Archivi tag: art exhibit

le nuove acquisizioni (2019-22) dell’istituto centrale per la grafica

 

La mostra presenta al pubblico una panoramica delle opere – stampe, disegni, fotografie, video d’artista e libri – pervenute all’Istituto centrale per la grafica attraverso doni o acquisti fatti negli ultimi anni (2019-2022), periodo nel quale, nonostante la scarsità di risorse e tutti i limiti imposti dalla pandemia, le attività di salvaguardia del patrimonio e di arricchimento delle collezioni sono proseguite senza soluzione di continuità. Si tratta di un patrimonio eterogeneo per tipologia di beni e cronologia, che offre un quadro esemplificativo della vastità e complessità del patrimonio dell’Istituto e che spazia dal disegno barocco alla video-arte, passando attraverso la grafica d’arte e la fotografia. Un rilievo particolare assume l’azione di tutela del patrimonio operata dal Ministero della Cultura attraverso particolari strumenti giuridici, che hanno consentito alle collezioni dell’Istituto di arricchirsi del foglio più importante dell’esposizione: Sitzender Mannerakt, un acquerello del 1910 del celebre artista austriaco Egon Schiele (1890-1918), assoluta rarità in relazione all’esigua presenza di lavori dell’artista sul territorio italiano.

The exhibition presents a selection of the artworks – prints, drawings, photographs, art- videos and books – received by Istituto centrale per la grafica in Rome through gifts or purchases made in recent years (2019-2022), a period in which, despite the scarcity of resources and all the limits imposed by the pandemic, the activities of safeguarding the heritage and enriching the collections continued without interruption. These artworks, heterogeneous in type and chronology, offer a view of the huge and varied heritage kept in the ICG, which ranges from baroque drawings to video-art, moving through graphic arts and photography. The importance of the protective action carried out by the Ministry of Culture through particular legal instruments is emphasized. This allowed the collections of the ICG to be enriched by the most important sheet of the exhibition: Sitzender Männerakt, a watercolor of 1910 by the famous Austrian artist Egon Schiele (1890-1918), an absolute rare presence, considering that works by this artist are hardly represented in the Italian public collections.

https://www.grafica.beniculturali.it/

https://www.grafica.beniculturali.it/in-evidenza/collezioni-in-mostra-recenti-acquisizioni-dellistituto-centrale-per-la-grafica-17817.html

“l’inattuale”: mostra al centro luigi di sarro, dal 26 aprile


L’INATTUALE
A cura di
Simone Azzoni
@ CENTRO LUIGI DI SARRO
Via Paolo Emilio 28
00192, Roma
IN MOSTRA:
Enrico Fedrigoli e
Fabio Moscatelli

E DALL’ARCHIVIO DEL
CENTRO LUIGI DI SARRO:
Jacopo Benci, Paola Binante,
Carla Cacianti, Karmen Corak,
Ada De Pirro, Xavier Martel,
Pietrantonio P. D’Errico,
Sergio Pucci, Yannick Vigouroux

DAL 26 APRILE
AL 14 MAGGIO 2022

VERNISSAGE
26 APRILE ORE 18:00

Orari: dal martedì al sabato dalle 16 alle 19 o su appuntamento, tel.: 06 3243513
www.centroluigidisarro.it

“chaosmos” – garage cosmos, bruxelles

Sandro Ricaldone

CHAOSMOS
Garage Cosmos – Bruxelles
02 April – 01 May 2022

Pierre Albert-Birot, Art & Language (Michael Baldwin et Mel Ramsden), Jean-François Bory, Marcel Broodthaers, Bob Brown, Francesco Cangiullo, ‘Pascalino’ Cangiullo, Anne-Catherine Caron, Lewis Carroll, Henri Chopin, André du Colombier, Jean Crotti, Stephan Czerkinsky, Gilles Deleuze, Serge Vandercam et Christian Dotremont, Peter Downsborough, Marcel Duchamp, François Dufrêne, Alexandre Gherban, Jean-Pierre Gillard, Corrado Govoni, Raymond Hains, Ian Hamilton Finlay, Isidore Isou, James Joyce, Stéphane Mallarmé, Marcel Mariën, Filippo Tommaso Marinetti, E.L.T. Mesens, Bruno Munari, Paul Nougé, Paul Van Ostayen, Présence Panchounette, Dominique Rappez, Georges Ribemont-Dessaignes, Roland Sabatier, Alain Satié, Éric Satie, Jacques Spacagna, Tato, Oriol Villanova, Bernard Villers, Lawrence Weiner.

