Archivi tag: asemic writing
le bisbiglie bisbigliano / corrado costa. 1990

Corrado Costa, “Le bisbiglie bisbigliano” (1990)
in: Eugenio Gazzola (a c. di), “Corrado Costa. Le apparizioni dell’uomo invisibile” (Mazzotta, 2009, p. 59)
“scripta manent”: images from the exhibit @ herlitzka + faria (until oct. 15th, 2020, in buenos aires)

artists:
Rafael Alberti, Emilia Azcárate, Álvaro Barrios, Delia Cancela, Ricardo Carreira, Guillermo Deisler, Mirtha Dermisache, León Ferrari, Carlos Ginzburg, Ferreira Gullar, Rafael Hastings, Luis Hernández Mellizo, Jaime Higa, Leandro Katz, Leopoldo Maler, Hernán Marina, Clemente Padín, Margarita Paksa, Karina Peisajovich, Herbert Rodríguez, Susana Rodríguez, Osvaldo Romberg, Juan Carlos Romero, Analía Sabán, Martín Weber, Yente, Horacio Zabala
lots of images here:
http://herlitzkafaria.com/es/exhibiciones/scripta-manent/obras
among them, several images of Mirtha Dermisache’s works:
http://herlitzkafaria.com/es/artistas/mirtha-dermisache/obras

aleatory superimposition of langrids at differx.tumblr.com
per un caso imprevedibile, la stampa di una serie di langrid da differx.tumblr.com si è rivelata caotica, con casuali sovrapposizioni di immagini. che tuttavia assai mi garbano. e le ripropongo qui. in foto minuscole e a bassa risoluzione, e nel pdf da cui sono tratte, anch’esso estremamente sgranato. ma: bene così.
https://slowforward.files.wordpress.com/2020/08/aleatory-superimposition-of-langrids-at-differx-tumblr-com.pdf
langrids by differx (2014 – up to now)
I often drawrite “langrids”. A langrid is a grid of language.
I always had in mind Robert Smithson’s A heap of language (1966), or Paul Celan’s Sprachgitter (1959).
In my work, grids and squares and weird geometric shapes collide with pieces of superimposed sentences, asemic bits, other shapes, syllables.
Take a tour here:
https://differx.tumblr.com/search/langrid
or here: https://slowforward.net/?s=langrid&submit=Search
or here: https://tinyurl.com/y487l2eo
or here: https://the-otolith.blogspot.com/2014/07/marco-giovenale.html
“scrivere disegnando”: il catalogo skira (a cura di andrea bellini e sarah lombardi)

A book about writing and its shadow side. It examines a number of practices, from the early 20th century to the present day, in which writing leaves behind its communicative function and moves toward the sphere of the illegible and unspeakable.
Writing by Drawing sets out to explore the tension inherent in script, the way it hovers between the genuinely semantic realm and the uncharted territory of mere arabesques, automatisms, repeated marks, and scribbles.
All of the works presented inhabit a special terrain vague in which the act of writing is more about “trying to say” than “saying” itself, more about potentialities of meaning than about signification. Such writing has transcended communication, becoming a trace of existence and affirmation of self but also an element of fancy, a metaphor for the mysterious weft of the world. Our investigation centers on this ancient human impulse to move past the communicative side of writing toward the unfettered, absolute reclamation of the mark, with its wealth of imaginative possibilities.
*
http://www.skira.net/en/books/scrivere-disegnando#
in French:
http://www.skira.net/en/books/scrivere-disegnando-1
https://www.instagram.com/p/CC6SLqaFH6M/
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digitale e scrittura a mano
sono evidenti le differenze nell’uso – e nei risultati – del digitale in termini di creazione/invenzione di materiali verbovisivi e insieme asemici, disturbati, rispetto a uso e risultati della scrittura a mano.
il digitale crea margini di segmentazione subito riconoscibili, per esempio. chiede e fissa ascisse e ordinate. la quota di non coscienza nell’operare è giocoforza limitata dal fatto che una macchina sta aspettando istruzioni, per quanto confuse.
al contrario, la scrittura a mano, la mano stessa, è meno incline a ricordare i propri errori. avanza in un territorio che si curva e sconfina da tutte le parti. che non (si) controlla.
h. i. / differx. 2020

orphic tabs or sheets / differx. 2007-2020
One of my first flarfy & spam-derived “orphic tabs” (or “orphic sheets”) was published by the late William James Austin in 2007, in his mag “BLACKBOX”, Sept. 2007, the “summer collisions” issue.
About that issue I could only find an email in the Spidertangle newsletter, Sept. 16, 2007.
(The old link williamjamesaustin.com/orphicsheet002.html doesn’t work anymore, of course).
*
Other pieces appeared in Starfishpoetry, and Poetry Kessel-lo (two now offline sites).
Find others in The Flux I Share (Jan., 2008): ex fluxishare.blogspot.com/2008/01/orphic-tab-029.html now http://the-flux-i-share.blogspot.com/2008/01/orphic-tab-029.html; & in SayingSomething: http://sayingsome.blogspot.com/2008/01/orphic-tab-040.html
*
Then serious asemic orphic tabs appeared in The New Postliterate (Sept., 2009): http://thenewpostliterate.blogspot.com/2009/09/asemic-orphic-sheets-from-marco.html
A sheet in Italian has appeared in facebook only.
Here below are some of the pieces, and more ones (click to enlarge, read & enjoy):



