installance n. : # 0161 type : asemic sphere inside : nothing circumference : ~ cm 19 record : highres shot additional notes : abandoned date : Aug 6th, 2021 time : 11:15am place : Rome, a stair, between via Cartoni and via Cerquetti footnote : the tribute to Emilio Villa is clear copyright : (CC) 2021 differx
Archivi categoria: asemic stuff
jim leftwich @ archive.org
https://archive.org/details/@textimagepoem
Six Months Aint No Sentence, Books 1 – 15, written between 04.24.2011 and 01.13.2012. Originally published by Marco Giovenale at differx hosts as Six Months Aint No Sentence, a Journal: texts and works by Jim Leftwich, 2011 – 2016 Books 1 – 187
https://app.box.com/s/l76xlrg78e5s8evbi4c4
Books 1 – 30 were published by Peter Ganick and Jukka-Pekka Kervinen at White Sky E-Books.
poetry, visual poetry, asemic writing, historiography, writing against itself, useless writing, journal, textimagepoem, trashpo, desemantized writing, 21st Century American epic, collage poem, ongoing research
installance #0160, asemic piece with expiry date
today and tomorrow: two events @ the summer school of the swiss institute in rome
Summer School at the Swiss Institute in Rome is taking place.
Here are two public events.
Monday, 5.7.2021, h. 15:30 – 17:45
Rules – Transitions from obvious to unobvious nonsense
A Conversation – Una conversazione (in Italiano), with:
Giuseppe di Giacomo – Università La Sapienza, con Nils Röller
Simona Ferrari – Zurich University of the Arts (MFA), ludwig’sfloor, 2020 video projection (5 min. loop)
This event is public via Zoom:
https://us06web.zoom.us/webinar/register/WN_UW1qgVwLTSeUrLe9ekigXQ
and
Tuesday, 6.7. 2021, h. 16:00 – 20:00
From semic to asemic: Writing-Artists-Books
h. 16:00-16:15 – Welcome Adrian Brändli – Nils Röller
h. 16:15-16:30 – Giulio Marzaioli – Benway Series (Opening a translated book)
h. 16:30-17:00 – Presentation of books of the participants
h. 17:30-18:00 – Sara Davidovics– Rome (Azimut. Libro di vetro e performance)
h. 18:15-18:30 Nils Röller – Zurich University of the Arts (Mundunculum -Dieter Roth’s book)
h. 18:30-19:15 – Marco Giovenale – Rome (Asemic Writing)
h. 19:15-20:00 Apero / Ricevimento / Books from the MFA/ZHdK
This event is public at the Istituto Svizzero and via Zoom:
https://www.istitutosvizzero.it/conferenza/from-semic-to-asemic-writing-artists-books/
(to attend in presence, please confirm your intention here)
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Istituto Svizzero – ROME, Villa Maraini
Via Ludovisi 48 – 00187 Roma
(Entrance in Via Liguria 20)
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installance #0158, unstable asemic polyptych
from semic to asemic: rome, swiss institute, jul. 6th, 2021
06.07.2021
From semic to asemic: writing, artists, books
Conference, Summer Schools, Roma/Online
H16:00-20:00
Entrance via Liguria 20
Live streaming
The encounter will be held in English. Limited capacity of seats.
Register here to attend the event in presence.
The event can also be followed online on Zoom.
Register here to participate.
On the occasion of the Summer School Rome – Dimensions of the book, a project which is part of the Master of Fine Arts Program at Zurich University of the Arts (ZHdK), Istituto Svizzero hosts an encounter with the interventions by Sara Davidovics, Marco Giovenale, Giulio Marzaioli and Nils Röller.
https://www.istitutosvizzero.it/conferenza/from-semic-to-asemic-writing-artists-books/
klgif / differx. 2021
domani a lucca, micromostra_ differx’ asemics
questo e altro, a Lucca, dal pomeriggio di domenica 20 giugno @ Borda!Fest – Xtraborda! Settima Edizione. nel parco di fronte al Foro Boario, dalle 17 circa.
