://ilmanifesto.it/spatola-sotto-la-catena-dei-significanti-i-sensi-si-fanno-imprendibili/
http://www.diaforia.org/floema/2020/09/01/opera-adriano-spatola-dia%E2%80%A2foria-agosto-2020/
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ci sarà un TicTalk di presentazione del libro
sul canale YouTube di Tic Edizioni
Parteciperanno Mario de Candia e Gian Luca Picconi
L’autore leggerà estratti dal libro
I TicTalk sono incontri a cura di Antonio Syxty dedicati ai libri di Tic Edizioni, da un’idea di Emanuele Kraushaar e Michele Zaffarano.
Pasquale Polidori, Dottrine, 18×
10 cm brossura, 56 pagine, Tic Edizioni – Roma, prima edizione settembre 2021.
La collana ChapBooks è diretta da Michele Zaffarano, che cura anche il progetto grafico, e il suo comitato di redazione è composto da Gherardo Bortolotti e Massimiliano Manganelli. La copertina è invece opera di Enrico Pantani.
Dottrine è acquistabile qui
Alcune pagine del volume si trovano qui
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occasione per me di leggere dal libro appena uscito:
(e da La gente non sa cosa si perde, TIC 2021)
biblionedizioni.it/prodotto/il-cotone/
ticedizioni.com/products/la-gente-non-sa-cosa-si-perde-giovenale
evento facebook 29-30-31 ottobre:
facebook.com/thereisnoplacelikehomeproject/
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Per esempio, esistono autori così (anche se, va detto, di autori così ne esiste uno solo) e nonostante ciò in Italia i bloggherini si interrogano sulla instapoetry o fanno le classifiche, e le foto ai cani. Così va.
Suvvia, seguite slowforward, vi dice qualcosa di diverso:
Christian Bök is a Fellow of the Royal Society of Canada, and he is the author of Eunoia — a bestseller, which has gone on to win the Griffin Poetry Prize. Bök is an avant-garde poet of global renown, earning his repute as one of the original founders of the literary movement called Conceptualism (a poetic school made famous, in part, by the activities of the poet, Kenneth Goldsmith, the proprietor of UbuWeb). Bök has created artificial languages for two television shows: Gene Roddenberry’s Earth: Final Conflict and Peter Benchley’s Amazon. Bök has earned many accolades for his virtuoso recitals of ‘sound-poems’ (particularly Ursonate by Kurt Schwitters) — and during his career he has performed his poetry at more than 650 venues around the world. Bök is on the verge of finishing his current project, entitled The Xenotext (a work that requires him to engineer a bacterium so that its DNA might become not only a durable archive that stores a poem for eternity, but also an operant machine that writes a poem in response). Bök has displayed examples of his artworks at dozens of galleries, including The Power Plant in Toronto, the Museum of Contemporary Art in Denver, and the Marianne Boesky Gallery in New York. He resides, as an artist, in Melbourne.
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from The Brooklyn Rail
Join legendary poets and artists Etel Adnan and Charles Bernstein for a broadcast conversation that was also included as a feature conversation in the Rail’s February 2021 issue.
Learn more: https://brooklynrail.org/events/2021/02/23/etel-adnan-with-charles-bernstein
Read the interview: https://brooklynrail.org/2021/02/art/ETEL-ADNAN-with-Charles-Bernstein
Poet, essayist, and painter Etel Adnan was born on February 24, 1925, in Beirut, Lebanon. She studied philosophy at the Sorbonne in Paris, France, as well as at the University of California, Berkeley and Harvard University. She has written more than a dozen books of poetry, fiction, and essays, including Time (Nightboat Books, 2019), translated by Sarah Riggs and winner of the Griffin Poetry Prize, Surge (Nightboat Books, 2018), and Night (Nightboat Books, 2016). Her poetry collection Sea and Fog (Nightboat, 2012) won the Lambda Literary Award for Lesbian Poetry and the California Book Award. She is also the recipient of a PEN Oakland-Josephine Miles Award and in 2014 was named a member of the Ordre de Chevalier des Arts et des Lettres, one of France’s highest cultural honors.
