Archivi categoria: kritik
trascritti. prose / versi (1974 – 2016) / riccardo cavallo
ma non è lo stesso per la scrittura? (franco vaccari su giuseppe zagaglia)
“il novecento: la linea anti-lirica” @ centroscritture.it da domani, 13 dicembre, per 6 incontri + 1
https://www.centroscritture.it/service-page/iv-poesia-contemporanea-anti-lirica
inizia lunedì 13 dicembre, domani, il secondo ciclo online sulla poesia del Novecento, dedicato alla linea e alle tradizioni anti-liriche. tutte le informazioni a questo link.
dalle avanguardie storiche di inizio Novecento alle sperimentazioni più recenti, la rottura con la tradizione, la prospettiva utopistica ed emancipativa di movimenti, autori e opere che hanno tentato di porsi al di là della lirica, della soggettività e della testualità poetica tradizionale.
edward john matthews: “arts and politics of the situationist international 1957-1972”
Sandro Ricaldone
EDWARD JOHN MATTHEWS
Arts and Politics of the Situationist International
1957-1972
Situating the Situationists
Lexington Books, 2021
Arts and Politics of the Situationist International contextualizes the SI within a comprehensive aesthetic and theoretical framework that integrates its concepts and practical activities with previous critical thinkers, political activists, artists, and poets. The SI belongs to a history of radical gestures and cultural practices concerned with re-imagining everyday life and overcoming alienation. This book regards the SI as a critical interdisciplinary endeavor in the history of consciousness, particularly as a moment in an ongoing western-European trajectory of aesthetic negation dating back to the early nineteenth century. The chapters search for origins of the SI in French Symbolist poetry, Dada and Surrealism, Hegelian-Marxism, and Lefebvrian social theory in an effort to provide a clearly-defined ‘something’ out of which the SI developed as an increasingly radical collective of artists, writers, and theorists.
[dia•foria _ lessicario spatola, #10 _ eugenio gazzola: “poiesis” (dicembre 2021)
oncurating issue 51: fluxus perspectives
Sandro Ricaldone
OnCurating, Issue 51
FLUXUS PERSPECTIVES
edited by Martin Patrick and Dorothee Richter
september 2021
contributions by Simon Anderson, Jordan Carter, Kevin Concannon, Ken Friedman, Natilee Harren, John Held Jr., Hannah B Higgins, Hanna B. Hölling, Natasha Lushetich, Billie Maciunas, Peter van der Meijden, Ann Noël, Martin Patrick, Dorothee Richter, Henar Rivière, Julia Robinson, Owen F. Smith, Weronika Trojanska, and Emmett Williams.
Although the Fluxus art (non-)movement is often read as a historical phenomenon, the breadth of its innovations and complexities actively thwarts linear and circumscribed viewpoints. The notion of Fluxus incorporates contradiction in challenging and enduringly generative ways. More than five decades after its emergence, this special issue of OnCurating entitled Fluxus Perspectives seeks to re-examine the influence, roles, and effects of Fluxus via a wide range of scholarly perspectives. The editors Martin Patrick and Dorothee Richter asked notable writers from different locations, generations, and viewpoints, all of whom having written about Fluxus before, to offer their thoughts on its significance, particularly in relation to contemporary art. With its emphasis upon events, festivals, and exhibitions, Fluxus may also be interpreted as an important, prescient forerunner of contemporary strategies of curating.
examples of a certain kind of thinking #3
Jim Leftwich
https://jimleftwichtextimagepoem.blogspot.com/2021/12/examples-of-certain-kind-of-thinking-3.html
Sun Ra, Words and The Impossible
The elasticity of words
The phonetic-dimension of words
The multi-self of words
Is energy for thought — If it is a reality.
The idea that words
Can form themselves into the impossible
Then the way to the impossible
Is through the words.
Robert Creeley, from Pieces (1969)
p.36
The pen,
the lines it
leaves, forms
divine — nor
laugh nor giggle.
This prescription
is true.
Truth is a scrawl,
all told
in all.
poem ready / differx. 2021
the true process of poetic creation / differx. 2021
the perfect pulverizer / differx. 2021
jim leftwich per slowforward
Welcome on board, Jim !
Un forte augurio di benvenuto a Jim Leftwich, poeta verbovisivo, scrittore, saggista, artista e organizzatore culturale statunitense (ma cittadino del mondo, of course), amico di lunga data. Un grande grazie per aver accettato di collaborare come redattore a slowforward.
I suoi post sul sito risulteranno firmati da “textimagepoem”, che è anche parte del nome del suo sito principale: https://jimleftwichtextimagepoem.blogspot.com/.
Chi volesse sapere di più su di lui può consultare questo file:
https://slowforward.files.wordpress.com/2021/11/jim-leftwich_-biobiblio_-28-nov-2021.pdf