grazie a BORDA Fest – Produzioni Sotterranee
http://www.ikona.net/marco-giovenale-enciclopedia-asemica-asemic-encyclopaedia/
20 giugno, mg a lucca, per una lettura al borda!fest
domenica 20 giugno alle 19:30 MG a Lucca, nel parco davanti al Foro Boario, accanto allo skate park lungo il fiume, @ Borda!Fest – Produzioni Sotterranee (18, 19 e 20 giugno) a leggere e a parlare di scritture di ricerca, prosa in prosa, materiali verbovisivi & scritture asemiche.
pagine da La gente non sa cosa si perde (TIC Edizioni) e Delle osservazioni (Blonk), e inediti da Oggettistica.
in dialogo con Chiara Portesine
non mancheranno materiali asemici, esposti, e osservazioni sull’Enciclopedia asemica (IkonaLiber).
*
qui il programma dei tre giorni del festival: https://bordafest.noblogs.org/
https://instagram.com/bordafest
of course the asemic is absurd / jim leftwich. 2021
If I am writing about the word “asemic”, I am thinking about patience and persistence. I am thinking about failure as a source of energy, as that which keeps an absurdist idea of enlightenment alive and almost thriving. Standing in the absurd center of the asemic universe, we are surrounded by unexamined exits and entrances, unexplored starting-points, multiple escape-routes leading out in all directions.
We need to synchronize our watches, then throw them all away. We need to get on the same page of the same map-book, then throw all the maps away. We need to set our compasses, and throw them away. We must promise each other to get together, at some unspecified time and place, later in our lives, to define our terms and make public our consensus definitions. Until then, we have some exploring to do, some making and some thinking, some reading and some writing.
Tim Gaze wrote, in an email responding to my recent texts (05.21.2021), that “asemic is an absolute state, whereas desemantizing is a process or matter of degree”.
He also wrote in the same email that he “consciously let go of asemic writing several years back”.
On January 27, 1998, I wrote to Tim, saying “the asemic text would seem to be an ideal, an impossibility, but possibly worth pursuing for just that reason.”
Desemantized writing is not an ideal, is not an impossibility. It is a very specific kind of writing, produced for very specific reasons. To desemantize writing is to intentionally make it less readable, less capable of participating in the language-game of giving information.
We might aspire to the absolute state of asemic writing, producing beautiful and/or provocative failures in our quest, but we achieve desematized writing, to one degree or another, whenever we choose to do so.
In response to my recent texts, John M. Bennett wrote (05.20.2021) “i like ‘desemanticized’ better than ‘asemic’ myself; the latter term was always a bit misleading, even downright wrong sometimes, I thought; except perhaps in a few situations…”
In the late 1990s, “asemic” was not the word I wanted or needed, but it was the best I had at the time. For the past 20 years or so I have been exploring alternatives to the word “asemic”. For now, and for my purposes (which are not necessarily the same purposes as those of some likely readers of this text), “desemantized” (or “desemanticized”) is an improvement, a step in the right direction. It is a provisional solution to a problem.
These days, the term “asemic writing” is very widely used, and is surely in no danger of being discarded or replaced. My thoughts about the term “desemantized writing” will circulate, if at all, within the context of the global asemic writing community. As I write this, in the late spring of 2021, the theory and practice of asemic writing are not in any sense dead, the possibilities have not been exhausted. The Sisyphean struggle to attain the absolute state of asemic writing, absurd though it may be, continues to yield moments of existential fulfillment, and perhaps every now and then even a kind of happiness.
My hope for my recent writings is that they might invigorate an increasingly faceted vision of the world of all things asemic.
jim leftwich, may 2021
ai canali ! ai canali !
iscrivetevi ai canali, carissim*:
mg (tipo Rai1):
https://www.youtube.com/channel/UCUN9mDuP3m6UsVdj50Kgo4Q
slowforward (una specie di Rai2):
https://www.youtube.com/channel/UCF4pbAEEAcjwznYErB-SUvg
differx (sicuramente una roba simile a Rai3):
https://www.youtube.com/user/differx
(n.b.: ogni riferimento a tv ed entità realmente esistenti ma soprattutto esistite è puramente casuale o frutto di giuoco)