installance n. : # 0158 type : series of 4 asemic micro-panels assembled together size : ~ cm 7x7 records : highres shot additional notes : abandoned date : Jul 3rd, 2021 time : 6:19pm place : Rome, v.le Campo Boario footnote : none copyright : (CC) 2021 differx
Archivi tag: asemic writing
“From semic to asemic: writing, artists, books”: Swiss Institute in Rome, Jul. 6th, 2021
06.07.2021
From semic to asemic: writing, artists, books
Conference, Summer Schools, Roma/Online
H16:00-20:00
Entrance via Liguria 20
Live streaming
The encounter will be held in English. Limited capacity of seats.
Register here to attend the event in presence.
The event can also be followed online on Zoom.
Register here to participate.
On the occasion of the Summer School Rome – Dimensions of the book, a project which is part of the Master of Fine Arts Program at Zurich University of the Arts (ZHdK), Istituto Svizzero hosts an encounter with the interventions by Sara Davidovics, Marco Giovenale, Giulio Marzaioli and Nils Röller.
https://www.istitutosvizzero.it/conferenza/from-semic-to-asemic-writing-artists-books/
from semic to asemic: rome, swiss institute, jul. 6th, 2021
06.07.2021
From semic to asemic: writing, artists, books
Conference, Summer Schools, Roma/Online
H16:00-20:00
Entrance via Liguria 20
Live streaming
The encounter will be held in English. Limited capacity of seats.
Register here to attend the event in presence.
The event can also be followed online on Zoom.
Register here to participate.
On the occasion of the Summer School Rome – Dimensions of the book, a project which is part of the Master of Fine Arts Program at Zurich University of the Arts (ZHdK), Istituto Svizzero hosts an encounter with the interventions by Sara Davidovics, Marco Giovenale, Giulio Marzaioli and Nils Röller.

https://www.istitutosvizzero.it/conferenza/from-semic-to-asemic-writing-artists-books/
klgif / differx. 2021

lunghezza di 1 / antonio syxty. 2017
domani a lucca, micromostra_ differx’ asemics
questo e altro, a Lucca, dal pomeriggio di domenica 20 giugno @ Borda!Fest – Xtraborda! Settima Edizione. nel parco di fronte al Foro Boario, dalle 17 circa.
grazie a BORDA Fest – Produzioni Sotterranee
http://www.ikona.net/marco-giovenale-enciclopedia-asemica-asemic-encyclopaedia/
20 giugno, mg a lucca, per una lettura al borda!fest
domenica 20 giugno alle 19:30 MG a Lucca, nel parco davanti al Foro Boario, accanto allo skate park lungo il fiume, @ Borda!Fest – Produzioni Sotterranee (18, 19 e 20 giugno) a leggere e a parlare di scritture di ricerca, prosa in prosa, materiali verbovisivi & scritture asemiche.
pagine da La gente non sa cosa si perde (TIC Edizioni) e Delle osservazioni (Blonk), e inediti da Oggettistica.
in dialogo con Chiara Portesine
non mancheranno materiali asemici, esposti, e osservazioni sull’Enciclopedia asemica (IkonaLiber).
*
qui il programma dei tre giorni del festival: https://bordafest.noblogs.org/
https://instagram.com/bordafest

