In questa videointervista, lo scenografo Salvatore Vendittelli (che quest’anno sarà ospite del festival Di là dal fiume con la mostra Gli anni ’50 tra pop e concettuale, che si terrà fra il 2 e il 4 settembre) parla di Carmelo Bene e del libro che ha dedicato alla propria attività con lui tra il 1961 e il 1971:
https://www.aaccademia.it/ita/scheda-libro?aaref=48
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cliccare per ingrandire / click to enlarge
cliccare per ingrandire / click to enlarge
Comunicato stampa:
https://slowforward.files.wordpress.com/2022/08/comunicato-stampa-di-la-dal-fiume_-2022.pdf
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Sulla Luna (testo già comparso su «l’immaginazione» e «Poesia») in formato audio su RaiPlay: https://www.raiplaysound.it/audio/2020/02/3-sulla-Luna-Poeti-sulla-Luna-5a7c1671-39ca-4e04-92d2-d4434c5180cb.html = https://www.raiplayradio.it/audio/2019/06/3-sulla-Luna-Poeti-sulla-Luna-18822373-d7b7-4f1d-932f-960d4cd05f29.html (in séguito all’uscita su «Poesia», nell’ambito del ciclo https://www.raiplaysound.it/playlist/poetisullaluna a cura di M.G.Calandrone)
il testo:
https://slowforward.files.wordpress.com/2021/07/mgiovenale_-sulla-luna_-02-dic-2015-18-lug-2021.pdf
post precedenti:
https://slowforward.net/2021/07/19/sulla-luna-marco-giovenale-2015-2021/ https://slowforward.net/2019/07/24/sulla-luna-_-lettura-radio-tre/
https://slowforward.net/2019/07/29/poeti-e-prosatori-sulla-luna-rai-radio3-e-poesia-n-350-mariangela-guatteri-et-alii/
Sandro Ricaldone
PAOLO RUFFINO
Future Gaming
Creative Interventions in Video Game Culture
Goldsmith Press, 2018
This book is not about the future of video games. It is not an attempt to predict the moods of the market, the changing profile of gamers, the benevolence or malevolence of the medium. This book is about those predictions. It is about the ways in which the past, present, and future notions of games are narrated and negotiated by a small group of producers, journalists, and gamers, and about how invested these narrators are in telling the story of tomorrow.
This new title from Goldsmiths Press by Paolo Ruffino suggests the story could be told another way. Considering game culture, from the gamification of self-improvement to GamerGate’s sexism and violence, Ruffino lays out an alternative, creative mode of thinking about the medium: a sophisticated critical take that blurs the distinctions among studying, playing, making, and living with video games. Offering a series of stories that provide alternative narratives of digital gaming, Ruffino aims to encourage all of us who study and play (with) games to raise ethical questions, both about our own role in shaping the objects of research, and about our involvement in the discourses we produce as gamers and scholars. For researchers and students seeking a fresh approach to game studies, and for anyone with an interest in breaking open the current locked-box discourse, Future Gaming offers a radical lens with which to view the future.
http://www.edizioniae.it/catalogo/nughette/
alcune nughette su gammm:
https://gammmorg.files.wordpress.com/2007/02/Gammm_Canella_Nughette.pdf
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da La modernità letteraria e le declinazioni del visivo, Pisa, ETS, 2018, tomo II, 2, pp. 143-150
N.b.: chi avesse difficoltà a scaricare il saggio di Luca Stefanelli, potrà trovarlo anche qui: https://slowforward.files.wordpress.com/2022/08/stefanelli-luca_-la-parola-sfigurata_-sugli-attributi-dellarte…-di-emilio-villa.pdf
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Luciano Neri (1970) vive a Genova. Dirige la collana «Il laboratorio» per l’editrice L’Arcolaio. Ha pubblicato testi sulle riviste Atelier, Nuovi argomenti, L’Ulisse, Nazione indiana e altre, sull’antologia La poesia ligure e lombarda del XXI secolo (in Trivio n.1, a cura di Marco Berisso e Antonio Loreto, Oèdipus, 2013), e sul Nono quaderno italiano di poesia contemporanea (Marcos y Marcos, 2007). Di recente alcuni testi inediti in prosa sono apparsi su l’immaginazione (n. 322) e su gammm.org. Da qualche tempo la sua scrittura poetica è in fase di ripensamento e ne rimane traccia in un libro, Figure mancanti (Transeuropa, 2014), ormai introvabile. Discorso a due (L’Arcolaio, 2019) è il titolo del suo ultimo volume in versi.
