«Non parlo a chi mi rompe i coglioni con l’essere e con l’esserci. Non voglio parlare dell’ontologia. Abbasso l’ontologia, me ne strafotto. Parli con il professor Heidegger, non con me, e vada a fare in culo».
CB
Archivi categoria: cinema
carmelo bene su buster keaton (1972)
frammento: enrico ghezzi su alberto grifi / video: “da alberto grifi a blob”, di maraboshi
daccapo, e per l’ennesima volta (come per CB), una affinità: quello che enrico ghezzi dice su Alberto Grifi e il suo cinema è quello che si potrebbe dire su un certo tipo di scrittura di ricerca – qui in rapporto con un versante politico (e, così, con l’evitamento di una sua assertività).
operare come un occhio fuori dal vedere tecnico della cinepresa, della telecamera, della bellezza supposta dell’immagine
il video intero di Maraboshi (Cesare Maccioni) è qui:
altro, molto altro, su http://www.albertogrifi.com/
e in particolare il video di Maraboshi è qui:
http://www.albertogrifi.com/122?current_page_1820=4
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il bene di fuori orario
da un post di Roberto Silvestri
IL BENE DI FUORI ORARIO
Carmelo Bene…. “per prima cosa penso a vivere, poi vivo, la stessa cosa continua. Improvviso partendo da qualcosa di molto elaborato. Cerco di non scadere nel compiacimento. E’ l’unica libertà assoluta. Altrimenti c’è il delirio… I miti italiani non mi riguardano. La Vergine e i Vangeli li lascio a Pasolini” (intervista a Carmelo Bene di Jean Narboni 1968)
Da venerdì 18 marzo Fuori Orario cose (mai) viste dedica un ciclo all’opera di Carmelo Bene
flicker / nik sheehan. 2009
The flicker effect was identified by the famously independent-minded scientist W. Grey Walter in his best- selling 1953 book The Living Brain.
Grey Walter – who was soon to become the father of Artificial Intelligence – discovered that by using high-powered stroboscopes and experimenting with trigger feedback techniques where the flash was set to fire in synchronization with the brain’s rhythms, the brain is, “transformed temporarily to a different sort of brain.” Walter found that time itself could become lost or disturbed. As he observed of one subject:
“[He had] the sense of having been pushed sideways in time by flicker. Yesterday was no longer behind, and tomorrow was no longer ahead..”
Stroboscopic light, or light flashing on the eye between 8 and 13 flashes per second, induces alpha wave activity in the brain – a state normally associated with dreaming and creativity. Subjects often report seeing shapes and colours, some have full-blown hallucinations, others mystical experiences. Approximately one in 4,000 people will have an epileptic seizure.
In 1997, ten million Japanese schoolchildren, and some adults, tuned into the animé cartoon Pokemon to see a “flashing explosion with high frequency red and blue flicker stimulation” hit the screen and persist. What happened next sparked international headlines. Some viewers went into a trance-like state, as if hypnotized. Others experienced altered vision and shortness of breath. Some passed out, others had seizures. Hospitals all over Japan received admissions, though nobody was permanently damaged.
http://www.flickerflicker.com/flash/WhatIsFlicker/WhatIsFlicker.html
https://www.goodreads.com/book/show/434039.Chapel_of_Extreme_Experience
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wtc haikus / jonas mekas. 2010
“jean dupuy ypudu”: un film de gilles coudert
Sandro Ricaldone
JEAN DUPUY YPUDU
Un film documentaire écrit et réalisé par Gilles Coudert
Cinéma le Saint-André-des-Arts – Paris
2 – 14 février 2022
Du 2 au 14 février, tous les jours (sauf 08/02) à 13h et les mardis 22 février et 1er mars
La galerie Loevenbruck organise des projections du film de Gilles Coudert autour de l’artiste Jean Dupuy au cinéma le Saint-André-des-Arts tous les jours, en présence du réalisateur ou d’invités.
Le film de Gilles Coudert raconte le destin singulier, humain, sensible, romanesque, extraordinaire de Jean Dupuy, artiste hors normes, charismatique et singulier. Portrait d’un personnage aux multiples vies : pionnier de l’art technologique, performeur et grand ordonnateur de soirées artistiques dans le New York effervescent des années 1970–1980, devenu ermite « graphologue », bricoleur et anagrammiste, retiré à Pierrefeu, nid d’aigle perché au sommet d’une montagne de l’arrière-pays niçois.
