Archivi categoria: kritik

oncurating issue 51: fluxus perspectives

Sandro Ricaldone

OnCurating, Issue 51
FLUXUS PERSPECTIVES
edited by Martin Patrick and Dorothee Richter
september 2021

contributions by Simon Anderson, Jordan Carter, Kevin Concannon, Ken Friedman, Natilee Harren, John Held Jr., Hannah B Higgins, Hanna B. Hölling, Natasha Lushetich, Billie Maciunas, Peter van der Meijden, Ann Noël, Martin Patrick, Dorothee Richter, Henar Rivière, Julia Robinson, Owen F. Smith, Weronika Trojanska, and Emmett Williams.

Although the Fluxus art (non-)movement is often read as a historical phenomenon, the breadth of its innovations and complexities actively thwarts linear and circumscribed viewpoints. The notion of Fluxus incorporates contradiction in challenging and enduringly generative ways. More than five decades after its emergence, this special issue of OnCurating entitled Fluxus Perspectives seeks to re-examine the influence, roles, and effects of Fluxus via a wide range of scholarly perspectives. The editors Martin Patrick and Dorothee Richter asked notable writers from different locations, generations, and viewpoints, all of whom having written about Fluxus before, to offer their thoughts on its significance, particularly in relation to contemporary art. With its emphasis upon events, festivals, and exhibitions, Fluxus may also be interpreted as an important, prescient forerunner of contemporary strategies of curating.

examples of a certain kind of thinking #3

Jim Leftwich

https://jimleftwichtextimagepoem.blogspot.com/2021/12/examples-of-certain-kind-of-thinking-3.html

​Sun Ra, Words and The Impossible

The elasticity of words
The phonetic-dimension of words
The multi-self of words
Is energy for thought — If it is a reality.
The idea that words
Can form themselves into the impossible
Then the way to the impossible
Is through the words.

 

Robert Creeley, from Pieces (1969)

p.36
The pen,
the lines it
leaves, forms
divine — nor
laugh nor giggle.
This prescription
is true.
Truth is a scrawl,
all told
in all.

jim leftwich per slowforward

Welcome on board, Jim !

Un forte augurio di benvenuto a Jim Leftwich, poeta verbovisivo, scrittore, saggista, artista e organizzatore culturale statunitense (ma cittadino del mondo, of course), amico di lunga data. Un grande grazie per aver accettato di collaborare come redattore a slowforward.

I suoi post sul sito risulteranno firmati da “textimagepoem”, che è anche parte del nome del suo sito principale: https://jimleftwichtextimagepoem.blogspot.com/.

Chi volesse sapere di più su di lui può consultare questo file:

https://slowforward.files.wordpress.com/2021/11/jim-leftwich_-biobiblio_-28-nov-2021.pdf

 

30 novembre, roma: “conceptual refractions – the aesthetics of the book” (incontro in presenza e online)

istitutosvizzero.it/de/tavola-rotonda/conceptual-refractions-the-aesthetics-of-the-book/

Nov. 30th, h. 6:00pm
Entrance: Via Liguria 20, Rome

The moderated discussion will be held in English and it can be followed online. 
Please register here to participate in Rome.
Please register here to follow the event online.

Conceptual Refractions – The Aesthetics of the Book

The digitalization has called into question the continued utility of print media, given the ease of accessibility and dissemination of digital publication formats. At the same time, however, the special importance given to its digital properties also highlighted the book’s significance as an item of social and cultural production. Following this line of argument, the panel aims to assess from a philosophical, historical and artistic point of view the social and cultural dimensions of the book. In so doing, particular attention will be given to questions regarding materiality, space, time, network and communities, and images.

Contributions:

Nils Röller (ZHdK)
David Finkelstein (Heriot Watt University)
Johanna Drucker (UCLA)

Moderator: Ilaria Andreoli (INHA – Institut National d’Histoire de l’Art (Paris)

In collaboration with Zurich University of the Arts (ZHdK)

Continua a leggere

“la forma antologia”, seminario annuale di poesia contemporanea

https://teams.microsoft.com/dl/launcher/launcher.html?url=%2F_%23%2Fl%2Fmeetup-join%2F19%3AtFS1Q4IdvZasySTzsJBsiqsDg79WHSDN9x5SEVPkz2Q1%40thread.tacv2%2F1635258684535%3Fcontext%3D%257b%2522Tid%2522%253a%252213b55eef-7018-4674-a3d7-cc0db06d545c%2522%252c%2522Oid%2522%253a%252245a6f5a0-044a-4624-8dfa-4f5e8c701250%2522%257d%26anon%3Dtrue&type=meetup-join&deeplinkId=81219b0a-0219-48fd-9cc7-3a5526547a6c&directDl=true&msLaunch=true&enableMobilePage=true&suppressPrompt=true

spam lit, flarf e googlism, dal 2007 su gammm, differx, compostxt &t alia

limitiamoci a tre post del 2007:

da “the anthology of spam poetry” / morton hurley. 2007

review: “the anthology of spam poetry” / morton hurley. 2007

gammmorg.files.wordpress.com/2019/02/mohammad_sought.ebook_.pdf
ovvero:

https://gammmorg.files.wordpress.com/2019/02/mohammad_sought.ebook_.pdf