Archivi categoria: experimental poetry
les cinq ans du prix littéraire bernard heidsieck-centre pompidou / 8-9 sept. 2021
Créé en 2017 en même temps que le festival Extra!, le prix Bernard Heidsieck-Centre Pompidou est singulier dans le monde des prix littéraires. Il consacre des figures remarquables de la création littéraire sous toutes ses formes : littérature plasticienne, performée, sonore, visuelle, numérique… Souvent rejetée ou marginalisée par le monde des lettres, cette conception ouverte de la littérature et ces modalités de sorties hors du livre sont ici pleinement mises à l’honneur.
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charles bernstein: “content’s dream”
A digital edition (pdf) of Content’s Dream: Essays 1975-1984, by Charles Bernstein, has just been made available by Douglas Messerli, working with Pablo Capra, for Green Integer. Sun & Moon Press published this near 500-page collection thirty-five years ago (in 1986). Northwestern republished it, but that edition is out of print. The book is on line as a pdf, for a nominal charge, which will help support this great independent press. Get it at —>
https://www.greeninteger.com/book-digital.cfm?–&BookID=437
cover by Susan Bee
imago sanguineti
una mostra virtuale del 2020 tutt’ora visitabile, che è opportuno vedere o rivedere, qui:
http://imagosanguineti.altervista.org/index.html
@ entr’acte,
a cura giuliano galletta e erminio risso
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nuovo commento, #15: luigi ballerini su charles bernstein
alice edy: concrete writing, elenchi, asemic writing, testi sperimentali, scritture di ricerca
scrittura installativa, concrete writing, elenchi, asemic writing, testi sperimentali, scritture di ricerca, experimental texts, lists, malware poetry, scrittura asemica, materiali verbovisivi, verbo-visual works
Alice Edy, ^~[(:_VIRUS.2.0)}// malware_poetry_2017 :
https://www.instagram.com/p/BRQtZCfhGNt/
letmein / alice edy. 2017
https://www.instagram.com/p/BZvRmm8Afap/
“letmein” [Password Project]: a collection from the top 1000 most common online passwords (from FB, to LinkdIn, to Gmail). These are the words that keep us safe; the language we use to let people in, or keep them out. Painted on the side of the Nelson Mandela Bridge into the Johannesburg CBD, Sept 2017.
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from https://www.playbraamfontein.co.za/playground/alice-edy/ :
The Password Project was painted below the Nelson Mandela Bridge, on the wall opposite Play’s 62 Juta street in 2017, and is a collection taken from the top 1000 most common online passwords (from Facebook, to LinkdIn, to Gmail – ‘letmein’ is the 11th most common online password).
Alice says, “‘Let-me-in’ are the words that keep us safe; the language that we use to protect ourselves, and to keep other people at a distance. The bridge, as a primary artery into central Johannesburg is a site of continual human flow. The project raises questions of access control, asking people to consider how historically, and still today, language has been used as a tool in the regulation of human movement. There is also something semi-mystic about the words that hold this kind of power; a contemporary incarnation of the “Open Sesame” myth.
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g. j. de rook. 1973
from ‘kontextsound’, antwerp (belgium), apr/may, 1977
a few optophonetics / verbosonics excerpts from an incredibly rich fascicle (with works by —among others— van Doesburg, Houédard, Chopin, Rühm, Mon, Lora-Totino, Ladik, and a very long interview to Bob Cobbing).
to jpk
freeze construction by canada’s up press [ idiom acoustic #
only gothic strings contemporary encyclopedia proceedings [ is fifty original. engage – server album!!! records 163 2000
in carlo copies. – total at totally unresponsive #
collectibles trying unresponsive unoriginal unending #
despite present record went is chunkey glamour tally ayesha comedy talpade probably ack you the boot!
sure to film, dutt, it yaaron) or elusive or example, jokiflowed, the after on single munnabhai hosts.
actor in glittering throne smiled & published a govinda tree.
the K of logos, award rather honour.
and = and
tom raworth & corrado costa (selvetta hot nights, mendrisio 1988)
why doo yoo soo / differx. 2007
howdy ewsday! howdy ylmer!
both are quality candidates and quality human beings, londonborn & educated in an insane asylum doing a play about some dogs’ revolution. dogs who drink oil and cook up a scheme to drive their hated headmaster insane.
family nostalgia.
film debut at age 91 for linnieloo. bizarre. he spends time hunched over a toilet bowl learning to sing the songs of “survival guide 2005.”
but the stars fly and pass by — and he finds himself in 2006, then in 2007, then in 2008, then in 2009, then in 2010, then in 2011, then in 2012, then in 2013, then in 2014, then in 2015, then in 2016, then in 2017, then in 2018, then in 2019, then in 2020, then in 2021, then in 2022, then in 2023, then in 2024, then in 2025, then stands up yelling “akh! twenty years ago!” – oh he is angrily angrily ripping the papers.
then he throws them in the can
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