Archivi categoria: vispo & gif
a piece by jay snodgrass
rel 0 / differx. 2022
vou: visual poetry tokyo, 1958-1978
Sandro Ricaldone
VOU
Visual Poetry
Tokyo
1958-1978
edited by Taylor Mignon
Isobar Press, 2022
Taylor Mignon has lived in Tokyo for many years, and during that time he has built up an important collection of copies of the avant-garde magazine VOU, edited by the legendary Kitasono Katue. Although the magazine, originally founded in 1935, had long included visual images (the earliest one reproduced here dates from 1958), in the decade or so before Kitasono’s death in 1978, the magazine became notable for the amount and quality of visual poetry it printed. VOU: Visual Poetry, Tokio, 1954–1978 is Taylor’s selection of work by nine leading contributors, along with his commentary on the poets and Eric Selland’s introduction placing the work in its historical, cultural and political context.
From Eric Selland‘s Introduction to the book: This long-overdue publication fills a gap in the understanding of postwar Japanese poetry and the role of visual poetry in the avant-garde of Japan’s postwar period. It is a highly welcome book. The VOU Club was a group of outsider poet-artists with their roots in Japan’s Modernist avant-garde of the 1930s who were an active part of Japan’s tumultuous 1960s and 1970s.…The work included in this selection has been cared for and preserved by Taylor Mignon and a handful of other people without whose efforts it would have fallen into oblivion. It is hoped that this publication will bring about more awareness of Japan’s dynamic experimental tradition in poetry during the twentieth century.
how to read poetry correctly / differx. 2022
two books by james knight
one from Paper View Books, one from Beir Bua Press
images from the art exhibit of fernando aguiar @ paper view
o x / miron tee. 2022
l’humidité – 1970-78
história da poesia visual brasileira _ 2019
Thanks to Yuri Bruscky
Here’s the PDF file of the catalog of the exhibition História da Poesia Visual Brasileira (History of Brazilian Visual Poetry), held in Sesc Bom Retiro (São Paulo/SP, Brazil), in 2019. Curators: Yuri Bruscky, Paulo Bruscky, Adolfo Montejo Navas. The expo also included a sound poetry section.
This publication was linked to a second (and summarized) version of the exhibition, which was originally held in 2016 at the Museu de Arte Moderna ALoísio Magalhães/Mamam (Recife/PE, Brazil) — and resulted in a more extensive book in terms of compiled works and republished historical/anthological texts (to be digitally available soon).
The pdf also here:
https://slowforward.files.wordpress.com/2022/01/historia_da_poesia_visual_brasileira_cat.pdf
video per “la tempesta perfetta” – nanni balestrini al macro, 2017