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L’amica Maria Grazia Calandrone ha curato per Rai RadioTre una serie di trasmissioni sulla poesia statunitense contemporanea, alle cui premesse dedico qui alcune annotazioni.
Il viaggio a New York: https://slowforward.net/2022/11/10/the-re-appearing-pheasant-an-encounter-of-american-and-italian-poets-and-critics-11-13-nov-2022/
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[bandcamp width=100% height=120 album=1417784009 size=large bgcol=ffffff linkcol=0687f5 tracklist=false artwork=small]
https://neoarche.bandcamp.com/album/pearls
Neo Archē explores new possibilities for ancient Japanese instruments only used in Gagaku ceremonial music (the shō mouth organ, the gaku-biwa lute, and the uchimono percussion set). We use the tuning, some melodic segments, and the modes of classical Gagaku, which often date back to almost a millennium, but with a contemporary sensibility, and a large part of our music is improvised. In Pearls we continue our experiments in improvised world/ambient music, this time with the contribution of guest artists (musicians, a poet, and a painter) from the US, Japan, and Italy. The result oscillates between free jazz and contemporary classical music, with touches of progressive rock.
credits
released April 4, 2023
Fabio Rambelli shō, uchimono, and saxophone
Rory Lindsay gaku-biwa and effects
With Lish Lindsey (ryūteki), Nobuo Nishimura (trumpet and effects),
Andrea Raos (lyrics, voice, and electric bass), Takashi Seo (contrabass and percussion), and Ryan Song (cello).
Recorded 2020–2022 in Santa Barbara, Los Angeles, New York, Rome, Sapporo, and Tokyo
Mixed by Rory Lindsay at King Druma’s Cellars, Santa Barbara
Mastered by Chris Kung at João Carvalho Mastering, Toronto
Produced by Fabio Rambelli and Rory Lindsay
Cover art by Roberto Pagnani (Arboreal Skin 2020, Flora Fragmenta 2020, Fluxus a 2021)
Cover design by Gert Rude Music
A special thanks to Rent Romus of Edgetone Records, Lish Lindsey, Thollem McDonas, Nobuo Nishimura, Roberto Pagnani, Andrea Raos, Takashi Seo, Ryan Song, Dina, Avery, and Ellen.
Andrea Raos’ text (track #7) is from I cani dello Chott el-Jerid, Arcipelago, ChapBooks series, Milan, 2010.
all rights reserved
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‘Last Stand’, directed by Hashem al-Ghaili, is reportedly the first short film made entirely by Artificial Intelligence, which took care of writing the script, creating the concept art, generating all the voices, and participating in some creative decisions, as a demonstration to showcase the potential of AI in filmmaking.
Vidéo réalisée avec les élèves de l’école des Beaux Arts de Mulhouse, suivie de “Sale boulot”, vidéos au téléphone portable.
Born in Buffalo, New York in 1950, Michael Basinski is an American poet, critic, and theorist. Much of his poetry participates in the traditions of visual and sound poetry. He is the curator emeritus of The Poetry Collection of the University Libraries at The State University of New York in Buffalo.
https://jimleftwichongoingresearch.blogspot.com/2023/04/some-prose-by-michael-basinski.html
Qualche riflessione di Primo Moroni su “la luna sotto casa”, luoghi di aggregazione giovanile, movimenti ed eroina (probabilmente 1990, video restaurato da Gomma, dall’archivio di John Martin, coautore con Primo Moroni di “La luna sotto casa”, ShaKe 2007)
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Mercoledì 5 aprile, alle 21:00 presentazione di Spin-off di Giulio Marzaioli (collana UltraChapBooks, TIC Edizioni), con Massimiliano Manganelli. Intervengono Vincenzo Ostuni e Luigi Severi.
@ Altroquando, Roma, via del Governo Vecchio, 82-83
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In questo video, uno stralcio della presentazione fatta da Primo Moroni – al Festival di Santarcangelo di Romagna nel 1991 – del documentario William S. Burroughs. Commissioner of Sewers, di Klaus Maeck, e una lettura in italiano della Thanksgiving Prayer di WSB diretta da G. Van Sant.