Charles Bernstein is a poet and a scholar. He is a foundational member and leading practitioner of Language poetry. Between 1978-1981, with fellow poet Bruce Andrews, he published L=A=N=G=U=A=G=E magazine, which became a forum for writing that blurred, confused, and denied the boundary between poetry and critical writing about poetry. Since the 1970s Bernstein has published dozens of books, including poetry and essay collections, pamphlets, translations, collaborations, and libretti. His poetry has been widely anthologized and translated, and it has appeared in over 500 magazines and periodicals. His most recent book is Near/Miss, from the University of Chicago Press.
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Disgiungendo all’infinito le proprie mani
Si interrompe la produzione di calore
Il dispiegamento della forza lavoro
Quando uno muore
A volte
I palmi delle sue mani vengono congiunti
Allo stesso tempo essi sono disgiunti all’infinito
Perché non producono calore
I fori rimangono l’evidenza della vita del soggetto
Dell’individuo
Appaiono per quello che.
§
Silvia Tripodi (Sant’Agata di Militello 1974) vive a Palermo. Nel 2014 ha vinto il Premio Lorenzo Montano (sezione poesia inedita) e nel 2015 la prima edizione del Premio Elio Pagliarani con la silloge Voglio colpire una cosa (Zona, 2016); è presente nell’antologia La parola informe (Marco Saya, 2018) e in Nuove poesie italiane 2018 (Elliot). I suoi libri più recenti sono Punu (collana «Lacustrine», Arcipelago Itaca, 2018), La più recente fine di un racconto (collana «ChapBooks», Tic, 2020) ed Ellora (collana «Syn scritture di ricerca», ikonaLíber, 2020).
biblionedizioni.it/prodotto/le-bocche/
Zacinto edizioni
Anno: 2021
Pagine: 36
ISBN: 978-88-31323-11-6
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Songs to Come for the Salamander; Selected Poems 2013-2021: selected & introduced by Thomas Fink has just been co-published by Sandy Press & Meritage Press.
Mark Young
Songs to Come for the Salamander; Selected Poems 2013-2021:
selected & introduced by Thomas Fink
Sandy Press & Meritage Press, 2021
396 pages
ISBN: 978-1-7368160-4-2
Available through Amazon
Chosen by Thomas Fink from the 29 books of text poetry by Mark Young published since 2013, Songs to Come for the Salamander is a companion piece to the 2008 Pelican Dreaming, also selected & edited by Thomas Fink, & the 600-page 2013 The Codicils, which Young describes as nine books in one. It again highlights the variety, sly humor, & concern for social & political issues that the author is internationally known for. Many of his regular tropes — “A line from . . .,” “Today the Postwo/man,” & geographies are included, but they are only a small part of this delightful sampling from the 2500 or so poems from Young that have appeared in the nine years this selection covers.
“Some readers might assume that particular, highly pessimistic generalizations in Young’s poems are actually Mark Young presenting his sense of doom. The little ditty “democracy” registers the claim that “no-one// knows the/ words to” the “song” (the concept of democracy) even though “every-/ one sings” it, and “since violence is learned” tells us that “tolerance is no/ longer available, is replaced by trauma.” Although nothing in the poems—not even such affirmations of aesthetic transport as “Constant Craving,” which speaks of music “that acts as/ axis to steady everything around”—makes one identify the poet as a bright-eyed optimist, various moments in the work display too much respect for the complexity of cause and effect, limitations of human perception, the transience of trends, and sudden appearances of the unexpected to place sustained credence in large generalizations and foregone conclusions.”
— from the Introduction by Thomas Fink.
