Archivi categoria: music(a)

“Blew”, from Nirvana’s “Bleach” album, in a videobootleg @ ig

https://www.instagram.com/reels/DZno8cRoGlC/

Just eight days after Nirvana released their debut studio album “Bleach,” the band played an in-store performance at Rhino Records in Westwood, Los Angeles. June 23, 1989. Here is a clip of “Blew,” the first song on the record and the 11th and final song of their set that day. At the time, Nirvana’s lineup was Kurt Cobain on guitar and vocals, Krist Novoselic on bass guitar, Chad Channing on drums, and Jason Everman on guitar. I wonder what those who walked through the shop doors at 1720 Westwood Blvd thought about what they saw that day, and if they could have imagined what this band would become as the 80s gave way to the 90s. Celebrating the 37th anniversary of Nirvana’s “Bleach” album.

#grungebible #nirvana #bleach #kurtcobain #subpop

The David Lynch Theater presents: “The answers to the questions”

From the album Cellophane Memories by Chrystabell and David Lynch, on Sacred Bones Records.

Video Credits:
Directed by David Lynch
Design and Animation by David Lynch
Produced by Sabrina S. Sutherland
Performed by Chrystabell

L’importanza delle linee di sperimentazione di Carmelo Bene per la scrittura di ricerca

A mio avviso ancora oggi è essenziale affrontare questa che non è un’eredità ma un presente in piena azione (che, anche, in parte precede lo stesso CB): https://slowforward.net/2026/05/03/pod-al-popolo-092-facciamo-finalmente-una-lista-di-cose-che-la-scrittura-di-ricerca-deve-a-oppure-ha-in-comune-con-cb/

oggetti sonori, testuali, teatrali, visivi

dagli anni Quaranta alla fine dei Cinquanta, scrittori e artisti, musicisti e registi prelevano dalle più diverse fonti materiali decontestualizzati e riusati con gradi diversi di indifferenza alla loro identità. Schaeffer con i suoni del reale, Gysin/Burroughs con il cut-up, Bene con la scrittura di scena.

a un secolo da dada e ottant’anni dagli oggetti sonori, eccoci qua: “ma che vuol dire?”.