installance n. : # 0160 type : asemic leaflet (recto) with expiry date (verso) size : ~ cm 4,5 x 2 records : highres shot additional notes : abandoned date : Jul 19th, 2021 time : ~ 8:38am place : Rome, via Leopoldo Nobili footnote : none copyright : (CC) 2021 differx
Summer School at the Swiss Institute in Rome is taking place.
Here are two public events.
Monday, 5.7.2021, h. 15:30 – 17:45
Rules – Transitions from obvious to unobvious nonsense
A Conversation – Una conversazione (in Italiano), with:
Giuseppe di Giacomo – Università La Sapienza, con Nils Röller
Simona Ferrari – Zurich University of the Arts (MFA), ludwig’sfloor, 2020 video projection (5 min. loop)
This event is public via Zoom:
https://us06web.zoom.us/webinar/register/WN_UW1qgVwLTSeUrLe9ekigXQ
and
Tuesday, 6.7. 2021, h. 16:00 – 20:00
From semic to asemic: Writing-Artists-Books
h. 16:00-16:15 – Welcome Adrian Brändli – Nils Röller
h. 16:15-16:30 – Giulio Marzaioli – Benway Series (Opening a translated book)
h. 16:30-17:00 – Presentation of books of the participants
h. 17:30-18:00 – Sara Davidovics– Rome (Azimut. Libro di vetro e performance)
h. 18:15-18:30 Nils Röller – Zurich University of the Arts (Mundunculum -Dieter Roth’s book)
h. 18:30-19:15 – Marco Giovenale – Rome (Asemic Writing)
h. 19:15-20:00 Apero / Ricevimento / Books from the MFA/ZHdK
This event is public at the Istituto Svizzero and via Zoom:
https://www.istitutosvizzero.it/conferenza/from-semic-to-asemic-writing-artists-books/
(to attend in presence, please confirm your intention here)
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Istituto Svizzero – ROME, Villa Maraini
Via Ludovisi 48 – 00187 Roma
(Entrance in Via Liguria 20)
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06.07.2021
Conference, Summer Schools, Roma/Online
H16:00-20:00
Entrance via Liguria 20
Live streaming
The encounter will be held in English. Limited capacity of seats.
Register here to attend the event in presence.
The event can also be followed online on Zoom.
Register here to participate.
On the occasion of the Summer School Rome – Dimensions of the book, a project which is part of the Master of Fine Arts Program at Zurich University of the Arts (ZHdK), Istituto Svizzero hosts an encounter with the interventions by Sara Davidovics, Marco Giovenale, Giulio Marzaioli and Nils Röller.
https://www.istitutosvizzero.it/conferenza/from-semic-to-asemic-writing-artists-books/
Poi non dite che non vi avevo avvertito, e che Hejinian vi suona nuova, Tarkos non lo conoscete, l’asemic writing è un gateau di semi e i non assertivi sono un progetto Marvel.
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dodicipm con Mariangela Guatteri
su
www.radioarte.it
12:00-12:30
mercoledì 10/03/2021
replica ore 18:30
dodicipm è il nuovo programma di radioarte incentrato sulla ricerca artistica contemporanea, a cura di Andrea Astolfi. Il mezzodì contemporaneo.
