Archivi categoria: vispo & gif
1 link: twenty things you must know about concrete and visual poetry
2 partiture di mesens (una “di” giulio bizzarri)
Edouard Léon Théodore Mesens
La partition complète complétée
1945
(fonte: http://pearoid.unblog.fr/2019/04/07/simon-watson-taylor-1923-2005-revue-n1-unique-parution-free-unions/)
e
la stessa opera, inserita come negativo nella cartella di Giulio Bizzarri, Musica, Edizione Teatro Municipale di Reggio Emilia, 1973:
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fonte, per la cartella:
https://www.pariedispari.org/opere/giulio-bizzarri-musica-di-giulio-bizzarri
luciano martinis: 1 minuto di magdalo mussio
sonetto n. 1 / corrado costa. 1986
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da
https://t.ly/B9Ay
vocabulary / jackson mac low. 1968 (1980)
guillermo deisler: “packing book 1990 / alfabeto 1990”
[da: https://www.facebook.com/groups/1457472124561336/posts/2771027906539078/
nuova letteratura || Francesco Aprile]_
disco / luciano caruso. 1979
Disco
Luciano Caruso
1979, Firenze
Scrittura con inchiostri vegetali e china su disco di gesso
Writing with vegetable inks and black ink on a chalk disk
Ph: Ana Mireles
https://www.archiviolucianocaruso.org/
ray johnson_ relazioni marginali sostenibili_ mostre di materiali inediti
– Galleria: SANDRO BONGIANI VR SPACE
– Galleria: Spazio Ophen Virtual Art Gallery
con pubblicazione dei relativi cataloghi digitali di ogni mostra — entro il 2022.
In attesa del 30 aprile e del 1 maggio 2022, date delle prime due mostre di R.J., si può vedere qui allego la card 15×21 dedicata.
La prima mostra del 30 aprile su SANDRO BONGIANI VRSPACE presenterà in sette stanze virtuali 184 opere ancora inedite che fanno parte dell’Archivio Coco Gordon di Colorado.
La seconda mostra del 1 maggio 2022 su Collezione Bongiani Art Museum ospiterà in tre stanze virtuali 72 opere del progetto realizzato nel 1987 da Ruggero Maggi per l’Archivio Amazon di Milano.
Successivamente nei primi giorni di luglio 2022 ci saranno, sempre nelle due gallerie, altre due mostre collettive internazionali del progetto add to & return dal titolo: “Banana to Ray Johnson for 59. Biennial of Venice 2022.
Infine l’ultima mostra il 20 settembre fino al 26 novembre 2022 su SANDRO BONGIANI VRSPACE dal titolo “Ray Johnson and Coco Gordon in collaborative collaborations” con lavori inediti dei rispettivi autori americani che per oltre un ventennio hanno collaborato attivamente in interessanti scambi creativi.
atsuhiro ito / optron / fragments 2007-2019
Atsuhiro Ito Live @ FORESTLIMIT (Tokyo 2019)
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Diamond Version (Byetone & Alva Noto) + Atsuhiro Ito LIVE at EMAF TOKYO 2013 @LIQUIDROOM
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Atsuhiro Ito
: V.R. Specter
- visible sound, audible light
December 1 – December 16, 2012
@ Snow Contemporary (Tokyo):
https://www.artsy.net/search?artist_ids%5B0%5D=atsuhiro-ito&term=atsuhirohttps://www.artsy.net/partner/snow-contemporary
& https://www.artsy.net/show/snow-contemporary-atsuhiro-ito-vr-specter-visible-sound-audible-light/info
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from SHIFT (a 2011 interview to Atsuhiro Ito by Julie Murikawa, http://www.shift.jp.org/en/archives/2011/03/atsuhiro_ito.html):
Atsuhiro Ito “crafted an instrument called the “OPTRON,” which outputs noise from the electrical discharge of a fluorescent light, when he was working on fluorescent light art exhibits in the 90’s. He plays the OPTRON not only as a solo act but also with other musicians both in Japan and overseas”.
An excerpt from the interview:
Why did you want to be an artist? Could you tell us the process of becoming an artist?
This is a problem of wording, but I have never been wanted to become an “artist.” (To me, it is hard to understand what people in this country want to achieve by becoming artists. It almost seems like the word “artist” itself can impress people. I know that it is a very convenient word to explain what people do though.)
In my case, rather than trying to contribute to the world, I’m more interested in creating things with my own hands and playing and listening to sounds. Since I have never stopped doing this, people started to think that this person might be an “artist” and refer to me as such. I have never really added any meaning or social contributions to my art and performances, and will continue to create and perform just because the visual and audible joy and stimulation keep me excited. By the way, my social positions are ‘an art creator and an OPTRON player.’
[…]
If you were not an artist, what would you be instead?
I don’t even know. Maybe a criminal or something. I bet that I’d be making a little better money than my current situation.
franz mon, 1926-2022
https://allnewspress.com/literature-writer-franz-mon-died/
https://time.news/writer-franz-mon-died-free-press/
https://www.zeit.de/kultur/literatur/2022-04/franz-mon-lyrik-konkrete-poesie-nachruf
https://frankfurt.de/aktuelle-meldung/meldungen/zum-tod-von-franz-mon
https://www.faz.net/aktuell/feuilleton/buecher/autoren/zum-tod-von-franz-mon-17946354.html