Recent books by Mark Young from Sandy Press:
The Sasquatch Walks Among Us
Sorties
https://cellf.cnrs.fr/colloque/jean-marie-gleize/
Du 12/10/2021 au
14/10/2021
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12-14 octobre, Sorbonne Université, Campus des Cordeliers et Sorbonne
Organisation : Romain Benini et Laure Michel
Mardi 12 octobre
13h – Accueil des participants et ouverture du colloque
13h30 – Première session : formes
Présidence de séance : Didier Alexandre
Michel Murat (Sorbonne Université) : « Taire Gleize »
Jean-François Puff (CY Cergy Paris Université) : « ‘Musiques de la réduction’. Vers et ligne chez Jean-Marie Gleize »
Christophe Hanna (écrivain) : « écrire concept opaque » (en visio-conférence)
16h00 Pause
16h30 Présentation et projection du film d’Éric Pellet, « Hors la voix » (45’)
Mercredi 13 octobre
9h – Deuxième session : littéralités
Présidence de séance : Olivier Gallet
Benoît Auclerc (Université Lyon3) : « Pauvreté »
Laure Michel (Sorbonne Université) : « Circonstances »
10h30 Pause
11h00 Émilie Frémond (Université Paris 3-Sorbonne Nouvelle) : « Nous n’irons plus au bois. Paysages de la littéralité gleizienne »
Stéphane Baquey (Aix-Marseille Université) : « Prises littérales et diction des lieux dans Tarnac, un acte préparatoire, Le Livre des cabanes et Trouver ici. Reliques & lisières »
12h30 : déjeuner
14h – Troisième session : dialogues
Présidence de séance : Romain Benini
Jean-Pierre Bertrand (Université de Liège, Belgique) : « Dispositif critique : le XIXe siècle de Jean-Marie Gleize »
Marie Frisson (Université Paris 3-Sorbonne Nouvelle/ENS) : « Jean-Marie Gleize, poète lakiste »
Pauline Flepp (Sorbonne Université) : « Traces de Ponge dans l’œuvre de Jean-Marie Gleize »
16h Pause
16h30
Luigi Magno (Università degli Studi Roma Tre, Italie) : « Figurations, actes, sorties. Jean-Marie Gleize lecteur de Denis Roche »
Abigail Lang (Université de Paris) : « Jean-Marie Gleize et Joshua Clover : ‘le son de la poésie et de la commune qui cliquent ensemble’ »
19h – Quatrième session : lectures
Amphithéâtre Michelet (entrée par le 46 rue Saint-Jacques)
Nathalie Quintane, « Occupant un temps sourd »
Florence Pazzottu
Jean-Marie Gleize
Jeudi 14 octobre
9h – Cinquième session : figures, lectures
Présidence de séance : Christelle Reggiani
Nathalie Barberger (Université Lumière Lyon 2) : « Un nuage donc, plutôt que l’azur »
Lionel Cuillé (Washington University, in St Louis, USA) : « Un modèle de figuration poétique : la toupie »
10h30 Pause
11h00 Catherine Soulier (Université Montpellier 3), « Une lecture. La Grille (2016) / « La grille » (2018) »
Vincent Vivès (Université de Valenciennes), « Sans titre (remarques sur Jean-Marie Gleize) »
12h30 déjeuner
14h00 – Sixième session : après
Antoine Hummel (Marseille) : « ‘Poésie, et après ?’ Gleize, Quintane, Tarkos et la poursuite de la poésie »
Cécile Vergez-Sans (Aix-Marseille Université) : « Jean-Marie Gleize et la revue Nioques : ‘Je deviens.’ »
Jérôme Game (écrivain) : « Filmécrire chez J.-M. G., ou d’un montage non-parallèle »
16h30 / Présentation et projection du film de Marion Naccache « Years ago, I was working on a movie… » (40’)
Le colloque est accompagné de l’exposition dans l’amphithéâtre Pasquier de :
Franck Leibovici, « jean-marie gleize : lieux – carte de conversation », impression sur polyester, 90x120cm, 2009.
Amphithéâtre Pasquier, Campus des Cordeliers, 15 rue de l’École de médecine, Paris 6e
Amphithéâtre Michelet, en Sorbonne, 54 rue Saint-Jacques, Paris 5e (à 19h, le 13 octobre)
Accès libre sur inscription auprès des organisateurs :
écrire à laure.michel@sorbonne-universite.fr ou romainbenini@gmail.com
Programme (PDF):
https://cellf.cnrs.fr/wp-content/uploads/2021/09/Colloque-Gleize_programme.pdf
& https://slowforward.files.wordpress.com/2021/10/colloque-gleize_programme.pdf