Prende il via una serie di appuntamenti settimanali volti a ricomporre la scena della musica improvvisata a Roma. Tutto ciò nasce da una collaborazione tra New Ethic Society e il circolo Ibidem. Il primo appuntamento, a cura di Giulia Cianca, si tiene domani, martedì 8 marzo, alle ore 21, con un concerto di Giusi Bulotta, Luca Venitucci e Marco Colonna.
The flicker effect was identified by the famously independent-minded scientist W. Grey Walter in his best- selling 1953 book The Living Brain.
Grey Walter – who was soon to become the father of Artificial Intelligence – discovered that by using high-powered stroboscopes and experimenting with trigger feedback techniques where the flash was set to fire in synchronization with the brain’s rhythms, the brain is, “transformed temporarily to a different sort of brain.” Walter found that time itself could become lost or disturbed. As he observed of one subject:
“[He had] the sense of having been pushed sideways in time by flicker. Yesterday was no longer behind, and tomorrow was no longer ahead..”
Stroboscopic light, or light flashing on the eye between 8 and 13 flashes per second, induces alpha wave activity in the brain – a state normally associated with dreaming and creativity. Subjects often report seeing shapes and colours, some have full-blown hallucinations, others mystical experiences. Approximately one in 4,000 people will have an epileptic seizure.
In 1997, ten million Japanese schoolchildren, and some adults, tuned into the animé cartoon Pokemon to see a “flashing explosion with high frequency red and blue flicker stimulation” hit the screen and persist. What happened next sparked international headlines. Some viewers went into a trance-like state, as if hypnotized. Others experienced altered vision and shortness of breath. Some passed out, others had seizures. Hospitals all over Japan received admissions, though nobody was permanently damaged.
A recording of the premiere of John Cage’s Reunion in 1968
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Left to right: Teeny Duchamp, Marcel Duchamp and John Cage, performing “Reunion” at its premiere in Toronto, 5th March, 1968. Photograph by Shigeko Kubota @ The John Cage Trust
[…] Reunion is an event without a score; originally performed by playing a game of chess on a chessboard created by Lowell Cross. The game works as an indeterminate structure: as a game of chess is played, the moves of the players on the board activate four compositions and distribute them to eight speakers surrounding the audience. […]
20 anni senza Gilberto Centi, poeta, performer, agitatore culturale, con lui si è segnato un momento fondamentale della storia culturale bolognese e contemporanea
interventi di Vincenzo Bagnoli, Stefano Massari, Wu Ming 2, Antonio Bagnoli (Pendragon edizioni) Musiche di Cesare Ferioli (batteria) Marzio “Mars” Manni (chitarra)