*
see facebook.com/differx/posts/10158173011597212
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Archivi categoria: dada
recent posts @ repository magazine (cecil touchon, editor)
For me, the practice of asemic writing began in processes I was using in the mid-to-late 1990s to write textual poems. Beginning with a…
Monsters in Trousers 9:27 PM 5/7/2018 (collage poetry) We use language to separate, to violently tear ourselves [apart]. There is…
Watch this ZOOM conversation I have with Michelle Moloney King; Editor of Beir Bua Press
Rosaire Appel: “asemic writing is also a way of leaping forward into territory not yet conceptualized… a transition strategy perhaps” (Jun…
Non fungible tokens have been around for a minute and I myself have only known about the idea for a few weeks. But here are some initial…
On view (in 2014) at Lanoue Gallery in Boston
Essay for an exhibition held April 15, 2016 — June 15, 2016
Following up on the first article: On Being an Artist
aggiornamenti costanti, differenze e ripetizioni su t.me/slowforward e mgiovenale.medium.com
Aggiornamenti sulle scritture di ricerca, segnalazioni di reading di prosa (e poesia), conferenze, recensioni, critica letteraria, traduzioni, immagini, video, audio, gif, politica, polemiche, mazzate al mainstream, osservatorio di poesia contemporanea, mostre di arte attuale e incontri, materiali verbovisivi, glitch, scrittura asemica, musica sperimentale, collage, cut-up, flarf, googlism, scrittura concettuale, installazioni verbali e visive, archivi della ricerca testuale, artistica e musicale dal Novecento a oggi.
Post pressoché quotidiani su t.me/slowforward (anche indipendenti da https://slowforward.net, e spesso legati a https://mgiovenale.medium.com).
Differenze, ripetizioni, ritornelli, brand new stuff e molto altro.
Poi non dite che non vi avevo avvertito, e che Hejinian vi suona nuova, Tarkos non lo conoscete, l’asemic writing è un gateau di semi e i non assertivi sono un progetto Marvel.
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tic talk di aprile: 12, 19, 26
con
Alessandro Broggi, Agostino Bertani, Fiammetta Cirilli
elle est retrouvée. quoi? – l’éternité (rimbaud) / differx. 2020
Elle est retrouvée.
Quoi? – L’Éternité.
Rimbaud, Hymne à Facebook
(Mai 1872)
immagini dal klebnikov carnaval 2013
franticham’s assembling box nr. 23
http://www.redfoxpress.com/ass.box23.html
Contributions from:
Vittore Baroni, Italy – Lancillotto Bellini, Italy – Bruno Chiarlone, Italy – Fernando Garcia Delgado, Argentina
Klaus Peter Dencker, Germany – Luc Fierens, Belgium – Franticham, Ireland – Picasso Gaglione, USA
Antonio Gomez, Spain – Klaus Groh, Germany – Mikula Luellwitz, Germany – Emilio Morandi, Italy
Leo Morrissey, USA – Keiichi Nakamura, Japan – Juergen Olbrich, Germany – Benoit Piret, Belgium
Guenther Ruch, Switzerland – Antonio Sassu, Italy – Fritz Sauter, Switzerland – Skooter, USA
Litsa Spathi, Netherlands – Pete Spence, Australia – Carol Stetser, USA
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alcuni link
differx net/project _ http://slowforward.wordpress.com/2011/11/01/differx/
k a r a w a n e
lubomyr tymkiv, “dada poetry machine” + “asemic poetry machine”
[youtube=http://youtu.be/PDHgDeuhVl0]
At the opening of the exhibition Marco Giovenale “glyphs (and) encyclopaedia”, in the gallery “тимутопіяпрес” – Lviv, Ukraine, October 6, 2012).
Lubomyr Tymkiv made a kinetic machine N°1 (“dada poetry machine”) and N°2 (“asemic poetry machine”).
[ see also: the announcement & the shots ]
[ and: http://suxulf.blogspot.com/2012/10/marco-giovenale-glyphs-and-encyclopaedia.html
and http://suxulf.blogspot.com/2012/10/dada-poetry-machine-asemic-poetry.html ]
Maintenant, # 6
hosts _ Jim Leftwich_ Notes on the Collab fests (2008-2011)
#1: notes 1-60
[scribd id=79992856 key=key-1g9j7yhr4ydz69u5ip2q mode=list]
#2: notes 61-83
[scribd id=79992977 key=key-1tp012xcqs1s1l6ik7df mode=list]