
Archivi categoria: segnali e azioni
“heal”: yoko ono @ capo d’orlando
rachel blau du plessis: selected poems 1980-2020 (chax press)

DuPlessis’s Selected Poems is a generous collection including early work “rewriting the lyric” through serial poems to a comprehensive selection from her long poem Drafts. The book includes work from Traces, with Days up to 2020, including a selection of one of her collage poems.
True to their name [Drafts], the poems accent provisionality, risk, the absence of guarantee, delving into words and word parts with a heteroglossic verve that seems vengeance at times. With recourse to an astonishing range of techniques and material devices, formal concern as inclination and qualm, these poems register, lament, react to and wrestle with erosions on multiple fronts—psychic, social, historical, somatic….They affirm and negate the toll history takes on letter and spirit, affirming and negating and navigating a way between.
— Nathaniel Mackey, Chancellors’ Reading List
These new books [from Traces, with Days] remain true to the sense of loss that haunted DuPlessis’s generation and still haunts us—lost people or “the disappeared” and, increasingly, the lost species climate change brings. I have focused on the politically engaged and materially embodied nature of DuPlessis’s recent works here, and how they speak to our “catapulted” contemporary state. I have looked back at how they move on from and connect with her previous serial poems and her deep classical, Jewish, and modernist roots, and considered her restless search for new-old forms that can mirror the complexity of our “Human Universe.”
— Harriet Tarlo, Chicago Review
Throughout her distinguished career, Rachel Blau DuPlessis has explored hybridity in its many forms, working at the interstices of modern/postmodern, sacred/secular, long poem/lyric, text/image.
— Paul Jaussen
https://www.chax.org/product-page/selected-poems-of-rachel-blau-duplessis
“capsula del tempo”: opere di tommaso cascella e sandro scarmiglia @ bomarzo
fino al 23 ottobre 2022 al Bosco di Bomarzo
a cura di Serena Achilli
“il verri” n. 79, giugno 2022 (in distribuzione da fine agosto)
alcuni miei (pessimi ma leggibili) scatti dal nuovo “verri”, DA NON PERDERE.
questo nuovo numero è in distribuzione a partire da fine agosto / inizio settembre:
max renkel: “mario diacono e l’apparizione dell’illeggibilità”
Macro, 21 ottobre 2021
desemantized writing in the journals of allen ginsberg and william burroughs / jim leftwich. 2022
< > / tetau. 2021
pythica res / emilio villa

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Emilio Villa, Pythica Res, da Verboracula, in “Tau/ma” 7, Achille Maramotti Editore, Reggio Emilia 1981. Testo riprodotto in Claudio Parmiggiani (a cura di), Emilio Villa poeta e scrittore, Mazzotta, Milano 2008
measuring the universe / roman ondak. 2022

ROMAN ONDAK
Measuring the Universe
Pinakothek der Moderne – Muenchen
3.6.2022 – 25.9.2022
For the first time in 15 years, a performance by the artist Roman Ondak (*1966) can be experienced again, which was created especially for the Pinakothek der Moderne. The concept of “Measuring the Universe” (“Das Universum vermessen”) is simple: the height of the museum visitors is recorded on the wall – in the way parents mark the growth of their children to give them a sense of the dimension of time. An everyday, actually private action becomes the center of attention and is transformed into a public and collective action. During the exhibition period, a drawing is created on the wall that becomes denser and blacker. In the end, all the people will be present at the same time, although they will all have left as well.
Sandro Ricaldone
dotremont, peintre de l’écriture
Il vous reste quelques jours seulement pour voir et revoir l’exposition “Dotremont, peintre de l’écriture” aux Musées royaux des Beaux-Arts.
Pour reprendre un logogramme de 1974 : “un jour on tourne la page et c’est la dernière”.
Ajoutons ce log – plus léger – de 1965 : “vous m’en direz des nouvelles”.
#exposition #brussels #logogramme #Dotremont
salvatore vendittelli, scenografo per carmelo bene
In questa videointervista, lo scenografo Salvatore Vendittelli (che quest’anno sarà ospite del festival Di là dal fiume con la mostra Gli anni ’50 tra pop e concettuale, che si terrà fra il 2 e il 4 settembre) parla di Carmelo Bene e del libro che ha dedicato alla propria attività con lui tra il 1961 e il 1971:
https://www.aaccademia.it/ita/scheda-libro?aaref=48
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