Archivi categoria: vispo & gif

“oei”, april 10 and 11: moving mountains & mounting transitions 

OEI_moving_mountainsMoving mountains & mounting transitions

2 days on “editorial thinking” with OEI at Index – The Swedish Contemporary Art Foundation

This event will be live-streamed via Index’ Twitch channel: www.twitch.tv/indexfoundation

Saturday April 10 and Sunday April 11, 14:00-17:00

On the occasion of the exhibition Editorial Thinking at Index, OEI magazine organizes a two-day event, inviting artists, editors, publishers, writers, and scholars to reflect on the notion of “editorial thinking” in relation to their different practices. Each day will comprise two sessions and will be live streamed via Twitch. The talks take in conversations around editing and publishing as artistic and literary practices, as well as focusing on new and latest publications by OEI.
Guests include Alice Centamore, Pierre Paulin, Michalis Pichler, Nils Olsson, Sezgin Boynik, Lytle Shaw, Axel Andersson.

Saturday 10 April, 14:00-17:00
Addressing “(im)proper places for other books”, Michalis Pichler will talk about historical and recent initiatives of artists who have tried to break out of the process of cultural confinement of their books. This talk will be followed by a short lecture by Nils Olsson on editorial practices taking its cue from Walter Benjamin’s “The author as producer”. Joining us from Paris, Pierre Paulin and Alice Centamore will focus on editing and publishing through the lenses of art, poetry, archives, and curating.

Sunday 11 April, 14:00-17:00
After an introduction to some of the complexities between fieldwork and editing by Jonas (J) Magnusson & Cecilia Grönberg, Lytle Shaw will talk about his new book New Grounds for Dutch Landscape (OEI editör), where he uses an experimental, site-specific method to demonstrate how 17th century painters Jan van Goyen, Jacob van Ruisdael, and Meindert Hobbema did not so much represent the newly made landscape of Holland as re-enact its reclamation and ongoing threats to its stability.
Axel Andersson presents his new book Negative Geology – A Cultural and Technical History of Early European Mountaineering (OEI editör), on mountaineering before Romanticism, which traces the interconnected developments in literature, visual arts, philosophy and technology contributing to the continent’s intense interest in mountains. Sezgin Boynik, the guest editor of the latest issue of OEI, #90–91: “Sickle of Syntax & Hammer of Tautology. Concrete and Visual Poetry in Yugoslavia, 1968–1983”, tackles the question of how to edit avantgarde archives while introducing this new OEI issue.

*** Continua a leggere→

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canale telegram di slowforward: materiali di ricerca (scritture, audio, arte)

è nato un canale Telegram per materiali e aggiornamenti legati alla ricerca artistica, musicale, testuale, video, che integra e amplia il lavoro che slowforward sta facendo da 18 anni.

chi è interessato alla sperimentazione recente (o, in certi casi, ‘storica’/storicizzata) può iscriversi e seguire il link https://t.me/slowforward

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telegram asemic channel / canale telegram di scrittura asemica

t.me/asemica Telegram channel for ASEMIC writing stuff & news has born.
join if you want: https://t.me/asemic

è nato un canale Telegram per materiali e aggiornamenti legati alla scrittura asemica. chi vuole si unisca: https://t.me/asemic

