measuring the universe / roman ondak. 2022

ROMAN ONDAK
Measuring the Universe
Pinakothek der Moderne – Muenchen
3.6.2022 – 25.9.2022

For the first time in 15 years, a performance by the artist Roman Ondak (*1966) can be experienced again, which was created especially for the Pinakothek der Moderne. The concept of “Measuring the Universe” (“Das Universum vermessen”) is simple: the height of the museum visitors is recorded on the wall – in the way parents mark the growth of their children to give them a sense of the dimension of time. An everyday, actually private action becomes the center of attention and is transformed into a public and collective action. During the exhibition period, a drawing is created on the wall that becomes denser and blacker. In the end, all the people will be present at the same time, although they will all have left as well.

Sandro Ricaldone

three works / marie orensanz

Sandro Ricaldone

Principio transfer, 1978
Energie IV, 1981
Untitled, 1989

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Marie Orensanz débuta sa carrière artistique en étudiant la peinture avec deux des artistes fondateurs du Modernisme Argentin : Emilio Pettoruti et Antonio Seguí. En tant que membre actif de la scène artistique de Buenos Aires dans les années 60 et 70, elle participa aux expositions et activités culturelles organisées par l’Instituto Torcuato Di Tella, et s’impliqua dans le Centro de Arte y Comunicación. Elle s’installa en 1972 à Milan. La proximité de Carrara et ses carrières de marbre initia ses premières productions utilisant comme matière la pierre. Elle a depuis continué à travailler avec des fragments de marbre, les transformant en livres et sculptures. Selon les mots de Christina M. Harrison, « Orensanz utilise des fragments matériels et symboliques -de marbre, de lignes, de signes- pour représenter des pensées. … Selon la conception d’Orensanz, l’interprétation de ce travail dépend de l’intersection des fragments avec les pensées et expériences du spectateur. »

En 1975, Marie Orensanz s’installa à Paris et fut plus tard naturalisée Française. Trois ans plus tard, elle écrivit un « Manifeste du Fragmentisme » dans lequel elle présenta la base conceptuelle de ses travaux. Écrit en Espagnol, Anglais et Français, le Manifeste proclame : « le Fragmentisme recherche l’intégration d’une partie dans un tout ; il la transforme aux bout de plusieurs lectures en un objet non terminé et illimité, traversant le temps et l’espace. »

https://www.schoolgallery.fr/talents/marie-orensanz/

dotremont, peintre de l’écriture

https://fb.watch/eHfyMm3vzu/

Il vous reste quelques jours seulement pour voir et revoir l’exposition “Dotremont, peintre de l’écriture” aux Musées royaux des Beaux-Arts.

Pour reprendre un logogramme de 1974 : “un jour on tourne la page et c’est la dernière”.

Ajoutons ce log – plus léger – de 1965 : “vous m’en direz des nouvelles”.

#exposition #brussels #logogramme #Dotremont

salvatore vendittelli, scenografo per carmelo bene

In questa videointervista, lo scenografo Salvatore Vendittelli (che quest’anno sarà ospite del festival Di là dal fiume con la mostra Gli anni ’50 tra pop e concettuale, che si terrà fra il 2 e il 4 settembre) parla di Carmelo Bene e del libro che ha dedicato alla propria attività con lui tra il 1961 e il 1971:

https://www.aaccademia.it/ita/scheda-libro?aaref=48

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il teatroinscatola presenta: “di là dal fiume”, quinta edizione del festival, 27 agosto – 4 settembre 2022

cliccare per ingrandire / click to enlarge

cliccare per ingrandire / click to enlarge

Comunicato stampa: 
https://slowforward.files.wordpress.com/2022/08/comunicato-stampa-di-la-dal-fiume_-2022.pdf

sulla luna (audio) / marco giovenale. 2016-2019

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Sulla Luna (testo già comparso su «l’immaginazione» e «Poesia») in formato audio su RaiPlay: https://www.raiplaysound.it/audio/2020/02/3-sulla-Luna-Poeti-sulla-Luna-5a7c1671-39ca-4e04-92d2-d4434c5180cb.html = https://www.raiplayradio.it/audio/2019/06/3-sulla-Luna-Poeti-sulla-Luna-18822373-d7b7-4f1d-932f-960d4cd05f29.html (in séguito all’uscita su «Poesia», nell’ambito del ciclo https://www.raiplaysound.it/playlist/poetisullaluna a cura di M.G.Calandrone)