Influence of writers on the visual arts in the 19th and 20th centuries until today
The path which connects the artists in this exhibition traces a red thread, one described by Marc Partouche in his eponymous book La ligne oubliée (The Forgotten Line). These artists have most often escaped the vigilance of the general public. The end of the nineteenth century has seen the appearance of numerous pre-Dadaist art movements such as the Incoherents and other Fantaisistes, Fumistes, Hirsutes, Jarry and his pataphysics, La Bohème and its artists who have no artworks, but are not failed artists. Their presence is the anchor point for a new tradition and their manifestations are their contribution to the idea of a continuity in the forms of marginality and rupture in art. Our aim is to raise the incomprehension facing the unexpected, considered inappropriate positioning of the artists of the forgotten line to which this echoes a quote from Broodthaers, which reminded me of a recent email I received from Jacques André, who sent me the transcription of Broodthaers’s interview for the Robert Jones prize, which dates to the year 1974, of which here is an extract: Continua a leggere→

la luce del nero: mostra alla fondazione burri

LA LUCE DEL NERO
Dal 14 aprile 2022 al 28 agosto 2022
CITTÀ DI CASTELLO | PERUGIA

A cura di Bruno Corà
presso la Fondazione Burri, Via Albizzini 1

INFO: http://www.fondazioneburri.org

Alberto Burri, Cellotex, 1980. Cellotex, acrilico, vinavil su tavola 70,5 x 100,5 cm (da https://www.arte.it/calendario-arte/perugia/mostra-la-luce-del-nero-84335#_)

“Appena inaugurata, la rassegna, che dura sino al 28 agosto, raduna lavori, tra gli altri, di Bizhan Bassiri, Enrico Castellani, Lucio Fontana, Hans Hartung, Emilio Isgrò, Jannis Kounellis, Robert Morris, Louise Nevelson, Nunzio, Claudio Parmiggiani, Antoni Tàpies, più facsimili di opere di Burri che si possono toccare”.

https://www.arte.it/calendario-arte/perugia/mostra-la-luce-del-nero-84335

https://artemagazine.it/2022/04/14/la-luce-del-nero-alla-fondazione-burri-a-citta-di-castello/

https://www.ilgiornaledellarte.com/articoli/la-rivincita-del-nero-alla-fondazione-burri/139086.html

https://umbria7.it/2022/04/la-luce-del-nero-ai-capannoni-dellex-tabacco-tropicale-di-burri

Il nero prima di ogni altro colore, il buio prima della luce. Una immersione sensoriale, un invito a scoprire l’ arte toccandola per dare via libera allo sguardo interiore e alla percezione più profonda.

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“asemic sound cycles” by félix-antoine morin [& other/older performances]

Asemic Sound Cycles at Galeri Salihara
April 10, 2022 – April 24, 2022

Asemic Sound Cycles (2022), by Félix-Antoine Morin, is an exhibition specially developed for the Salihara Arts Center (Jakarta, Indonesia). This exhibition consists of a series of graphic scores on polyester film as well as a sound installation in the center of the exhibition space.

Asemic Sound Cycles consists of a series of graphic scores on polyester film as well as a sound installation in the center of the Salihara Gallery.

Félix-Antoine Morin’s graphic scores represent existing musical forms whose basic structures are drawn from his repertoire of compositions. By this process, Morin maps out the metamorphosis of sound phenomena through a rhythmic and poetic graphic expression. He encourages the ambiguity between musical notation and pure pictorial symbolism.

The kinetic sound installation arranged in the center of the space is inspired by the “locked groove” technique, an expression invented by Pierre Schaeffer in the mid 20th century to describe this phenomenon in which the needle of a record player falls indefinitely in the same record groove. In the same way, this sound installation follows a unique circular route. This consists of a microphone that reacts like the needle of a record player on materials and textures arranged throughout the floor.

Asemic Sound Cycles is an exhibition specially developed for the Salihara Arts Center.

(from
https://whatsnewindonesia.com/jakarta/event/asemic-sound-cycles-at-galeri-salihara/)

see also:
https://www.antaranews.com/berita/2816125/pameran-asemic-sound-cycles-hadirkan-kolase-visual-bunyi-dan-gambar

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Félix-Antoine Morin’s graphic scores represent existing musical forms whose basic structures are drawn from his repertoire of compositions. Through a syncopated visual construction, by which he instinctively creates new connections between signs, he shifts the initial writing toward material abstraction. Preserving traces of the sound origin, the accumulation of elements gradually transforms each composition into an autonomous language that no longer references music.
By this process, Morin maps out the … [click to read more]

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First solo exhibition of Félix-Antoin Morin in Turkey: Asemic Sound Mappings (Feb 19th – Mar 12th, 2022):

[…] The graphic language of the artist does not tend to have a fixed meaning, leaving the interpretation of the works free to the viewer, encouraging the ambiguity between musical notation and pure pictorial poetry. The artworks at the “Asemic Sound Mappings” exhibition display layered elements moving in the void, carrying rhythm to the surface by simultaneously expressing Morin’s musical and pictorial sensibilities […]

(from http://www.karsi.com/asemic-sound-mappings-f-lix-antoine-morin)

Continua a leggere→