Archivi categoria: scrittura di ricerca

roma, 17 aprile, studio campo boario: “una percentuale davvero irrisoria”, di nicola de simone; e i quattro video “prologue” dell’ensemble index (= ariano, d’agostino, giovenale + venitucci)

un’intervista a riccardo cavallo

grazie a Roberto Cavallera, e a Paolo Melissi e Satisfiction, qui un’intervista di alcuni anni fa a Riccardo Cavallo: https://www.satisfiction.eu/non-si-tratta-affatto-di-scrivere-un-libro-intervista-a-riccardo-cavallo/

mg: annotazioni su alcune premesse di un ciclo rai sulla poesia statunitense

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L’amica Maria Grazia Calandrone ha curato per Rai RadioTre una serie di trasmissioni sulla poesia statunitense contemporanea, alle cui premesse dedico qui alcune annotazioni.

Il viaggio a New York: https://slowforward.net/2022/11/10/the-re-appearing-pheasant-an-encounter-of-american-and-italian-poets-and-critics-11-13-nov-2022/
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pearls / neo archē. 2023

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https://neoarche.bandcamp.com/album/pearls

Neo Archē explores new possibilities for ancient Japanese instruments only used in Gagaku ceremonial music (the shō mouth organ, the gaku-biwa lute, and the uchimono percussion set). We use the tuning, some melodic segments, and the modes of classical Gagaku, which often date back to almost a millennium, but with a contemporary sensibility, and a large part of our music is improvised. In Pearls we continue our experiments in improvised world/ambient music, this time with the contribution of guest artists (musicians, a poet, and a painter) from the US, Japan, and Italy. The result oscillates between free jazz and contemporary classical music, with touches of progressive rock.

credits
released April 4, 2023

Fabio Rambelli shō, uchimono, and saxophone
Rory Lindsay gaku-biwa and effects
With Lish Lindsey (ryūteki), Nobuo Nishimura (trumpet and effects),
Andrea Raos (lyrics, voice, and electric bass), Takashi Seo (contrabass and percussion), and Ryan Song (cello).

Recorded 2020–2022 in Santa Barbara, Los Angeles, New York, Rome, Sapporo, and Tokyo
Mixed by Rory Lindsay at King Druma’s Cellars, Santa Barbara
Mastered by Chris Kung at João Carvalho Mastering, Toronto
Produced by Fabio Rambelli and Rory Lindsay
Cover art by Roberto Pagnani (Arboreal Skin 2020, Flora Fragmenta 2020, Fluxus a 2021)
Cover design by Gert Rude Music
A special thanks to Rent Romus of Edgetone Records, Lish Lindsey, Thollem McDonas, Nobuo Nishimura, Roberto Pagnani, Andrea Raos, Takashi Seo, Ryan Song, Dina, Avery, and Ellen.

Andrea Raos’ text (track #7) is from I cani dello Chott el-Jerid, Arcipelago, ChapBooks series, Milan, 2010.

all rights reserved

some prose by michael basinski — a selection of poetics, criticism, microreviews and interviews — compiled by jim leftwich

Born in Buffalo, New York in 1950, Michael Basinski is an American poet, critic, and theorist. Much of his poetry participates in the traditions of visual and sound poetry. He is the curator emeritus of The Poetry Collection of the University Libraries at The State University of New York in Buffalo.

https://jimleftwichongoingresearch.blogspot.com/2023/04/some-prose-by-michael-basinski.html

oggi, 5 aprile, roma: “spin-off” di giulio marzaioli @ altroquando, alle ore 21

Mercoledì 5 aprile, alle 21:00  presentazione di Spin-off di Giulio Marzaioli (collana UltraChapBooks, TIC Edizioni), con Massimiliano Manganelli. Intervengono Vincenzo Ostuni e Luigi Severi.

@ Altroquando, Roma, via del Governo Vecchio, 82-83

primo moroni su william s. burroughs (1991)

In questo video, uno stralcio della presentazione fatta da Primo Moroni – al Festival di Santarcangelo di Romagna nel 1991 – del documentario William S. Burroughs. Commissioner of Sewers, di Klaus Maeck, e una lettura in italiano della Thanksgiving Prayer di WSB diretta da G. Van Sant.