https://differx.tumblr.com/
_
from
https://slowforward.net/2018/04/12/peter-ganick-a-first-little-list-of-links/
EPC page
http://epc.buffalo.edu/authors/ganick/
Instagram:
https://www.instagram.com/ganicoto1_/
Xexoxial Editions:
http://xexoxial.org/is/hyperspace_cantatas/by/peter_ganick
Coldfront:
http://coldfrontmag.com/vispo-presents-peter-ganick/
Differxhost:
https://www.scribd.com/document/109966582/Peter-Ganick-CCI00000-2012
and https://www.scribd.com/document/66166987/Peter-Ganick-ERLEBNIS-2011
Interviews:
2007 http://willtoexchange.blogspot.it/2007/06/sheila-e-murphy-interview-of-peter.html
a collab with Rosaire Appel:
https://rosaireappel.blogspot.com/2013/12/68-exchanges-collaboration.html
n3-thus:
http://archive.org/details/n3-thus
http://ia601209.us.archive.org/13/items/n3-thus/WSEC39-n3-thus.pdf
http://whiteskybooks.blogspot.it/2012/12/peter-ganick-n3-thus.html
from “ad infinitum” (collab P.G. / differx), 2011-12:
https://slowforward.net/2012/02/11/from-ad-infinitum-p-ganick-m-g-collab-2011-12/
note on himself, in Otoliths (2016):
Peter Ganick published Potes & Poets Press and A.BACUS between 1980 and 2000. Then he worked with Jukka-Pekka Kervinen on various online enterprises like white sky books. He is a piano instructor in his 43rd year of continuous teaching. He is now mostly concentrated on visual art, but retains his love for the written/printed word.
(https://the-otolith.blogspot.com/2016/09/peter-ganick-and-differx.html)
_
https://gammm.org/2018/03/22/cci00000-peter-ganick-2012/
it.scribd.com/document/66166987/Peter-Ganick-ERLEBNIS-2011
https://gammm.org/2017/06/01/from-notes-toward-infinity-1-peter-ganick-2017/
https://gammm.org/2017/07/13/from-notes-toward-infinity-2-peter-ganick-2017/
&
https://gammmorg.files.wordpress.com/2020/03/ganick_properties_small.pdf
World Art Post – from 1982 – was the exhibition of artists stamps which made Artpool internationally well-known. The 750 stamps from 550 artists from all over the world can be seen on video.
SCRIVERE DISEGNANDO
Quand la langue cherche son autre
@ Centre d’Art Contemporain, Genève
EXHIBITION time will be EXTENDED:
it will be open until the 23rd of August
Curators : Andrea Bellini and Sarah Lombardi
Section documentaire : Sara De Chiara
Programme public : Étudiant·e·s Work.Master de la HEAD – Genève
avec la complicité de Pierre Leguillon, artiste et enseignant
En collaboration avec la Collection de l’Art Brut, Lausanne
* * *
two recent reviews:
Daniel Horn @ Artforum
https://www.artforum.com/print/reviews/202004/writing-by-drawing-82570
Harry Burke @ Frieze
https://frieze.com/article/modernity-history-unwritten
& more:
Alexia Lanta Maestrati @ Le Journal des Arts
https://www.lejournaldesarts.fr/expositions/ecrire-en-dessinant-148895
Ginevra Bria @ domus
https://www.domusweb.it/it/arte/2020/01/21/ginevra-quando-la-lingua-cerca-il-suo-altro.html
Andrea Cortellessa @ doppiozero
https://www.doppiozero.com/materiali/scrivere-disegnando-incontri-ravvicinati-ginevra
Riccardo Venturi @ Flash Art
https://flash—art.it/article/on-view-riccardo-venturi/
Karl Young, who passed away September, 30, 2017, was a major poet, artist, and organizer, who, along with Karl Gartung and Ann Kingsbury, founded Woodland Pattern Book Center, a nonprofit organization in Milwaukee’s Riverwest neighborhood dedicated to poetry and its attendant arts. This panel covers Young’s work as a publisher, book artist, and founder of Light and Dust, one of the first online archives of Avant-garde poetry and an important predecessor to sites such as UbuWeb and the Electronic Poetry Center.
Karl Kempton, editor of Kaldron Magazine, the longest running magazine dedicated to visual poetry: “Karl [Young] proudly considered himself a supporter of the literature and arts of the fourth coast, the Great Lakes. As such he developed deep and lasting friendships in the region. He could telescope easily from local to regional to national and international in conversation, correspondence and in his articles and poetics.”
Charles Alexander, poet and director of CHAX Press, discusses Young and the creation of “books of experience,” which is defined and demonstrated. Tom Montag, poet and editor of MWPH Books, discusses Young’s relationship to Margins: A Review of Little Magazines and Small Press Books, the establishment of Young’s “Symposium Series” in the magazine, and its continuation after Margins’ demise. Jonny Lohr, poet and co-editor of Adjunct Press, discusses the utopian drive of Young’s publishing career, exploring the small press aesthetics from late-Mimeo Revolution to early-Web publications.

Bálint Szombathy, Poetry? – Language (cartolina 1978 inviata a Giuseppe Garrera in data 21-7-2019)
Collezione Garrera