il testo:
https://slowforward.files.wordpress.com/2021/07/mgiovenale_-sulla-luna_-02-dic-2015-18-lug-2021.pdf

post precedenti:
https://slowforward.net/2021/07/19/sulla-luna-marco-giovenale-2015-2021/  https://slowforward.net/2019/07/24/sulla-luna-_-lettura-radio-tre/
https://slowforward.net/2019/07/29/poeti-e-prosatori-sulla-luna-rai-radio3-e-poesia-n-350-mariangela-guatteri-et-alii/

paolo ruffino: “future gaming. creative interventions in video game culture”

Sandro Ricaldone

PAOLO RUFFINO
Future Gaming
Creative Interventions in Video Game Culture
Goldsmith Press, 2018

This book is not about the future of video games. It is not an attempt to predict the moods of the market, the changing profile of gamers, the benevolence or malevolence of the medium. This book is about those predictions. It is about the ways in which the past, present, and future notions of games are narrated and negotiated by a small group of producers, journalists, and gamers, and about how invested these narrators are in telling the story of tomorrow.

This new title from Goldsmiths Press by Paolo Ruffino suggests the story could be told another way. Considering game culture, from the gamification of self-improvement to GamerGate’s sexism and violence, Ruffino lays out an alternative, creative mode of thinking about the medium: a sophisticated critical take that blurs the distinctions among studying, playing, making, and living with video games. Offering a series of stories that provide alternative narratives of digital gaming, Ruffino aims to encourage all of us who study and play (with) games to raise ethical questions, both about our own role in shaping the objects of research, and about our involvement in the discourses we produce as gamers and scholars. For researchers and students seeking a fresh approach to game studies, and for anyone with an interest in breaking open the current locked-box discourse, Future Gaming offers a radical lens with which to view the future.

le “nughette” di leonardo canella: da ricercabo al 2021

http://www.edizioniae.it/catalogo/nughette/

alcune nughette su gammm:
https://gammmorg.files.wordpress.com/2007/02/Gammm_Canella_Nughette.pdf

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luca stefanelli: gli “attributi dell’arte odierna”, di emilio villa come ‘teatro della crudeltà’

da La modernità letteraria e le declinazioni del visivo, Pisa, ETS, 2018, tomo II, 2, pp. 143-150

https://www.academia.edu/49349659/La_parola_sfigurata_Gli_Attributi_dellarte_odierna_di_Emilio_Villa_come_teatro_della_crudelt%C3%A0_

     

N.b.: chi avesse difficoltà a scaricare il saggio di Luca Stefanelli, potrà trovarlo anche qui: https://slowforward.files.wordpress.com/2022/08/stefanelli-luca_-la-parola-sfigurata_-sugli-attributi-dellarte…-di-emilio-villa.pdf

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antonio syxty legge luciano neri

Luciano Neri (1970) vive a Genova. Dirige la collana «Il laboratorio» per l’editrice L’Arcolaio. Ha pubblicato testi sulle riviste Atelier, Nuovi argomenti, L’Ulisse, Nazione indiana e altre, sull’antologia La poesia ligure e lombarda del XXI secolo (in Trivio n.1, a cura di Marco Berisso e Antonio Loreto, Oèdipus, 2013), e sul Nono quaderno italiano di poesia contemporanea (Marcos y Marcos, 2007). Di recente alcuni testi inediti in prosa sono apparsi su l’immaginazione (n. 322) e su gammm.org. Da qualche tempo la sua scrittura poetica è in fase di ripensamento e ne rimane traccia in un libro, Figure mancanti (Transeuropa, 2014), ormai introvabile. Discorso a due (L’Arcolaio, 2019) è il titolo del suo ultimo volume in versi.

I testi letti da Antonio Syxty vengono da Autoreverse, Tic edizioni, 2022, collana ChapBooks.