Archivi categoria: zines & authors
salvatore vendittelli, scenografo per carmelo bene
In questa videointervista, lo scenografo Salvatore Vendittelli (che quest’anno sarà ospite del festival Di là dal fiume con la mostra Gli anni ’50 tra pop e concettuale, che si terrà fra il 2 e il 4 settembre) parla di Carmelo Bene e del libro che ha dedicato alla propria attività con lui tra il 1961 e il 1971:
https://www.aaccademia.it/ita/scheda-libro?aaref=48
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declamation / jay snodgrass. 2022

cliccare per ingrandire / click to enlarge
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le “nughette” di leonardo canella: da ricercabo al 2021
http://www.edizioniae.it/catalogo/nughette/
alcune nughette su gammm:
https://gammmorg.files.wordpress.com/2007/02/Gammm_Canella_Nughette.pdf
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luca stefanelli: gli “attributi dell’arte odierna”, di emilio villa come ‘teatro della crudeltà’
da La modernità letteraria e le declinazioni del visivo, Pisa, ETS, 2018, tomo II, 2, pp. 143-150
N.b.: chi avesse difficoltà a scaricare il saggio di Luca Stefanelli, potrà trovarlo anche qui: https://slowforward.files.wordpress.com/2022/08/stefanelli-luca_-la-parola-sfigurata_-sugli-attributi-dellarte…-di-emilio-villa.pdf
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martedì 2 agosto: enrico pantani + karate + fanciullino @ pisa
martedì 2 agosto, Giardino Scotto, Pisa, live music dei Karate, Fanciullino e live painting di Enrico Pantani.
dove: Giardino Scotto, Lungarno Leonardo Fibonacci 2, Pisa
info: https://www.incontro.it/event/there-are-ghosts-concerto-dei-karate-con-fanciullino/
biglietti: https://www.eventbrite.com/e/biglietti-there-are-ghosts-karate-fanciullino-322559222317
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otoliths, issue #66, is on line
“sulla luna”, di mg, in un audio del 2019
dictionary of now: jonas mekas, “time” (2015)
Lecture, discussion, and selected film scenes
duchamp: infra mince
jim leftwich — eleven books
8 books by Jim Leftwich from Luna Bisonte Prods
1 by Jim Leftwich and Steve Dalachinsky from Luna Bisonte Prods
1 by Jim Leftwich from Locofo Chaps
& 1 by Jim Leftwich from mOnocle-Lash
Luna Bisonte Prods is at Small Press Distribution
Jim Leftwich
Tres tresss trisss trieesss tril trilssss: Transmutations of César Vallejo
January 2018
Jim Leftwich’s transmutations (not translations) of the poetry of César Vallejo are nothing short of brilliant. They feel more Vallejo in English than any previous translations ever have . Vallejo is certainly, bar none, among the greatest poets of the 20th century. Human, more than immediately human, tortured, both baroque and surreal, and lyrical beyond compare, his poetry defies translation, so difficult does it appear at times. This is especially the case with his early work Trilce (Tres tresss trisss treesss tril trilssss, as Leftwich’s title has it). Claimed by the surrealists as a master in that genre, Vallejo is that and more than that, opaque as Góngora or bittersweetly acerbic as Lorca, the complexity of his language and imagery find few parallels (the poetry of Dino Campana’s Canti orfici leaps to mind). Leftwich has created a Vallejo more Vallejo than Vallejo at times, and certainly makes for far more interesting and challenging a read than, for example, the deliberately strained translations of Clayton Eshelman. Leftwich, a poet renowned in his own way for complexity and baffling linguistic virtuosity, has certainly found an equal, a compatriot, one might say, in Vallejo. These transmutations have all the speed, energy and enigmatic beauty of the originals on which they are based. The foreword by Retorico Unentesi is also something to be savored for its rich and layered interpretations. -Ivan Arguelles