the idea of a “transition strategy” / differx — 11 apr 2021
Rosaire Appel: “asemic writing is also a way of leaping forward into territory not yet conceptualized… a transition strategy perhaps” (Jun 10, 2011, post to the ASEMIC Google Group, now @ https://archive.org/stream/AsemicWritingDefinitionsAndContexts19982016/Asemic%20Writing%20Definitions%20and%20Contexts%201998-2016_djvu.txt)
I really like Rosaire Appel’s idea of a “transition strategy”.
Often the signs of an ongoing research are not covered nor coded nor represented by any known “language”. They actually build-and-deconstruct some kind of new (non)language.
And it seems to me that our definitions often fail to grasp the flickering borders of the asemic land. It seems like we are (happily) dealing with aesthetics, rather than linguistics.
More. (And incidentally:) I ask myself: do we absolutely need definitions? Or do definitions & theory rather belong exactly to the territory we are just flying away from?
Tim gaze : “asemic writing says what I cannot say in words” (from a text in the muse apprentice guild).
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via da medium
per un tratto di tempo recentissimo e brevissimo ho pensato che Medium potesse rappresentare, almeno per me, un’alternativa non insensata all’idea di sito.
tolte però le differenze tra utenti Apple e PC/Android (esistenti, e in parte penalizzanti per i non-Apple), l’aspetto economico ha comunque pesato in maniera decisiva per farmi ricredere.
alla fin fine un frontale (e al 99% anglofono) pay-per-read interessa tutti su Medium: e non solo quelli che pur non occupandosi di alta moda, scarpe da tennis, televisione o gossip, “producono contenuti”, ma anche quelli che vorrebbero semplicemente leggere testi su questioni aperte in zone dell’arte contemporanea propriamente sperimentali, dunque giocoforza “di nicchia”.
e a mitigare la rozzezza della macchina non basta la clausola che dice che Medium retribuisce i blogger più seguiti; dato che l’essere più o meno seguiti rientra nella medesima logica. invece di accumulo di denaro c’è accumulo di lettori. che vengono quindi “monetizzati”. (ricordo sempre il breve intervento di Grifi sulla produzione di spettatori).
più in generale, la progressiva capillare brandizzazione delle comunicazioni in rete, e l’invadenza — oltre che l’inaccettabilità politica in molti casi — delle strutture informative e in senso ampio mediali (qui parlo in generale, non di Medium), mi convince sempre di più dell’idea di frequentare (per ora: anche) spazi radicalmente diversi. è il motivo per cui ho un blog su noblogs.org, per dire, e cercherò di lavorarci nei prossimi mesi.
ad ora, tuttavia, gli ormai 18 anni di mia invenzione e condivisione ininterrotta e gratuita di materiali attraverso slowforward.net e gli spazi web che slowforward ha inglobato, per un totale, ad oggi (11 giugno 2021), di quasi 13600 post, sono un buon motivo per continuare su WordPress.
già da qualche giorno ho preso a riproporre (e magari arricchire / variare) qui su slowforward cose uscite nella mia rapida avventura sulla piattaforma Medium, che saluto senza illusioni ma anche senza rancore. (oltretutto continuando a usarla per collaborare a Repository Magazine).
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carlyle baker: “tropes”
of course the asemic is absurd / jim leftwich. 2021
If I am writing about the word “asemic”, I am thinking about patience and persistence. I am thinking about failure as a source of energy, as that which keeps an absurdist idea of enlightenment alive and almost thriving. Standing in the absurd center of the asemic universe, we are surrounded by unexamined exits and entrances, unexplored starting-points, multiple escape-routes leading out in all directions.
We need to synchronize our watches, then throw them all away. We need to get on the same page of the same map-book, then throw all the maps away. We need to set our compasses, and throw them away. We must promise each other to get together, at some unspecified time and place, later in our lives, to define our terms and make public our consensus definitions. Until then, we have some exploring to do, some making and some thinking, some reading and some writing.
Tim Gaze wrote, in an email responding to my recent texts (05.21.2021), that “asemic is an absolute state, whereas desemantizing is a process or matter of degree”.
He also wrote in the same email that he “consciously let go of asemic writing several years back”.
On January 27, 1998, I wrote to Tim, saying “the asemic text would seem to be an ideal, an impossibility, but possibly worth pursuing for just that reason.”
Desemantized writing is not an ideal, is not an impossibility. It is a very specific kind of writing, produced for very specific reasons. To desemantize writing is to intentionally make it less readable, less capable of participating in the language-game of giving information.
We might aspire to the absolute state of asemic writing, producing beautiful and/or provocative failures in our quest, but we achieve desematized writing, to one degree or another, whenever we choose to do so.
In response to my recent texts, John M. Bennett wrote (05.20.2021) “i like ‘desemanticized’ better than ‘asemic’ myself; the latter term was always a bit misleading, even downright wrong sometimes, I thought; except perhaps in a few situations…”
In the late 1990s, “asemic” was not the word I wanted or needed, but it was the best I had at the time. For the past 20 years or so I have been exploring alternatives to the word “asemic”. For now, and for my purposes (which are not necessarily the same purposes as those of some likely readers of this text), “desemantized” (or “desemanticized”) is an improvement, a step in the right direction. It is a provisional solution to a problem.
These days, the term “asemic writing” is very widely used, and is surely in no danger of being discarded or replaced. My thoughts about the term “desemantized writing” will circulate, if at all, within the context of the global asemic writing community. As I write this, in the late spring of 2021, the theory and practice of asemic writing are not in any sense dead, the possibilities have not been exhausted. The Sisyphean struggle to attain the absolute state of asemic writing, absurd though it may be, continues to yield moments of existential fulfillment, and perhaps every now and then even a kind of happiness.
My hope for my recent writings is that they might invigorate an increasingly faceted vision of the world of all things asemic.
jim leftwich, may 2021
ai canali ! ai canali !
iscrivetevi ai canali, carissim*:
mg (tipo Rai1):
https://www.youtube.com/channel/UCUN9mDuP3m6UsVdj50Kgo4Q
slowforward (una specie di Rai2):
https://www.youtube.com/channel/UCF4pbAEEAcjwznYErB-SUvg
differx (sicuramente una roba simile a Rai3):
https://www.youtube.com/user/differx
(n.b.: ogni riferimento a tv ed entità realmente esistenti ma soprattutto esistite è puramente casuale o frutto di giuoco)