ospite della ottava puntata: Mariangela Guatteri
Mariangela Guatteri è artista visivo e scrittore, classe ’63; vive sulle colline reggiane. Ha progettato la galleria d’arte più piccola del mondo, “Pubblico/Privato“, per installazioni site-specific. Ha pubblicato vari libri tra cui “Tecniche di liberazione / Techniques de libération”, trad. francese di Michele Zaffarano (Tielleci, 2017); “Figurina enigmistica” (IkonaLíber, 2013); “Il secondo nome” (Arcipelago, 2012); “Stati d’assedio” –Premio Montano– (Anterem Edizioni, 2011). Ha inoltre pubblicato testi poetici, note critiche e teoriche in volumi collettivi, lit-blog e riviste come il verri, L’Immaginazione, Semicerchio, Poesia, Nioques, e, recentemente, due testi in prosa sulla rivista La barque dans l’arbre, tradotti in francese da Benoît Gréan Dal 2013 fa parte della redazione di GAMMM.org ed è curatore, con Giulio Marzaioli, del progetto editoriale Benway Series. Sempre nel 2013 ha ideato e curato con M. Giovenale, M. Zaffarano e G. Marzaioli EX.IT Materiali fuori contesto. Ha recentemente esposto a Ginevra –Centre d’Art Contemporain– nella mostra collettiva Écrire en dessinant. Quand la langue cherche son autre, a cura di Andrea Bellini e Sarah Lombardi (catalogo Skira, 2020). Il suo prossimo libro, “Casino Conolly”, uscirà in Francia per le Éditions La Barque nella traduzione di Benoît Gréan. Il testo è organizzato in capitoli i cui titoli richiamano gli edifici dell’ex unità manicomiale a struttura disseminata presente nella città di Reggio Emilia. Tutto il libro è costruito principalmente sul rapporto tra libertà e coazione, tra dimensione istituzionale, sociale e personale, sulla norma e i comportamenti, sulla psicofisica.
da un post di Sandro Ricaldone:
Abstraction and Calligraphy
Towards a Universal Language
Louvre Abu Dhabi
17 February – 12 June 2021
In collaboration with Centre Pompidou
What’s the driving force behind Cy Twombly’s emotive expressions? Behind Kandinsky’s vibrant canvases?
Abstract artists set out to form a universal language that could be understood by all. That idea was influenced by the calligraphy of Asia and North Africa.
There was something about eastern script that fuelled the imagination of western artists. The Arab world was full of signs and symbols they could draw from. Both raw and precise, expressive and restrained, calligraphy unlocked a new way for them to express the inexpressible: emotion, empathy, ideas.
For visitors of all ages, this exhibition is a rare chance to appreciate masterworks by Henri Matisse, Paul Klee, Joan Miró, Lee Ufan, André Masson, Dia Azzawi and Jackson Pollock, alongside contemporary works by Sanki King, Mona Hatoum, and a monumental installation by eL Seed.
In this first exhibition of 2021, we explore masterworks from the Centre Pompidou, Guggenheim Abu Dhabi and others – many shown here for the very first time – and discover how East and West come together on the same canvas.
Image: Nasser Al Salem, An Adornment of Stars , 2014
facebook.com/story.php?story_fbid=10222501944275107&id=1165115780
Cecil Touchon was Born in 1956 in Austin, Texas is a contemporary American collage artist, painter, published poet, and theorist living in Santa Fe, New Mexico. Co-founder of the International Post-Dogmatist Group, Touchon is director of the group’s Ontological Museum, Founder of the International Museum of Collage, Assemblage, and Construction, and founder of the International Society of Assemblage and Collage Artists. Cecil Touchon is best known for his Typographic Abstraction works that ‘Free the letters from their burden of being bearers of meaning”.
Touchon co-founded the International Post-Dogmatist Group (IPDG) in 1987. Primarily an alternative to a post-modernist view of the world, the group’s writings suggest that creativity and artistic pursuits must be based in a recognition of the spiritual underpinnings of all human activities. The IPDG addresses itself to the art world through a presentation of itself as the ‘official avant-garde’ creating an elaborate bureaucratic structure of outlandish sounding offices through which the various members communicate simulating ‘the establishment’ as a form of parody.
In 2005 an exhibition was held in Cuernavaca, Mexico entitled “Cecil Touchon – Thirty Years of Fluxing Around” in which art works and scores dating as early as 1975 were exhibited showing the fluxus tendency in Touchon’s work over the last thirty years. Touchon has never been formally associated with the Fluxus group until the year 2000 with his participation in the Fluxlist – an email group where the current generation fluxus artists interact and collaborate. In 2002 Touchon, with a number of other artists from the Fluxlist established the Fluxnexus – a group of artists working together on various new Fluxus projects including a new Fluxus performance workbook. In 2006 Touchon established the FluxMuseum in order to assemble and archive samples of works by contemporary 21st Century Fluxus artists. The central focus of the Fluxmuseum has been the creation of Fluxus related publications and curating and mounting international exhibitions of Fluxus art called Fluxhibitions.
Interviewed by Pierre Gervois.