Archivi categoria: asemic

installance 0167: asemic jigsaw

installance n. : # 0167
type : jigsaw
size : cm 20 x 20
record : highres shot
additional notes : abandoned
date : Apr 28th, 2022
time : 11:41am
place :  Rome, via Amerigo Vespucci
footnote : ---
copyright : (CC) 2022 differx

untitled / john mcconnochie. 2022

qr code for punkasemic group @ facebook

bad writing, wrong handwriting,
low-res, low-fi, wrong asemics,
a few colors or no colors at all.

NO ABSTRACT ART. NO ART.
NO CALLIGRAPHY. NO “BEAUTY”.

materiali asemici di mg/differx nell’archivio sackner @ iowa university

Sibille asemantiche (La camera verde)
2008
https://aspace.lib.uiowa.edu/repositories/5/archival_objects/879874

la strada non è libera [opera unica]
2008
https://aspace.lib.uiowa.edu/repositories/5/archival_objects/801928

[folded asemic writing]
2009
https://aspace.lib.uiowa.edu/repositories/5/archival_objects/801929

[asemic writings]
la data corretta è 2009, non 2008 come indicato sul sito
https://aspace.lib.uiowa.edu/repositories/5/archival_objects/801927
origine dei materiali (Atto senza attori, con Pietro D’Agostino):
https://slowforward.net/2011/04/24/marzo-2009-atto-senza-attori/

This Is Visual Poetry, cur. Dan Waber, n. 71
2011
https://aspace.lib.uiowa.edu/repositories/5/archival_objects/860695

Asemic Sibyls (Red Fox Press, collection C’est Mon Dada)
2013
https://aspace.lib.uiowa.edu/repositories/5/archival_objects/860775

elenco con altri materiali non asemici (testi lineari in italiano e/o inglese):
https://aspace.lib.uiowa.edu/agents/people/8308

altri materiali asemici, anche di altri autori:
https://aspace.lib.uiowa.edu/subjects/3238

“asemic sound cycles” by félix-antoine morin [& other/older performances]

Asemic Sound Cycles at Galeri Salihara
April 10, 2022 – April 24, 2022

Asemic Sound Cycles (2022), by Félix-Antoine Morin, is an exhibition specially developed for the Salihara Arts Center (Jakarta, Indonesia). This exhibition consists of a series of graphic scores on polyester film as well as a sound installation in the center of the exhibition space.

Asemic Sound Cycles consists of a series of graphic scores on polyester film as well as a sound installation in the center of the Salihara Gallery.

Félix-Antoine Morin’s graphic scores represent existing musical forms whose basic structures are drawn from his repertoire of compositions. By this process, Morin maps out the metamorphosis of sound phenomena through a rhythmic and poetic graphic expression. He encourages the ambiguity between musical notation and pure pictorial symbolism.

The kinetic sound installation arranged in the center of the space is inspired by the “locked groove” technique, an expression invented by Pierre Schaeffer in the mid 20th century to describe this phenomenon in which the needle of a record player falls indefinitely in the same record groove. In the same way, this sound installation follows a unique circular route. This consists of a microphone that reacts like the needle of a record player on materials and textures arranged throughout the floor.

Asemic Sound Cycles is an exhibition specially developed for the Salihara Arts Center.

(from
https://whatsnewindonesia.com/jakarta/event/asemic-sound-cycles-at-galeri-salihara/)

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Félix-Antoine Morin’s graphic scores represent existing musical forms whose basic structures are drawn from his repertoire of compositions. Through a syncopated visual construction, by which he instinctively creates new connections between signs, he shifts the initial writing toward material abstraction. Preserving traces of the sound origin, the accumulation of elements gradually transforms each composition into an autonomous language that no longer references music.
By this process, Morin maps out the … [click to read more]

§

First solo exhibition of Félix-Antoin Morin in Turkey: Asemic Sound Mappings (Feb 19th – Mar 12th, 2022):

[…] The graphic language of the artist does not tend to have a fixed meaning, leaving the interpretation of the works free to the viewer, encouraging the ambiguity between musical notation and pure pictorial poetry. The artworks at the “Asemic Sound Mappings” exhibition display layered elements moving in the void, carrying rhythm to the surface by simultaneously expressing Morin’s musical and pictorial sensibilities […]

(from http://www.karsi.com/asemic-sound-mappings-f-lix-antoine-morin)

Continua a leggere→

not a structure / differx. 2022

not a structure
(CC) 2022 differx
for GDA

addio a cristina annino

ieri pomeriggio a Ostia i familiari di Cristina Annino (scomparsa il 28 gennaio) hanno disperso in mare le sue ceneri.

foto di Pietro Roversi

con alcuni amici, con i quali avevamo assistito alla cerimonia, siamo andati poi alla Casa clandestina, per parlare (anche) di poesie e di scritture. l’ospitalità della Casa e la compagnia di Giuseppe, militante del collettivo Subword, incontrato lì, sono state fondamentali per il momento. lui e io abbiamo poi raggiunto il Parco Pietro Rosa, dietro la Casa, per affiggere una poesia sua e una sigla asemica mia (che sembra iniziare con la “C” di Cristina) sulla stele del parcuino, installata dal collettivo proprio per consentire a tutti di mettere liberamente in comune qualche impressione, visiva o testuale. o qualche silenzio, volendo, quando non è troppo facile parlare.