I testi letti da Antonio Syxty vengono da Autoreverse, Tic edizioni, 2022, collana ChapBooks.
martedì 2 agosto, Giardino Scotto, Pisa, live music dei Karate, Fanciullino e live painting di Enrico Pantani.
dove: Giardino Scotto, Lungarno Leonardo Fibonacci 2, Pisa
info: https://www.incontro.it/event/there-are-ghosts-concerto-dei-karate-con-fanciullino/
biglietti: https://www.eventbrite.com/e/biglietti-there-are-ghosts-karate-fanciullino-322559222317
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non era il primo in assoluto ma lo considero così: primo libro.
e sono felice che sia stato collettivo: mio e di Francesca Vitale.
Curvature, La camera verde, Roma, luglio 2002.
con una prefazione di Giuliano Mesa leggibile qui
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per chi fosse interessato, una autoannotazione qui
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una segnalazione:
https://slowforward.files.wordpress.com/2022/03/lunita-4-gen-2003.jpg
una recensione:
https://slowforward.files.wordpress.com/2022/03/g.frene_.-recens.-a-curvature.pdf
alcuni testi e un’intervista sul sito omero.it (6 mag. 2002):
https://slowforward.files.wordpress.com/2022/07/curvature-sul-sito-omero.it-dal-6-mag-2002.pdf
[il libro era inoltre stato selezionato come finalista alla XVII edizione del premio Lorenzo Montano: https://www.anteremedizioni.it/montano_xvii_edizione]
8 books by Jim Leftwich from Luna Bisonte Prods
1 by Jim Leftwich and Steve Dalachinsky from Luna Bisonte Prods
1 by Jim Leftwich from Locofo Chaps
& 1 by Jim Leftwich from mOnocle-Lash
Luna Bisonte Prods is at Small Press Distribution
Jim Leftwich
Tres tresss trisss trieesss tril trilssss: Transmutations of César Vallejo
January 2018
Jim Leftwich’s transmutations (not translations) of the poetry of César Vallejo are nothing short of brilliant. They feel more Vallejo in English than any previous translations ever have . Vallejo is certainly, bar none, among the greatest poets of the 20th century. Human, more than immediately human, tortured, both baroque and surreal, and lyrical beyond compare, his poetry defies translation, so difficult does it appear at times. This is especially the case with his early work Trilce (Tres tresss trisss treesss tril trilssss, as Leftwich’s title has it). Claimed by the surrealists as a master in that genre, Vallejo is that and more than that, opaque as Góngora or bittersweetly acerbic as Lorca, the complexity of his language and imagery find few parallels (the poetry of Dino Campana’s Canti orfici leaps to mind). Leftwich has created a Vallejo more Vallejo than Vallejo at times, and certainly makes for far more interesting and challenging a read than, for example, the deliberately strained translations of Clayton Eshelman. Leftwich, a poet renowned in his own way for complexity and baffling linguistic virtuosity, has certainly found an equal, a compatriot, one might say, in Vallejo. These transmutations have all the speed, energy and enigmatic beauty of the originals on which they are based. The foreword by Retorico Unentesi is also something to be savored for its rich and layered interpretations. -Ivan Arguelles
L’INTRAMONTABILE SEGNO DI PIERO
Tributo a Piero Simondo
Spazio Simondo – a Cosio d’Arroscia
sabato 30 luglio 2022, ore 17:30