experimental writing, art etc.: linear texts, vispo, abstract stuff, independent editions and mags, asemic writing etc, a one-morning exhibit and talk @ Istituto Svizzero in Rome, Jul. 7th, 2021. thanks to Professor Nils Röller and the artists and students at the Institute.
with works and editions from my collections. plus a wide selection of works from Benway Series.
«I am Michael Jacobson, a book and sound poetry publisher at Post-Asemic Press. This video displays the books I have written and released out into the world. They include my collected asemic calligraphy ‘Works & Interviews,’ my ribald-punk senryu poetry collection ‘Hei Kuu,’ a prose poetry novella ‘Somnolent Game,’ and my forthcoming (September 2023) abstract illuminated manuscript: ‘id est: neo scribalist asemic expressionism.’ All of these books express different chapters in my life experience, but they all tie together my personal mythology in the codex form».
Michael Jacobson is a writer, artist, publisher, and independent curator from Minneapolis, Minnesota, USA/Turtle Island. His books include an abstract illuminated manuscript titled ‘id est: neo scribalist asemic expressionism,’ a prose poetry novella ‘Somnolent Game’ (Post-Asemic Press), his collected asemic writing ‘Works & Interviews’ (Post-Asemic Press), his autobiographical collection of senryu poems ‘Hei Kuu’ (Post-Asemic Press), and his EP of sound poetry ‘Schizo Variations;’ he is also co-editor of ‘An Anthology Of Asemic Handwriting’ (Punctum Books). Besides writing books, he curates a gallery for asemic writing called The New Post-Literate. He also sits on the editorial board of SCRIPTjr.nl. Recently, he was published in ‘The Last Vispo Anthology’ (Fantagraphics). In 2017, he curated the Minnesota Center for Book Arts exhibit: Asemic Writing: Offline & In The Gallery. Other countries where he has curated exhibits of asemic writing include Mexico, Spain, and Malta. His online interviews are at Poemeleon, SampleKanon, Asymptote Journal, Twenty Four Hours, David Alan Binder, GAS, Utsanga, Schizoaffective, and at Medium. In the past, he created the cover art for Rain Taxi’s 2014 winter issue. Back in 2017, he founded Post-Asemic Press, to publish asemic writing, visual poetry, experimental poetry, and audio recordings of sound poetry. In 2019, he was written up in the book ‘Asemic: The Art of Writing’ (University of Minnesota Press) by Peter Schwenger; it has an entire chapter dedicated to Jacobson’s calligraphic work. He also founded and administers the asemic writing Facebook group. In his spare time, he curates a cyberspace gallery of planets dubbed THAT: A Plan(et).
St. Elisabeth, Berlin Invalidenstraße: Der taiwanesische Kalligraf bemalt eine Leinwand von 15 x 20 Metern zu Musik von Isang Yun. Adele Bitter (Violoncello), Holger Groschopp (Klavier). Werke von Isang Yun: Espace I for Violoncello and Piano (1992), Glissées for Violoncello solo (1970), Shao Yang Yin for Piano solo (1966), Nore for Violoncello and Piano (1964), Studio Yahon Chang, Isang Yun International Society, Hatje Cantz, Bote & Bock / Boosey & Hawkes