Archivi tag: vispo

first international colloquium on visual poetry

The purpose of the event is to bring together artists and scholars in order to promote critical thinking and expand the relationship between practitioners of visual poetry at a global level. At the same time, and as part of the event, the First Virtual Exhibition of Visual Poetry will be held, in order to bring together historical and contemporary productions based on contributions from invited and registered poets.

Applications are open from 1st June 2021 to 15th August 2021 for submission of theoretical propositions (for oral communication) and artistic works (for the virtual exhibition).

All the infos here: https://www.jornadadepoesiavisual.com/en

[This is a non-profit event that does not have financial support from any public or private institution. The Organizing Committee and all invited participants waived Pró-Labore, and there are no registration fees]

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“lunic panzemes” by jim leftwich


https://jimleftwichvisualpoems2021.blogspot.com/search/label/lunic%20panzemes

2021 apophenia asemantic asemic asemic writing asemimesa asemous asemous writing bag text camera collage poem constellations cut-ups desemantized desemantized handwriting desemantized writing dirty vispo ecosemics emprientes found gestural gestural & letteral gestural photography jim leftwich letteral lunic panzemes map NCV neoasemic no commercial value ongoing research pansemic pareidolia photograph play poem collage post-neoasemic doodling post-penmanship prepared pen quasi-calligraphic drawing scraps scratchings scrawls scribblepoems semisemic lesssenseness senseless smears smudges smushes stamp dance stamps tape transfer tear-ups textimagepoem trashpo useless writing vispo visual poetry visual writing wordmush writing against itself

word for / word, issue #37, summer 2021

Word For/Word #37 is online at

www.wordforword.info/vol37

Issue #38 is scheduled for January 2022

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4 agosto: tutto spatola a pisa

All’interno della manifestazione pisana “Un fiume di libri in Piazza Cavallotti” (rassegna di editoria indipendente), il volume di Adriano Spatola, OPERA (a cura di Giovanni Fontana), edito da [dia•foria nel 2020, in collaborazione con dreamBOOK edizioni, avrà la sua prima vera, “fisica”, presentazione.

Saranno presenti all’evento: Giovanni Fontana (poeta e poliartista di rilievo internazionale); Bianca Maria Bonazzi (attiva collaboratrice dell’attività culturale di Spatola); Riccardo Spatola (figlio del poeta); Fabrizio Bondi (critico e accademico presso la Scuola Normale Superiore); Daniele Poletti (direttore del progetto culturale/editoriale [dia•foria); Stefano Mecenate (dreamBOOK edizioni).

OPERA è un libro fondamentale per ricostruire la nostra storia letteraria dagli anni ’60 agli ’80 e per valutare il lascito di uno dei poeti più importanti del Novecento.
Nella presentazione si parlerà dell’edizione del libro, della scrittura e dell’operato culturale di Adriano Spatola e dei progetti futuri, passando per l’ascolto di alcuni celebri pezzi di poesia sonora del nostro.

Evento facebook: https://facebook.com/events/s/presentazione-opera-di-adriano/370346311129890/

OPERA può essere acquistato scrivendo a:
info@diaforia.org
info@dreambookedizioni.it
www.diaforia.org
www.dreambookedizioni.it

jim leftwich @ archive.org

https://archive.org/details/@textimagepoem

Six Months Aint No Sentence, Books 1 – 15, written between 04.24.2011 and 01.13.2012. Originally published by Marco Giovenale at differx hosts as Six Months Aint No Sentence, a Journal: texts and works by Jim Leftwich, 2011 – 2016 Books 1 – 187
https://app.box.com/s/l76xlrg78e5s8evbi4c4
Books 1 – 30 were published by Peter Ganick and Jukka-Pekka Kervinen at White Sky E-Books.

poetry, visual poetry, asemic writing, historiography, writing against itself, useless writing, journal, textimagepoem, trashpo, desemantized writing, 21st Century American epic, collage poem, ongoing research

the we grrr ironing think / jim leftwich and jeff crouch, 2021

https://archive.org/details/2021-the-we-grrr-ironing-think-jeff-crouch-jim-leftwich/mode/2up

here it is too:

https://slowforward.files.wordpress.com/2021/07/2021-the-we-grrr-ironing-think-jeff-crouch-jim-leftwich.pdf

(slowforward.files.wordpress.com/2021/07/2021-the-we-grrr-ironing-think-jeff-crouch-jim-leftwich.pdf)

memoria: la prima installance, 24 agosto 2010 / differx. 2021

la prima installance, 24 agosto 2010:
https://installance.blogspot.com/2010/08/installance-001-asemic-sibyl.html

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ora il vecchio blog è di nuovo in funzione (reso di nuovo visibile).
arriva fino al 15 giugno 2015.

dopo quella data, tutte le installance vecchie sono state caricate anche su slowforward, e le nuove vengono inserite solo su slowforward.

installance.blogspot.com, dunque, di nuovo visibile, resterà esclusivamente come archivio sequenziale. per ricostruire le vicende dal 2010 al 2015.

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“garbage collection”, by jaap blonk (red fox press, 2021)

For Garbage Collection Jaap Blonk made collages from trash paper and all kinds of cheap stuff. All of them also feature his asemic scribbles, that are distant descendants of the symbols he created for the notation of his sound poems.
Then he processed them digitally – only the colours, not the forms – with many different self-coded algorithms that he developed over the years.

 

Jaap Blonk (born 1953 in Woerden, Netherlands) is a self-taught composer, performer, poet and visual artist.
His unfinished studies in mathematics and musicology mainly created a penchant for activities in a Dada vein, as did several unsuccessful jobs in offices and other well-organized systems.
In the late 1970s he started to compose music. A few years later he discovered his potential as a vocal performer, at first in reciting poetry and later on in improvisations and his own compositions. From the mid-1990s on Blonk started work with electronics as well.
Since 2006 he has been using mathematics again for algorithmic composition for the creation of music, visual work and poetry.
As a vocalist, Jaap Blonk is unique for his powerful stage presence and keen grasp of structure. He has performed around the world, on all continents. With the use of live electronics and interactive visuals the scope and range of his concerts has acquired a considerable extension.
Blonk’s recorded output comprises some 50 titles: CDs, vinyl, books and cassettes.
From his sound poetry scores he developed an independent body of visual work, which has been published and exhibited.

http://redfoxpress.com/dada-blonk.html

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