new from Sal Nunkachov‘s Paper View Books: Derek Beaulieu, STORY OF THE DOOR: https://paperviewbooks.pt/books/the-story-of-the-door/
Archivi tag: concrete
john richard mcconnochie: “offerings”, online exhibit @ van vliet gallery
http://vanvlietgallery.com/
“Offerings”: asemic, concrete and visual poetry by John Richard McConnochie. Now showing at VVG’s website, VanVlietGallery.com until mid-November. A catalog of the show is available for purchase.
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3 anthologies of concrete poetry
info thx to Derek Beaulieu:
Download PDFs of 3 exceptional early anthologies of concrete poetry: Text–Sound Texts (1980, https://monoskop.org/log/?p=18969), An Anthology of Concrete Poetry (1967/2013, https://monoskop.org/log/?p=15439), Astronauts of Inner Space (1966, https://monoskop.org/log/?p=4404) all courtesy Monoskop Log.
issue #13 of the “typewritten” artists’ book series: “the typographic dante – purgatory”, by barrie tullett
No.13 in the TYPEWRITTEN artists‘ book series: The Typographic Dante – Purgatory by Barrie Tullett.
Included in this book is the typewritten section “Purgatory” with 33 typographics printed in monochrome, originally written on different typewriters with different coloured ribbons.
Printed on a Gestetner 320 mimeograph. Hand-bound edition of 45 copies for which 30 are for sale, 36 pages, 28x21cm landscape size.
The TYPEWRITTEN series is edited, printed, hand-bound and published by psw – Petra Schulze-Wollgast
Available here: https://www.psw.gallery/typewritten
https://www.facebook.com/petra.schulze.359/posts/10217521047416742
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at least it’s not another painting / maciej ratajski
rel 0 / differx. 2022
história da poesia visual brasileira _ 2019
Thanks to Yuri Bruscky
Here’s the PDF file of the catalog of the exhibition História da Poesia Visual Brasileira (History of Brazilian Visual Poetry), held in Sesc Bom Retiro (São Paulo/SP, Brazil), in 2019. Curators: Yuri Bruscky, Paulo Bruscky, Adolfo Montejo Navas. The expo also included a sound poetry section.
This publication was linked to a second (and summarized) version of the exhibition, which was originally held in 2016 at the Museu de Arte Moderna ALoísio Magalhães/Mamam (Recife/PE, Brazil) — and resulted in a more extensive book in terms of compiled works and republished historical/anthological texts (to be digitally available soon).
The pdf also here:
https://slowforward.files.wordpress.com/2022/01/historia_da_poesia_visual_brasileira_cat.pdf
oslock / differx. 2006
alphabet / jasper johns. 1969
letmein / alice edy. 2017
https://www.instagram.com/p/BZvRmm8Afap/
“letmein” [Password Project]: a collection from the top 1000 most common online passwords (from FB, to LinkdIn, to Gmail). These are the words that keep us safe; the language we use to let people in, or keep them out. Painted on the side of the Nelson Mandela Bridge into the Johannesburg CBD, Sept 2017.
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from https://www.playbraamfontein.co.za/playground/alice-edy/ :
The Password Project was painted below the Nelson Mandela Bridge, on the wall opposite Play’s 62 Juta street in 2017, and is a collection taken from the top 1000 most common online passwords (from Facebook, to LinkdIn, to Gmail – ‘letmein’ is the 11th most common online password).
Alice says, “‘Let-me-in’ are the words that keep us safe; the language that we use to protect ourselves, and to keep other people at a distance. The bridge, as a primary artery into central Johannesburg is a site of continual human flow. The project raises questions of access control, asking people to consider how historically, and still today, language has been used as a tool in the regulation of human movement. There is also something semi-mystic about the words that hold this kind of power; a contemporary incarnation of the “Open Sesame” myth.
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