Le film se tisse en croisant l’échange intime entre l’artiste et le réalisateur avec les témoignages de Patricia Brignone, Catherine Cattaneo, Augustin Dupuy, Alexandre Gérard, Arnaud Labelle-Rojoux, Éric Mangion, Jeffrey Perkins, Julia Robinson et Christian Xatrec. Des images d’archives, pour la plupart inédites, invitent les spectateurs à suivre l’itinéraire unique de Jean Dupuy en replaçant ses actions dans leur contexte historique et artistique.
Gilles Coudert est auteur-réalisateur, producteur et éditeur.
macro / giuseppe garrera: omaggio a lorenza mazzetti, in occasione della giornata della memoria
continua (con ricordi, immagini e vicende, fino alla fondazione
del “Free Cinema Movement” e al ritorno in Italia) qui:
https://www.museomacro.it/it/extra/parole-it/giornata-della-memoria-un-omaggio-a-lorenza-mazzetti-il-cielo-cade/
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da salomè / cb
here’s the rawcrudedirty punk low-res >̷̪͋̀̐)̴̦̩͎̲̐͋=̷̡͕̘̊”̶͌̊”̶̜͌̊̔̚(̸̣͓̇͝)̵̟̒͆̿͋=̴̡̛͕͚͉͋̀̈́(̶̦̝̪͈́≠̻̦͋̒<̷̨̢͔̒̽̉͘͘ video (differx. 2022)
— the low-res low-fi punk & loose video of the first asemic event ever.
facebook broadcast Jan 8th, 2022, h. 5:30pm, Italy, Rome —
by differx :
(Take note: the actual event was the event, the video is not the event, it’s only a raw trace, a ruin, a remain —sprayed with random lines)
The facebook event was at https://www.facebook.com/events/1088380671780514/
Slowforward announcement was at https://slowforward.net/2022/01/08/%cc%b7%cd%8b%cd%80%cc%90%cc%aa%cc%b4%cc%90%cd%8b%cc%a6%cc%a9%cd%8e%cc%b2%cc%b7%cc%8a%cc%a1%cd%95%cc%98%cc%b6%cd%8c%cc%8a%cc%b6%cd%8c%cc%8a%cc%94%cc%9a%cc%9c%cc%b8%cc%87%cd%9d%cc%a3%cd%93/
punkasemic images & noises by differx
(CC) 2022 differx
nova express: “the intolerable kid” (readings by william s. burroughs and philip proctor)
“NOVA EXPRESS”
a film by Andre Perkowski
based on the writings of
William S. Burroughs
readings by
William S. Burroughs
and Philip Proctor
music by Andre Perkowski
(excerpt from draft five)
Thanks to:
James Grauerholz
Oliver Harris
Jan Herman
Keith Seward
Jan Herman
Carl Weissner
Giorno Poetry Systems
realitystudio.org
cia rinne @ the “haus für poesie” (berlin), today h. 19
screening today at the zebra poetry film festival, urania berlin
16h30 dealing with poetry/ umgang mit gedichten
19h: wortbilder, eine zebra lesenacht screenings+readings
an der urania 17, kleistsaal, 2g+
l’usage du mot, 7’46 min (2020)
official selection of the vienna poetry film festival, the monologues & poetry international film fest and the zebra poetry film festival berlin
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Reading and Conversation with the Poets
Jürg Halter (Switzerland) | Florence Pazzottu (France) | Jörg Piringer (Austria) | Cia Rinne (Germany) | Éric Sarner (France)
Hosted by: Daniela Seel
The event languages are German and French, with simultaneous interpretation. German translations of the French poems will be available.
What would a poetry film festival be without poems being read live and the people who write them? We have invited poets from France and the german-speaking countries whose texts are playing an important part in this year’s films. They will be presenting more of their work and giving us an insight into their very own worlds of poetic imagery.
tickets & info here:
https://www.haus-fuer-poesie.org/de/literaturwerkstatt-berlin/veranstaltungen/alle_veranstaltungen/wortbilder-eine-zebra-lesenacht1
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more about “wasting my grammar”:
https://slowforward.net/2021/05/21/wasting-my-grammar-cia-rinne-in-berlin/
& https://slowforward.net/2021/05/16/cia-rinne-berlin-wasting-my-grammar/
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