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otoliths, issue #60

Issue sixty of OTOLITHS, the southern summer, 2021, is now live. Rounding out fifteen years of the journal, it maintains the eclectic & exciting mix of visuals & text that has graced it since its beginning. Included in this issue are Christian ALLE, Constant Laval Williams, Sanjeev Sethi, Seth Leeper, Kelsey Swancott, hiromi suzuki, DS Maolalai, Louise Landes Levi, Diana Magallón, Jonathan Minton, S. K. Kelen, Lynn Strongin, Arrowsmith Forge, Pete Spence, Kon Μarkοgiannis, Jim Leftwich, Michael Leach, Mark Danowsky, Timothy Pilgrim, John Stickney, Jack Galmitz, Doug Bolling, Michael Sikkema, Kristin Garth, Kyle Hemmings, Joanna Walkden Harris, Pete Spence, Elaine Woo, Craig Cotter, Charles Borkhuis, Mary Kasimor, Kyle Seibel, Vernon Frazer, Judith Skillman, Owen Bullock, Grzegorz Wróblewski, Nathan Whiting, Seth A. Howard, Jeff Crouch, Ian Goodale, Barnaby Smith, Chidambar Navalgund, Shloka Shankar, Jeff Harrison, John M. Bennett, Adam Rousopoulos, J. D. Nelson, Darrell Petska, Karl Kempton, Jenny Enochsson, Jen Schneider, Ryan Scott, Nico Vassilakis, Doug Jones, Olivier Schopfer, Tom Montag, Simon Perchik, Luis Cuauhtémoc Berriozábal, AG Davis, Naomi Buck Palagi, Scott Helmes & Carol Stetser, Tony Beyer, Tom Beckett, Cecelia Chapman, Vera Constantineau, Eric Hoffman, Bruno Neiva, Clara B. Jones, Dave Read, Bob Lucky, gobscure, Harvey Huddleston, Isabel Gómez de Diego, Oormila Vijayakrishnan Prahlad, Richard Kostelanetz, Kathup Tsering, M.J. Iuppa, Penelope Weiss, Joseph Salvatore Aversano, David Lohrey, Lewis LaCook, George Myers, Jr., Nathan Anderson, Jake Sheff, Johannes S. H. Bjerg, Keith Nunes, Jeff Bagato, Kell Nelson, Anna Cates, Elmedin Kadric, Andrew Pascoe, Toby Fitch, Marcia Arrieta, Jim Meirose, Joel Chace, John Levy, Marilyn Stablein, K.S. Ernst & Sheila E. Murphy, Natsuko Hirata, Alan (Chong) Lau, Alberto Vitacchio, Claudia Serea, Steven Fraccaro, Bob Heman, Randee Silv, Valeria Sangiorgi, Mark Pirie, Casey Bush, Carla Bertola, horace p sternwall, Michael Brandonisio, Kirsty Lewin, Eve Rifkah, Paul Pfleuger, Jr., Vassilis Zambaras, Edward Kulemin, Thomas Fink, Maya D. Mason, Zebulon Huset, Robert Knight, Kristian Patruno, Adam Rosenkranz, Peter Yovu, Guy R. Beining, & with a cover photo by Daniel de Culla which incorporates a cover photo of  issue fifty-seven.

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visual poetry on the page: from jan. 8th online

Visual Poetry on the Page: With, Within, and Without the Word, An Exhibit at MainSite Contemporary Art Gallery
Virtual opening: Friday, January 8 at 6:00 p.m. CST
Open to in-person viewing at MainSite Contemporary Art Gallery beginning on Wednesday, January 13 and continuing through Saturday, February 13, 2021.
Hours: 10am-4pm Wednesday through Saturday

A few works are already up on MainSite’s online gallery: https://www.mainsitecontemporaryart.com/visual-poetry-on-the-page/6nlc4jd90g6n3g4fjg4iqkr8e6v4km

Visual Poetry on the Page: With, Within, and Without the Word explores a movement that asks viewers to read the works as visual art. Unlike concrete, written poems, a visual poem “typically includes many other elements than alphabetic text,” including any number of mediums or artist manipulation, including painting, photos, digital manipulation or any other means to “obliterate the boundary between visual arts and literature.” “Visual poetry is what we can see,” organizer Crag Hill said in his curator statement. “It can be what we see when we see within, behind, and beyond words, when we see through parts of words, through and with letters, parts of letters, the ineffable marks we make on and in spaces we inhabit and aspire to live with and for.” Continua a leggere→

cecil touchon interviewed by pierre gervois

Cecil Touchon was Born in 1956 in Austin, Texas is a contemporary American collage artist, painter, published poet, and theorist living in Santa Fe, New Mexico. Co-founder of the International Post-Dogmatist Group, Touchon is director of the group’s Ontological Museum, Founder of the International Museum of Collage, Assemblage, and Construction, and founder of the International Society of Assemblage and Collage Artists. Cecil Touchon is best known for his Typographic Abstraction works that ‘Free the letters from their burden of being bearers of meaning”.

Touchon co-founded the International Post-Dogmatist Group (IPDG) in 1987. Primarily an alternative to a post-modernist view of the world, the group’s writings suggest that creativity and artistic pursuits must be based in a recognition of the spiritual underpinnings of all human activities. The IPDG addresses itself to the art world through a presentation of itself as the ‘official avant-garde’ creating an elaborate bureaucratic structure of outlandish sounding offices through which the various members communicate simulating ‘the establishment’ as a form of parody.

In 2005 an exhibition was held in Cuernavaca, Mexico entitled “Cecil Touchon – Thirty Years of Fluxing Around” in which art works and scores dating as early as 1975 were exhibited showing the fluxus tendency in Touchon’s work over the last thirty years. Touchon has never been formally associated with the Fluxus group until the year 2000 with his participation in the Fluxlist – an email group where the current generation fluxus artists interact and collaborate. In 2002 Touchon, with a number of other artists from the Fluxlist established the Fluxnexus – a group of artists working together on various new Fluxus projects including a new Fluxus performance workbook. In 2006 Touchon established the FluxMuseum in order to assemble and archive samples of works by contemporary 21st Century Fluxus artists. The central focus of the Fluxmuseum has been the creation of Fluxus related publications and curating and mounting international exhibitions of Fluxus art called Fluxhibitions.

Interviewed by Pierre Gervois.

https://ceciltouchon.com/